Carnaval de São Luiz do Paraitinga: conflito entre isolamento e abertura da cidade
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da PUC_SP |
Texto Completo: | https://tede2.pucsp.br/handle/handle/12873 |
Resumo: | This work is meant to understand São Luiz do Paraitinga´ s carnival, in São Paulo, restarted in 1981 as a street festival after its prohibition for 60 years (1920-1980) by the Catholic Church. Its return is linked to several factors, including reaction of luizenses to a TV report. But the dynamics of popular culture was probably its greatest propellant. This culture, auto called caipira by its actors, has determined many of the features that carnival acquired after its recovery, with particular reference to exclusive use of carnival marchinhas rhythm, all composed by luizenses and that became the main distinctive feature of this festival. The festival understood as a product of social reality, this carnival also expresses the political aspects of its accomplishment, considering that it takes place in a city which heritage, tangible and intangible, are targets for preservation agencies at municipal, state and federal levels which also give to this festival special and peculiar unique features. Contemporary questions have shown the interest of media, tourism, entertainment groups and many other social, cultural and economic organizations in popular festivals, and it was no different with the carnival of São Luiz do Paraitinga. These questions motivated conflicts that are gradually being discussed by luizenses in an attempt to reconcile the local tradition with the opening to new actors and, among them, sponsors for its realization. So, the research attempts to contribute to this discussion, bringing together various aspects of carnival realization, in search of strategies to enable a better understanding of its directions and affirmation of cultural practices in São Luiz do Paraitinga |
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Brites, Olgahttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4343274Z9Allucci, Renata Rendelucci2016-04-27T19:31:04Z2015-04-222015-03-20Allucci, Renata Rendelucci. São Luiz do Paraitinga´s carnival: conflict between city closing and opening. 2015. 138 f. Dissertação (Mestrado em História) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2015.https://tede2.pucsp.br/handle/handle/12873This work is meant to understand São Luiz do Paraitinga´ s carnival, in São Paulo, restarted in 1981 as a street festival after its prohibition for 60 years (1920-1980) by the Catholic Church. Its return is linked to several factors, including reaction of luizenses to a TV report. But the dynamics of popular culture was probably its greatest propellant. This culture, auto called caipira by its actors, has determined many of the features that carnival acquired after its recovery, with particular reference to exclusive use of carnival marchinhas rhythm, all composed by luizenses and that became the main distinctive feature of this festival. The festival understood as a product of social reality, this carnival also expresses the political aspects of its accomplishment, considering that it takes place in a city which heritage, tangible and intangible, are targets for preservation agencies at municipal, state and federal levels which also give to this festival special and peculiar unique features. Contemporary questions have shown the interest of media, tourism, entertainment groups and many other social, cultural and economic organizations in popular festivals, and it was no different with the carnival of São Luiz do Paraitinga. These questions motivated conflicts that are gradually being discussed by luizenses in an attempt to reconcile the local tradition with the opening to new actors and, among them, sponsors for its realization. So, the research attempts to contribute to this discussion, bringing together various aspects of carnival realization, in search of strategies to enable a better understanding of its directions and affirmation of cultural practices in São Luiz do ParaitingaEste trabalho busca compreender o carnaval da cidade de São Luiz do Paraitinga, em São Paulo, reiniciado nos anos 1981 como festa de rua, após sua proibição pela igreja católica por 60 anos (1920 a 1980). Sua volta está atrelada a fatores diversos, incluindo a reação dos luizenses a uma reportagem televisiva. Mas a dinâmica da cultura popular foi, provavelmente, seu maior propulsor. Essa cultura, autodenominada caipira por seus atores, determinou muitas das formas que o carnaval adquiriu após sua retomada, com especial destaque para a utilização exclusiva do ritmo das marchinhas carnavalescas, todas compostas pelos próprios luizenses e que se tornaram a principal marca distintiva dessa festa. Entendida a festa como produto da realidade social, este carnaval expressa também os aspectos políticos de sua realização, considerando que ele se realiza em uma cidade cujos patrimônios, material e imaterial, são alvos de órgãos de preservação tanto nas esferas municipal, estadual quanto federal, o que também confere a essa festa traços particulares e singulares. Questões contemporâneas revelaram o interesse de grupos midiáticos, de turismo, de entretenimento e de tantas outras organizações socais, culturais e econômicas em festas populares, e não foi diferente com o carnaval de São Luiz do Paraitinga. Essas questões motivaram conflitos que, aos poucos, estão sendo discutidos pelos luizenses, na tentativa de conciliar a tradição local com a abertura para novos atores e, entre eles, patrocinadores para sua realização. Assim, a pesquisa tenta contribuir com essa discussão, reunindo aspectos diversos da realização do carnaval, em busca de estratégias que permitam uma melhor compreensão de seus rumos e a afirmação das práticas culturais de São Luiz do ParaitingaCoordenação de Aperfeiçoamento de Pessoal de Nível Superiorapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/25255/Renata%20Rendelucci%20Allucci.