O sujeito e o Outro no conflito de Hamlet

Detalhes bibliográficos
Autor(a) principal: Ferretti, Mariana Galletti
Data de Publicação: 2010
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
Texto Completo: https://tede2.pucsp.br/handle/handle/16908
Resumo: This work intends, starting from Shakespeare s intuition about the human condition expressed in the vicissitudes of Hamlet s character, to deepen a reflection on the concept of subject in Lacan s theory articulated to the formularization of the author concerning the structure and the logic times of the subject s constitution. Is extremely important to emphasize that Hamlet won t be understood as a representation of one subject in constitution. The approach to this character must be comprehended merely as propitious context to ponder on fundamental aspects of the subject s structure. This research is organized in four main stages: the first aims to introduce the reader to the question of the existing connection between psychoanalysis, art and literature; the second concerns the singularity intrinsic to the work on this famous Shakespearian production Hamlet; in the third stage, the Lacanian concepts of subject and the Other were developed; in the fourth, the connection between the concepts of Oedipus complex and the paternal metaphor was discussed trying to make clear and bring to context the articulations of both within the Shakespearian play. These concepts, that represent capital points of the Freudian and Lacanian theories, respectively, have common aspects, but aren t synonymous. Since the Lacanian theory, in which this research is based on, has many unfoldings, it was necessary to establish a delimitation of the study, that aimed to embrace the Lacanian theorizations endeavoured up to the The Seminar 10. It was possible to regard Hamlet as a portrait of the contingencies of neurosis. That being a psychic structure resulting from a determinate function of the Other, we may say that the conflict in Hamlet has clear connection with the social bonds that are established between him and the Other. Still, the question of the structure is, for Lacan, anterior and subjacent, always in the logic sense, to the establishment of the social bonds. The structural lack generates determinate effects that influence the relation between the subject and the Other. Hamlet suffers from the contingencies of his structure in the bond with the Other
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spelling Pacheco Filho, Raul Albinohttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4463157Y4Ferretti, Mariana Galletti2016-04-29T13:30:46Z2015-05-262010-12-08Ferretti, Mariana Galletti. O sujeito e o Outro no conflito de Hamlet. 2010. 60 f. Dissertação (Mestrado em Psicologia) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2010.https://tede2.pucsp.br/handle/handle/16908This work intends, starting from Shakespeare s intuition about the human condition expressed in the vicissitudes of Hamlet s character, to deepen a reflection on the concept of subject in Lacan s theory articulated to the formularization of the author concerning the structure and the logic times of the subject s constitution. Is extremely important to emphasize that Hamlet won t be understood as a representation of one subject in constitution. The approach to this character must be comprehended merely as propitious context to ponder on fundamental aspects of the subject s structure. This research is organized in four main stages: the first aims to introduce the reader to the question of the existing connection between psychoanalysis, art and literature; the second concerns the singularity intrinsic to the work on this famous Shakespearian production Hamlet; in the third stage, the Lacanian concepts of subject and the Other were developed; in the fourth, the connection between the concepts of Oedipus complex and the paternal metaphor was discussed trying to make clear and bring to context the articulations of both within the Shakespearian play. These concepts, that represent capital points of the Freudian and Lacanian theories, respectively, have common aspects, but aren t synonymous. Since the Lacanian theory, in which this research is based on, has many unfoldings, it was necessary to establish a delimitation of