Representações sociais do nazismo no cinema: estudo sobre a desumanização e resistência à desumanização

• Autor(a) principal: Mussi , Luciana Helena
• Data de Publicação: 2016
• Tipo de documento: Tese
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
• Texto Completo: https://tede2.pucsp.br/handle/handle/19220
• topic: Representações sociais; Nazismo; Cinema; Social representations; Nazism; Movie theater; CNPQ::CIENCIAS HUMANAS::PSICOLOGIA::PSICOLOGIA SOCIAL

This study aims to analyze the social representations of Nazism in feature films in european and american cinema (german and non-german). The two central issues of the work are: the dehumanization and resistance to dehumanization. This is documentary research with approach according to the methodology of Laurence Bardin Content Analysis. To understand the different representations in the cinema of the origins, development, maintenance, fall and resurgence "contemporary" of Nazism, were found as a result of the research, 190 films, including documentaries and fictions. Of this total, based on predefined elements were selected 28 films, in-depth analysis of objects in the work. We started the journey with a foundation on cinema and its relationship with politics, by reference to the Theory of Social Representations of Serge Moscovici. Then the prophetic film The Cabinet of Dr. Caligari, Dr. Mabuse and Fausto announced what would in a few years, the rise of the Führer, presented here in Triumph of the Will, Architecture of Destruction, Amen and The Fall! Living the dilemma of accepting and/or resist, we come exercise of submission with five films, among them, Mephisto and Good. Some lived in the night and fog scenario, as represented in Bent and The Boy in the Striped Pajamas, examples of the unnameable, the incomprehensible suffering that only a man can break the other. To escape the invasion of the territory, took a ride on the Train of Life piloted by a ―wise fool‖ or ―crazy wise‖ that all-knowing and all resolves. But as the trial delays, but it does not fail, either in this world or the other, we face Nuremberg and the controversial position of philosopher Hannah Arendt. How to understand the dark side of all of us? Maybe movies like American History X and The Wave can explain the threatening seed of evil lurking and allows genocides are phenomena not only of the past but still present today. In the epilogue of this journey, we conclude, the analysis of the films, the dehumanization and the resistance to it, lie not only in large or small acts of individuals, but mainly in the awareness and responsibility of each and every one