Modos de subjetivação na lírica imagética de Pedro Kilkerry

• Autor(a) principal: Souza, Carlos Eduardo Siqueira Ferreira de
• Data de Publicação: 2022
• Tipo de documento: Tese
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
• Texto Completo: https://repositorio.pucsp.br/jspui/handle/handle/29582
• topic: CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA; Pedro Kilkerry; Simbolismo; Poesia moderna brasileira; Arquivo; Eu lírico; Alteridade; Percepção; Estrutura de horizonte; Pedro Kilkerry; Symbolism; Brazilian modern poetry; | Archive; Lyric self; Otherness; Perception; Horizon structure

The aim of this research is to investigate the modes of subjectivation that emerge from a singular voice in the context of modern Brazilian poetry: Pedro Kilkerry (1885-1917), a central figure of the second generation of Bahian Symbolism that left no published work in life. In order to achieve this general goal, the aesthetic procedures employed by the poet are examined, especially those related to syntax and the creation and combination of images; we analyze the dynamics inherent to the phenomenon of perception of reality manifested in his poetry; there is speculation about the poet's adhering to the principles of Symbolism and on the impact of the various archives to which his work was submitted. Thus, this study not only discusses the way Kilkerry reconfigures the role played by the lyric subject in modern poetry, but also problematizes the extent to which the modes of subjectivation that emerge from his poetry are articulated with a new practice of language and with a new relationship between subject and world in poetic experience. For this, the following hypotheses were drawn: subjectivity, in the poetry of Pedro Kilkerry, takes place in the dynamics of otherness; procedures of construction and combination of images employed by the poet materialize the intertwining between subject and world in poetic experience; the horizon structure participates in the configuration of subjectivity and the image of the world that manifest themselves in its lyric. These hypotheses were tested with the support of several authors from the fields of Literature, Philosophy and Linguistics, such as Michel Collot, Emil Staiger, Paul Valéry, Martin Heidegger, Maurice MerleauPonty, Jacques Derrida, Émile Benveniste and Käte Hamburger. The argumentation develops over four chapters: in the first, the place that Kilkerry's work occupies in Brazilian literature is analyzed from the ties established between his poetry and Symbolism; in the second, the impressions left in the various archives of his writings are examined, especially in the publication of ReVisão de Kilkerry – whose second edition brings together the poems that make up the corpus of this research – the result of the research carried out by Augusto de Campos; in the third, one ponders the uniqueness of the lyric subject in Kilkerry through the critical reading of his poems; in the fourth chapter, through new readings of poems, the constitution of the world that is manifested in his work is studied. Finally, it was possible to peer into the author's poems how the ek-stasis of the lyric self and the effects of transfiguration of the world are also carried out in language, through unforeseen tropes, complex syntactic structures and the conscious use of the linguistic foundations of subjectivity, procedures that, in the light of the notions of horizon structure, perspective and incarnation, among others, promote a modern poetic experience, open to plurisignification. In his fabulous response to the provocations of the world of perception, Pedro Kilkerry invests in the invisible that resides in the visible, putting on the scene a lyric subject in constant crossing to the other, delivered to the mystery of the real. His poetry is the expression of a fine consciousness, corporificated and, above all, spatialized of the subject, of the world and of the poetic word