the study, that aimed to embrace the Lacanian theorizations endeavoured up to the The Seminar 10. It was possible to regard Hamlet as a portrait of the contingencies of neurosis. That being a psychic structure resulting from a determinate function of the Other, we may say that the conflict in Hamlet has clear connection with the social bonds that are established between him and the Other. Still, the question of the structure is, for Lacan, anterior and subjacent, always in the logic sense, to the establishment of the social bonds. The structural lack generates determinate effects that influence the relation between the subject and the Other. Hamlet suffers from the contingencies of his structure in the bond with the OtherO presente trabalho pretende, partindo das intuições shakespearianas sobre a condição humana expressas nas vicissitudes da personagem Hamlet, aprofundar uma reflexão sobre o sujeito em Lacan articulada às formulações do autor sobre a estrutura e os tempos lógicos da constituição do sujeito. É de extrema importância frisar que Hamlet não será entendido como a representação de um sujeito em constituição. A abordagem desta personagem deve ser compreendida tão somente como contexto oportuno para refletir a respeito de aspectos fundamentais da estrutura do sujeito. Esta pesquisa está organizada em quatro principais etapas: a primeira visa a introduzir o leitor à questão da relação existente entre a psicanálise, a arte e a literatura; a segunda se caracteriza por tratar das particularidades intrínsecas ao trabalho com a famosa obra shakespeariana Hamlet; na terceira etapa, foram desenvolvidos os conceitos de sujeito e de Outro em Lacan; já na quarta, foi discutida a relação entre os conceitos de complexo de Édipo e de metáfora paterna procurando evidenciar e contextualizar a articulação da obra Hamlet com ambos. Estes conceitos, que representam pontos capitais das teorias, respectivamente, de Freud e Lacan, possuem aspectos em comum, porém não são sinônimos. Visto que a teoria lacaniana, na qual esta pesquisa se baseou, possui muitos desdobramentos, foi necessário estabelecer uma delimitação do estudo, que visou a abranger as teorizações lacanianas empreendidas até a época do Seminário 10. Foi possível considerar Hamlet como o retrato das contingências da neurose. Sendo esta uma estrutura psíquica decorrente de uma determinada função do Outro, podemos dizer que o conflito de Hamlet tem claras ligações com as relações sociais que se estabelecem entre ele e o Outro. Entretanto, a questão da estrutura é, para Lacan, anterior e subjacente, sempre no sentido lógico, ao estabelecimento dos vínculos sociais. A falta estrutural gera determinados efeitos que repercutem no modo de relação que se dá entre o sujeito e o Outro. Hamlet sofre pelas contingências de sua estrutura no vínculo com o OutroConselho Nacional de Desenvolvimento Científico e Tecnológicoapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/35721/Mariana%20Galletti%20Ferretti.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Serviço SocialPUC-SPBRPsicologiaPsicanáliseHamletLacanSujeitoOutro, Laço socialPsychoanalysisSubjectOtherSocial bondCNPQ::CIENCIAS HUMANAS::PSICOLOGIA::PSICOLOGIA SOCIALO sujeito e o Outro no conflito de HamletThe subject and the Other in Hamlet s conflictinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTMariana Galletti Ferretti.pdf.txtMariana Galletti Ferretti.pdf.txtExtracted texttext/plain131378https://repositorio.pucsp.br/xmlui/bitstream/handle/16908/3/Mariana%20Galletti%20Ferretti.pdf.txt11119e3a971ab1b2e6d209a96ede13c1MD53ORIGINALMariana Galletti Ferretti.pdfapplication/pdf462508https://repositorio.pucsp.br/xmlui/bitstream/handle/16908/1/Mariana%20Galletti%20Ferretti.pdf116f7d7b713a3d736bc921ba9432efe7MD51THUMBNAILMariana Galletti Ferretti.pdf.jpgMariana Galletti Ferretti.pdf.jpgGenerated Thumbnailimage/jpeg3023https://repositorio.pucsp.br/xmlui/bitstream/handle/16908/2/Mariana%20Galletti%20Ferretti.pdf.jpg8c4dc116548ed4a05b4d648c99edd025MD52handle/169082022-04-28 14:36:05.276oai:repositorio.pucsp.br:handle/16908Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2022-04-28T17:36:05Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.por.fl_str_mv O sujeito e o Outro no conflito de Hamlet
