Charles S. Peirce in Europe: His "Aesthetic Letters"
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Data de Publicação: | 2013 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Cognitio (São Paulo. Online) |
Texto Completo: | https://revistas.pucsp.br/index.php/cognitiofilosofia/article/view/16577 |
Resumo: | Charles Peirce alwaysremained fascinated by the phenomenon of art, although his theoretical remarks about it are sketchy. His personal connection with art can be found in the letters he wrote during his five visits to Europe between June 1879 and September 1883, especiallu in the letters of his first trip (June 18, 1870 - March 7, 1871). In this paper we focus on those letters, which show how Europe produced in the young philosopher a deep cultural shock. First, historical and biographical data concerning Peirce´s first visit to Europe are provided, and the correspondence from that trip is presented; in the second place, we gloss Peirce´s comments about some of the places he visited. Finally, as a conclusion, we suggest tentatively how those perceptions could have influenced the thinking of Peirce. The feelings he experienced in Europe were seeds which bore fruit in later years, so as to yield a harvest in which new ways of understanding science and art would be developed. |
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Charles S. Peirce in Europe: His "Aesthetic Letters"Charles S. Peirce na Europa: Suas "Cartas Estéticas"PeirceEuropeArtPeirceEuropaArte.Charles Peirce alwaysremained fascinated by the phenomenon of art, although his theoretical remarks about it are sketchy. His personal connection with art can be found in the letters he wrote during his five visits to Europe between June 1879 and September 1883, especiallu in the letters of his first trip (June 18, 1870 - March 7, 1871). In this paper we focus on those letters, which show how Europe produced in the young philosopher a deep cultural shock. First, historical and biographical data concerning Peirce´s first visit to Europe are provided, and the correspondence from that trip is presented; in the second place, we gloss Peirce´s comments about some of the places he visited. Finally, as a conclusion, we suggest tentatively how those perceptions could have influenced the thinking of Peirce. The feelings he experienced in Europe were seeds which bore fruit in later years, so as to yield a harvest in which new ways of understanding science and art would be developed.Charles Peirce manteve-se sempre fascinado pelo fenômeno da arte, apesar de seus comentários sobre o assunto serem superficiais. Sua conexão pessoal com a arte pode ser encontrada nas cartas que ele escreveu durante suas cinco visitas à Europa, entre junho de 1870 e setembro de 1883, especialmente nas cartas de sua primeira viagem(18 de junho de 1870 - 07 de março de 1871). Neste artigo, focalizamos essas cartas, que mostram como a Europa produziu no jovem filósofo um profundo choque cultural. Primeiro, serão fornecidos dados históricos e biográficos sobre a primeira visita de Peirce a Europa, e apresentada a correspondência dessa viagem; em segundo lugar, compararemos os comentários de Peirce dos lugares que ele visitou. Finalmente, como conclusão, sugerimos exploratoriamente como essas percepções podem ter influenciado o pensamento de Peirce. Os sentimentos que ele experimentou na Europa foram sementes que deram frutos anos mais tarde, de forma a produzir uma colheita na qual novos modos de entender ciência e arte poderiam ser desenvolvidos.Pontifícia Universidade Católica de São Paulo2013-09-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/cognitiofilosofia/article/view/16577Cognitio: Revista de Filosofia; Vol. 14 No. 1 (2013); 13-22Cognitio: Revista de Filosofia; v. 14 n. 1 (2013); 13-222316-52781518-7187reponame:Cognitio (São Paulo. Online)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPenghttps://revistas.pucsp.br/index.php/cognitiofilosofia/article/view/16577/12449Copyright (c) 2013 http://creativecommons.org/licenses/by/4.0/info:eu-repo/semantics/openAccessBarrena, SaraNubiola, Jaime2024-07-01T13:09:36Zoai:ojs.pkp.sfu.ca:article/16577Revistahttps://revistas.pucsp.br/index.php/cognitiofilosofiaPRIhttps://revistas.pucsp.br/index.php/cognitiofilosofia/oairevcognitio@gmail.com2316-52781518-7187opendoar:2024-07-01T13:09:36Cognitio (São Paulo. Online) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.none.fl_str_mv |
Charles S. Peirce in Europe: His "Aesthetic Letters" Charles S. Peirce na Europa: Suas "Cartas Estéticas" |
title |
Charles S. Peirce in Europe: His "Aesthetic Letters" |
spellingShingle |
Charles S. Peirce in Europe: His "Aesthetic Letters" Barrena, Sara Peirce Europe Art Peirce Europa Arte. |
title_short |
Charles S. Peirce in Europe: His "Aesthetic Letters" |
title_full |
Charles S. Peirce in Europe: His "Aesthetic Letters" |
title_fullStr |
Charles S. Peirce in Europe: His "Aesthetic Letters" |
title_full_unstemmed |
Charles S. Peirce in Europe: His "Aesthetic Letters" |
title_sort |
Charles S. Peirce in Europe: His "Aesthetic Letters" |
author |
Barrena, Sara |
author_facet |
Barrena, Sara Nubiola, Jaime |
author_role |
author |
author2 |
Nubiola, Jaime |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Barrena, Sara Nubiola, Jaime |
dc.subject.por.fl_str_mv |
Peirce Europe Art Peirce Europa Arte. |
topic |
Peirce Europe Art Peirce Europa Arte. |
description |
Charles Peirce alwaysremained fascinated by the phenomenon of art, although his theoretical remarks about it are sketchy. His personal connection with art can be found in the letters he wrote during his five visits to Europe between June 1879 and September 1883, especiallu in the letters of his first trip (June 18, 1870 - March 7, 1871). In this paper we focus on those letters, which show how Europe produced in the young philosopher a deep cultural shock. First, historical and biographical data concerning Peirce´s first visit to Europe are provided, and the correspondence from that trip is presented; in the second place, we gloss Peirce´s comments about some of the places he visited. Finally, as a conclusion, we suggest tentatively how those perceptions could have influenced the thinking of Peirce. The feelings he experienced in Europe were seeds which bore fruit in later years, so as to yield a harvest in which new ways of understanding science and art would be developed. |
publishDate |
2013 |
dc.date.none.fl_str_mv |
2013-09-12 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.pucsp.br/index.php/cognitiofilosofia/article/view/16577 |
url |
https://revistas.pucsp.br/index.php/cognitiofilosofia/article/view/16577 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://revistas.pucsp.br/index.php/cognitiofilosofia/article/view/16577/12449 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2013 http://creativecommons.org/licenses/by/4.0/ info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2013 http://creativecommons.org/licenses/by/4.0/ |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Pontifícia Universidade Católica de São Paulo |
publisher.none.fl_str_mv |
Pontifícia Universidade Católica de São Paulo |
dc.source.none.fl_str_mv |
Cognitio: Revista de Filosofia; Vol. 14 No. 1 (2013); 13-22 Cognitio: Revista de Filosofia; v. 14 n. 1 (2013); 13-22 2316-5278 1518-7187 reponame:Cognitio (São Paulo. Online) instname:Pontifícia Universidade Católica de São Paulo (PUC-SP) instacron:PUC_SP |
instname_str |
Pontifícia Universidade Católica de São Paulo (PUC-SP) |
instacron_str |
PUC_SP |
institution |
PUC_SP |
reponame_str |
Cognitio (São Paulo. Online) |
collection |
Cognitio (São Paulo. Online) |
repository.name.fl_str_mv |
Cognitio (São Paulo. Online) - Pontifícia Universidade Católica de São Paulo (PUC-SP) |
repository.mail.fl_str_mv |
revcognitio@gmail.com |
_version_ |
1803387421333651456 |