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em HistóriaPUC-SPBRHistóriaCarnavalFestaCultura popularPatrimônio culturalSão Luiz do ParaitingaCarnivalFestivalPopular cultureCultural heritageCNPQ::CIENCIAS HUMANAS::HISTORIACarnaval de São Luiz do Paraitinga: conflito entre isolamento e abertura da cidadeSão Luiz do Paraitinga´s carnival: conflict between city closing and openinginfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTRenata Rendelucci Allucci.pdf.txtRenata Rendelucci Allucci.pdf.txtExtracted texttext/plain362251https://repositorio.pucsp.br/xmlui/bitstream/handle/12873/3/Renata%20Rendelucci%20Allucci.pdf.txt5b198f7f9facdb491ca371349600fd30MD53ORIGINALRenata Rendelucci Allucci.pdfapplication/pdf2639406https://repositorio.pucsp.br/xmlui/bitstream/handle/12873/1/Renata%20Rendelucci%20Allucci.pdf64951c1f6c12e6e045d3d74e333f4081MD51THUMBNAILRenata Rendelucci Allucci.pdf.jpgRenata Rendelucci Allucci.pdf.jpgGenerated Thumbnailimage/jpeg1960https://repositorio.pucsp.br/xmlui/bitstream/handle/12873/2/Renata%20Rendelucci%20Allucci.pdf.jpgc316b154543641df01dba72f86966f7dMD52handle/128732022-04-28 08:49:12.607oai:repositorio.pucsp.br:handle/12873Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2022-04-28T11:49:12Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.por.fl_str_mv |
Carnaval de São Luiz do Paraitinga: conflito entre isolamento e abertura da cidade |
dc.title.alternative.eng.fl_str_mv |
São Luiz do Paraitinga´s carnival: conflict between city closing and opening |
title |
Carnaval de São Luiz do Paraitinga: conflito entre isolamento e abertura da cidade |
spellingShingle |
Carnaval de São Luiz do Paraitinga: conflito entre isolamento e abertura da cidade Allucci, Renata Rendelucci Carnaval Festa Cultura popular Patrimônio cultural São Luiz do Paraitinga Carnival Festival Popular culture Cultural heritage CNPQ::CIENCIAS HUMANAS::HISTORIA |
title_short |
Carnaval de São Luiz do Paraitinga: conflito entre isolamento e abertura da cidade |
title_full |
Carnaval de São Luiz do Paraitinga: conflito entre isolamento e abertura da cidade |
title_fullStr |
Carnaval de São Luiz do Paraitinga: conflito entre isolamento e abertura da cidade |
title_full_unstemmed |
Carnaval de São Luiz do Paraitinga: conflito entre isolamento e abertura da cidade |
title_sort |
Carnaval de São Luiz do Paraitinga: conflito entre isolamento e abertura da cidade |
author |
Allucci, Renata Rendelucci |
author_facet |
Allucci, Renata Rendelucci |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Brites, Olga |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4343274Z9 |
dc.contributor.author.fl_str_mv |
Allucci, Renata Rendelucci |
contributor_str_mv |
Brites, Olga |
dc.subject.por.fl_str_mv |
Carnaval Festa Cultura popular Patrimônio cultural São Luiz do Paraitinga |
topic |
Carnaval Festa Cultura popular Patrimônio cultural São Luiz do Paraitinga Carnival Festival Popular culture Cultural heritage CNPQ::CIENCIAS HUMANAS::HISTORIA |
dc.subject.eng.fl_str_mv |
Carnival Festival Popular culture Cultural heritage |
dc.subject.cnpq.fl_str_mv |
CNPQ::CIENCIAS HUMANAS::HISTORIA |
description |
This work is meant to understand São Luiz do Paraitinga´ s carnival, in São Paulo, restarted in 1981 as a street festival after its prohibition for 60 years (1920-1980) by the Catholic Church. Its return is linked to several factors, including reaction of luizenses to a TV report. But the dynamics of popular culture was probably its greatest propellant. This culture, auto called caipira by its actors, has determined many of the features that carnival acquired after its recovery, with particular reference to exclusive use of carnival marchinhas rhythm, all composed by luizenses and that became the main distinctive feature of this festival. The festival understood as a product of social reality, this carnival also expresses the political aspects of its accomplishment, considering that it takes place in a city which heritage, tangible and intangible, are targets for preservation agencies at municipal, state and federal levels which also give to this festival special and peculiar unique features. Contemporary questions have shown the interest of media, tourism, entertainment groups and many other social, cultural and economic organizations in popular festivals, and it was no different with the carnival of São Luiz do Paraitinga. These questions motivated conflicts that are gradually being discussed by luizenses in an attempt to reconcile the local tradition with the opening to new actors and, among them, sponsors for its realization. So, the research attempts to contribute to this discussion, bringing together various aspects of carnival realization, in search of strategies to enable a better understanding of its directions and affirmation of cultural practices in São Luiz do Paraitinga |
publishDate |
2015 |
dc.date.available.fl_str_mv |
2015-04-22 |
dc.date.issued.fl_str_mv |
2015-03-20 |
dc.date.accessioned.fl_str_mv |
2016-04-27T19:31:04Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
Allucci, Renata Rendelucci. São Luiz do Paraitinga´s carnival: conflict between city closing and opening. 2015. 138 f. Dissertação (Mestrado em História) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2015. |
dc.identifier.uri.fl_str_mv |
https://tede2.pucsp.br/handle/handle/12873 |
identifier_str_mv |
Allucci, Renata Rendelucci. São Luiz do Paraitinga´s carnival: conflict between city closing and opening. 2015. 138 f. Dissertação (Mestrado em História) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2015. |
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Pontifícia Universidade Católica de São Paulo |
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PUC-SP |
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BR |
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História |
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Pontifícia Universidade Católica de São Paulo |
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