dc.title.alternative.eng.fl_str_mv The subject and the Other in Hamlet s conflict
title O sujeito e o Outro no conflito de Hamlet
spellingShingle O sujeito e o Outro no conflito de Hamlet
Ferretti, Mariana Galletti
Psicanálise
Hamlet
Lacan
Sujeito
Outro, Laço social
Psychoanalysis
Subject
Other
Social bond
CNPQ::CIENCIAS HUMANAS::PSICOLOGIA::PSICOLOGIA SOCIAL
title_short O sujeito e o Outro no conflito de Hamlet
title_full O sujeito e o Outro no conflito de Hamlet
title_fullStr O sujeito e o Outro no conflito de Hamlet
title_full_unstemmed O sujeito e o Outro no conflito de Hamlet
title_sort O sujeito e o Outro no conflito de Hamlet
author Ferretti, Mariana Galletti
author_facet Ferretti, Mariana Galletti
author_role author
dc.contributor.advisor1.fl_str_mv Pacheco Filho, Raul Albino
dc.contributor.authorLattes.fl_str_mv http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4463157Y4
dc.contributor.author.fl_str_mv Ferretti, Mariana Galletti
contributor_str_mv Pacheco Filho, Raul Albino
dc.subject.por.fl_str_mv Psicanálise
Hamlet
Lacan
Sujeito
Outro, Laço social
topic Psicanálise
Hamlet
Lacan
Sujeito
Outro, Laço social
Psychoanalysis
Subject
Other
Social bond
CNPQ::CIENCIAS HUMANAS::PSICOLOGIA::PSICOLOGIA SOCIAL
dc.subject.eng.fl_str_mv Psychoanalysis
Subject
Other
Social bond
dc.subject.cnpq.fl_str_mv CNPQ::CIENCIAS HUMANAS::PSICOLOGIA::PSICOLOGIA SOCIAL
description This work intends, starting from Shakespeare s intuition about the human condition expressed in the vicissitudes of Hamlet s character, to deepen a reflection on the concept of subject in Lacan s theory articulated to the formularization of the author concerning the structure and the logic times of the subject s constitution. Is extremely important to emphasize that Hamlet won t be understood as a representation of one subject in constitution. The approach to this character must be comprehended merely as propitious context to ponder on fundamental aspects of the subject s structure. This research is organized in four main stages: the first aims to introduce the reader to the question of the existing connection between psychoanalysis, art and literature; the second concerns the singularity intrinsic to the work on this famous Shakespearian production Hamlet; in the third stage, the Lacanian concepts of subject and the Other were developed; in the fourth, the connection between the concepts of Oedipus complex and the paternal metaphor was discussed trying to make clear and bring to context the articulations of both within the Shakespearian play. These concepts, that represent capital points of the Freudian and Lacanian theories, respectively, have common aspects, but aren t synonymous. Since the Lacanian theory, in which this research is based on, has many unfoldings, it was necessary to establish a delimitation of the study, that aimed to embrace the Lacanian theorizations endeavoured up to the The Seminar 10. It was possible to regard Hamlet as a portrait of the contingencies of neurosis. That being a psychic structure resulting from a determinate function of the Other, we may say that the conflict in Hamlet has clear connection with the social bonds that are established between him and the Other. Still, the question of the structure is, for Lacan, anterior and subjacent, always in the logic sense, to the establishment of the social bonds. The structural lack generates determinate effects that influence the relation between the subject and the Other. Hamlet suffers from the contingencies of his structure in the bond with the Other
publishDate 2010
dc.date.issued.fl_str_mv 2010-12-08
dc.date.available.fl_str_mv 2015-05-26
dc.date.accessioned.fl_str_mv 2016-04-29T13:30:46Z
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dc.identifier.citation.fl_str_mv Ferretti, Mariana Galletti. O sujeito e o Outro no conflito de Hamlet. 2010. 60 f. Dissertação (Mestrado em Psicologia) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2010.
dc.identifier.uri.fl_str_mv https://tede2.pucsp.br/handle/handle/16908
identifier_str_mv Ferretti, Mariana Galletti. O sujeito e o Outro no conflito de Hamlet. 2010. 60 f. Dissertação (Mestrado em Psicologia) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2010.
url https://tede2.pucsp.br/handle/handle/16908
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