Janela indiscreta: a simulação do mundo vivido no audiovisual

• Autor(a) principal: Rocha, Debora Cristine
• Data de Publicação: 2009
• Tipo de documento: Tese
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
• Texto Completo: https://tede2.pucsp.br/handle/handle/5207
• topic: Semiótica da cultura; Simulação; Etnografia; Telenovela; Reality show; Documentário; Big Brother Brasil (Programa de televisao); Paginas da vida (Telenovela); Edificio Master (Documentario); Onibus 174 (Documentario); Cultura -- Modelo semiotico; Comunicacao de massa; Semiotics of culture; Simulation; Ethnography; Telenovela; Documentary; CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO

The research aims to explore the modelization of verisimilitude among communication systems from the semiotic point of view. Becoming more and more frequent, this form of modelization leads to a text construction which puts emphasis on the the referent blending fiction and reality. Based on such perspective, this work seeks to map the strategies and language resources present on the translation process of such referent, more specifically audiovisual production, taking as study cases television and documentary film. On this work, the lived world is perceived as a natural world, which the signs represent and the midiatic world is also seen as the universe created by such representation. Hypothetically, it is admitted that such modelization simulates, on screen, the lived world through the semiosis of elements from the ethnographic method. In order to accomplish such task, the elements from the ethnographic method, when translated into the communication systems, abandon their ethnographic condition, becoming marks of veracity on the audiovisual text. That is to say, ethnography is modelized by audiovisual communication systems. Another accepted hypothesis is that the modelization of verisimilitude will constitute into the simulation, intending to erase representation marks from public eyes, generating therefore a platform of credibility for these communication systems. The simulation will utilize the phenomena called rear window, that is to say, the public desire to know about the private life of others, as a midiatic voyerism, simultaneously, their willingness to reveal their own lives to others. In this context, one of the strategies and resources put in use by the simulation will be the utilization of life histories of anonymous people. The research corpus will analyse the television aspect, taking as starting point the telenovela Páginas da Vida (TV Globo, 2006-2007), the reality show BBB8 Big Broter Brasil 8 (TV Globo, 2008), as well as the condition of the documentary film, taking examples such as Edifício Master (Eduardo Coutinho, 2002) and Ônibus 174 (José Padilha & Felipe Lacerda, 2002). The analysis is fundamented on the Tartu-Moscow school of the semiotics of culture and Jean Baudrillard thoughts, responsible for the major dialogued concepts reflected on this work: modelization and simulation. It also includes contributions from Bauman, Bateson, Jackobson, Luhman, Certeau, Geertz, Clifford and McLuhan