The grotesque as a social criticism of Nazism in Volker Schlöndorff's The Tin Drum

Detalhes bibliográficos
Autor(a) principal: Lavorati, Carla
Data de Publicação: 2017
Outros Autores: Scremin Valério, Maristela
Tipo de documento: Artigo
Idioma: por
Título da fonte: Literatura e Autoritarismo
Texto Completo: http://periodicos.ufsm.br/LA/article/view/23430
Resumo: The objective is to analyze on the film The Tin Drum how the grotesque's representation is a motto for composition of meanings that question the alienation and violence in general. In Danzig city, on 1920s, the main character Oskar decides to stop growing, this condition of infantilized adult marks the narrative with grotesque scenes sand fantastic mode. Therefore, inseparable relationships happen between collective history of inter war period and private space on which unfold intimate life of the characters. Thus, the Oscar's family life microcosm and Danzig community can be in corporate into a biggest problem: the rise and fall of the Nazism. Thus, we can note that the movie's social criticism is referring to representations of images which explore war's absurdity and totalitarianism.
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spelling The grotesque as a social criticism of Nazism in Volker Schlöndorff's The Tin DrumO grotesco como crítica social ao nazismo no filme O Tambor, de Volker SchlöndorffO TamborCinemaViolenceNazismO TamborCinemaViolênciaNazismoThe objective is to analyze on the film The Tin Drum how the grotesque's representation is a motto for composition of meanings that question the alienation and violence in general. In Danzig city, on 1920s, the main character Oskar decides to stop growing, this condition of infantilized adult marks the narrative with grotesque scenes sand fantastic mode. Therefore, inseparable relationships happen between collective history of inter war period and private space on which unfold intimate life of the characters. Thus, the Oscar's family life microcosm and Danzig community can be in corporate into a biggest problem: the rise and fall of the Nazism. Thus, we can note that the movie's social criticism is referring to representations of images which explore war's absurdity and totalitarianism.O objetivo do trabalho é analisar no filme O Tambor como a representação do grotesco é um mote para a composição de sentidos que interrogam, de modo geral, a violência e a alienação. Na cidade de Danzig, nos anos de 1920, o personagem protagonista, Oskar, decide parar de crescer; e essa condição de adulto infantilizado marca a narrativa com cenas grotescas e mesmo de tom fantástico. Ocorrem, portanto, relações indissociáveis entre história coletiva do período entre guerras e o espaço privado no qual se desenrola a vida íntima dos personagens. O microcosmo da vida familiar de Oskar e também a comunidade de Danzig podem ser incorporados à problemática maior: a história da ascensão e queda do nazismo. Assim, observamos como a crítica social no filme associa-se a representações de imagens que exploram o absurdo da guerra e do totalitarismo.Universidade Federal de Santa Maria2017-12-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttp://periodicos.ufsm.br/LA/article/view/2343010.5902/1679849X23430Literatura e Autoritarismo; n. 30 (2017): Literatura e Autoritarismo: Crítica a violência e exclusão1679-849X1679-849Xreponame:Literatura e Autoritarismoinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttp://periodicos.ufsm.br/LA/article/view/23430/17175Copyright (c) 2017 Literatura e Autoritarismoinfo:eu-repo/semantics/openAccessLavorati, CarlaScremin Valério, Maristela2022-03-06T01:20:39Zoai:ojs.pkp.sfu.ca:article/23430Revistahttps://periodicos.ufsm.br/LA/indexPUBhttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/LA/oaigla@mail.ufsm.br||jlourique@pq.cnpq.br1679-849X1679-849Xopendoar:2022-03-06T01:20:39Literatura e Autoritarismo - Universidade Federal de Santa Maria (UFSM)false
dc.title.none.fl_str_mv The grotesque as a social criticism of Nazism in Volker Schlöndorff's The Tin Drum
O grotesco como crítica social ao nazismo no filme O Tambor, de Volker Schlöndorff
title The grotesque as a social criticism of Nazism in Volker Schlöndorff's The Tin Drum
spellingShingle The grotesque as a social criticism of Nazism in Volker Schlöndorff's The Tin Drum
Lavorati, Carla
O Tambor
Cinema
Violence
Nazism
O Tambor
Cinema
Violência
Nazismo
title_short The grotesque as a social criticism of Nazism in Volker Schlöndorff's The Tin Drum
title_full The grotesque as a social criticism of Nazism in Volker Schlöndorff's The Tin Drum
title_fullStr The grotesque as a social criticism of Nazism in Volker Schlöndorff's The Tin Drum
title_full_unstemmed The grotesque as a social criticism of Nazism in Volker Schlöndorff's The Tin Drum
title_sort The grotesque as a social criticism of Nazism in Volker Schlöndorff's The Tin Drum
author Lavorati, Carla
author_facet Lavorati, Carla
Scremin Valério, Maristela
author_role author
author2 Scremin Valério, Maristela
author2_role author
dc.contributor.author.fl_str_mv Lavorati, Carla
Scremin Valério, Maristela
dc.subject.por.fl_str_mv O Tambor
Cinema
Violence
Nazism
O Tambor
Cinema
Violência
Nazismo
topic O Tambor
Cinema
Violence
Nazism
O Tambor
Cinema
Violência
Nazismo
description The objective is to analyze on the film The Tin Drum how the grotesque's representation is a motto for composition of meanings that question the alienation and violence in general. In Danzig city, on 1920s, the main character Oskar decides to stop growing, this condition of infantilized adult marks the narrative with grotesque scenes sand fantastic mode. Therefore, inseparable relationships happen between collective history of inter war period and private space on which unfold intimate life of the characters. Thus, the Oscar's family life microcosm and Danzig community can be in corporate into a biggest problem: the rise and fall of the Nazism. Thus, we can note that the movie's social criticism is referring to representations of images which explore war's absurdity and totalitarianism.
publishDate 2017
dc.date.none.fl_str_mv 2017-12-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://periodicos.ufsm.br/LA/article/view/23430
10.5902/1679849X23430
url http://periodicos.ufsm.br/LA/article/view/23430
identifier_str_mv 10.5902/1679849X23430
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv http://periodicos.ufsm.br/LA/article/view/23430/17175
dc.rights.driver.fl_str_mv Copyright (c) 2017 Literatura e Autoritarismo
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Literatura e Autoritarismo
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Maria
publisher.none.fl_str_mv Universidade Federal de Santa Maria
dc.source.none.fl_str_mv Literatura e Autoritarismo; n. 30 (2017): Literatura e Autoritarismo: Crítica a violência e exclusão
1679-849X
1679-849X
reponame:Literatura e Autoritarismo
instname:Universidade Federal de Santa Maria (UFSM)
instacron:UFSM
instname_str Universidade Federal de Santa Maria (UFSM)
instacron_str UFSM
institution UFSM
reponame_str Literatura e Autoritarismo
collection Literatura e Autoritarismo
repository.name.fl_str_mv Literatura e Autoritarismo - Universidade Federal de Santa Maria (UFSM)
repository.mail.fl_str_mv gla@mail.ufsm.br||jlourique@pq.cnpq.br
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