Modernity, criticism and return of religion: an approach of Parasite and The Platform
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Rever (São Paulo. Online) |
Texto Completo: | https://revistas.pucsp.br/index.php/rever/article/view/51870 |
Resumo: | Our article exposes the relation between modernity and religion through the movies Parasite (2019) and The platform (2019). Its main objective is to demonstrate how these movies retreat this relation. We hypothesize that the relation is constituted by the modern critics of religion and its return. The article is structured in the following order: 1) an analysis of the religion, in a modern perspective, in images, ideas, and structure in each movie; 2) an approximation of their narratives to the modern critics of religion and its return. We intend that this article contributes to the study of religion and cinema (and pop culture in general) and the research field of the relation between religion and contemporaneity. |
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Modernity, criticism and return of religion: an approach of Parasite and The PlatformModernidade, crítica e retorno da religião: uma abordagem de Parasita e O PoçoReligiãoModernidadeParasitaO PoçoReligionModernityParasiteThe PlatformOur article exposes the relation between modernity and religion through the movies Parasite (2019) and The platform (2019). Its main objective is to demonstrate how these movies retreat this relation. We hypothesize that the relation is constituted by the modern critics of religion and its return. The article is structured in the following order: 1) an analysis of the religion, in a modern perspective, in images, ideas, and structure in each movie; 2) an approximation of their narratives to the modern critics of religion and its return. We intend that this article contributes to the study of religion and cinema (and pop culture in general) and the research field of the relation between religion and contemporaneity.Nosso artigo trata da relação entre modernidade e religião através dos filmes Parasita (2019) e O poço (2019). Seu objetivo é demonstrar como esses filmes retratam essa relação. Temos como hipótese que isso se dá por meio da crítica da religião desenvolvida pela modernidade e de seu retorno. Dessa forma, o artigo segue na seguinte ordem: 1) análise da religião, na perspectiva moderna, em configuração imagética, ideológica e estrutural em cada um dos filmes; 2) aproximação dos enredos com as críticas modernas à religião e com seu retorno. Pretendemos que este artigo contribua tanto para os estudos de religião e cinema (e cultura pop em geral) quanto para o campo de pesquisa da relação entre religião e contemporaneidade.Pontifícia Universidade Católica de São Paulo2020-12-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/rever/article/view/5187010.23925/1677-1222.2020vol20i3a5REVER: Journal for the Study of Religion; Vol. 20 No. 3 (2020): Religião e cultura pop; 59-74REVER: Revista de Estudos da Religião; v. 20 n. 3 (2020): Religião e cultura pop; 59-741677-1222reponame:Rever (São Paulo. Online)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/rever/article/view/51870/33835Copyright (c) 2020 REVER - Revista de Estudos da Religiãoinfo:eu-repo/semantics/openAccessMendes, Danilo2020-12-11T23:22:47Zoai:ojs.pkp.sfu.ca:article/51870Revistahttps://revistas.pucsp.br/index.php/rever/PRIhttps://revistas.pucsp.br/rever/oairever@pucsp.br1677-12221677-1222opendoar:2020-12-11T23:22:47Rever (São Paulo. Online) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.none.fl_str_mv |
Modernity, criticism and return of religion: an approach of Parasite and The Platform Modernidade, crítica e retorno da religião: uma abordagem de Parasita e O Poço |
title |
Modernity, criticism and return of religion: an approach of Parasite and The Platform |
spellingShingle |
Modernity, criticism and return of religion: an approach of Parasite and The Platform Mendes, Danilo Religião Modernidade Parasita O Poço Religion Modernity Parasite The Platform |
title_short |
Modernity, criticism and return of religion: an approach of Parasite and The Platform |
title_full |
Modernity, criticism and return of religion: an approach of Parasite and The Platform |
title_fullStr |
Modernity, criticism and return of religion: an approach of Parasite and The Platform |
title_full_unstemmed |
Modernity, criticism and return of religion: an approach of Parasite and The Platform |
title_sort |
Modernity, criticism and return of religion: an approach of Parasite and The Platform |
author |
Mendes, Danilo |
author_facet |
Mendes, Danilo |
author_role |
author |
dc.contributor.author.fl_str_mv |
Mendes, Danilo |
dc.subject.por.fl_str_mv |
Religião Modernidade Parasita O Poço Religion Modernity Parasite The Platform |
topic |
Religião Modernidade Parasita O Poço Religion Modernity Parasite The Platform |
description |
Our article exposes the relation between modernity and religion through the movies Parasite (2019) and The platform (2019). Its main objective is to demonstrate how these movies retreat this relation. We hypothesize that the relation is constituted by the modern critics of religion and its return. The article is structured in the following order: 1) an analysis of the religion, in a modern perspective, in images, ideas, and structure in each movie; 2) an approximation of their narratives to the modern critics of religion and its return. We intend that this article contributes to the study of religion and cinema (and pop culture in general) and the research field of the relation between religion and contemporaneity. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-12-11 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.pucsp.br/index.php/rever/article/view/51870 10.23925/1677-1222.2020vol20i3a5 |
url |
https://revistas.pucsp.br/index.php/rever/article/view/51870 |
identifier_str_mv |
10.23925/1677-1222.2020vol20i3a5 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.pucsp.br/index.php/rever/article/view/51870/33835 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 REVER - Revista de Estudos da Religião info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 REVER - Revista de Estudos da Religião |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Pontifícia Universidade Católica de São Paulo |
publisher.none.fl_str_mv |
Pontifícia Universidade Católica de São Paulo |
dc.source.none.fl_str_mv |
REVER: Journal for the Study of Religion; Vol. 20 No. 3 (2020): Religião e cultura pop; 59-74 REVER: Revista de Estudos da Religião; v. 20 n. 3 (2020): Religião e cultura pop; 59-74 1677-1222 reponame:Rever (São Paulo. Online) instname:Pontifícia Universidade Católica de São Paulo (PUC-SP) instacron:PUC_SP |
instname_str |
Pontifícia Universidade Católica de São Paulo (PUC-SP) |
instacron_str |
PUC_SP |
institution |
PUC_SP |
reponame_str |
Rever (São Paulo. Online) |
collection |
Rever (São Paulo. Online) |
repository.name.fl_str_mv |
Rever (São Paulo. Online) - Pontifícia Universidade Católica de São Paulo (PUC-SP) |
repository.mail.fl_str_mv |
rever@pucsp.br |
_version_ |
1796798389106507776 |