Cinematografias afrodiaspóricas: imagens e narrativas sob regimes de oralidade

Detalhes bibliográficos
Autor(a) principal: Braga, Liliane Pereira
Data de Publicação: 2018
Tipo de documento: Tese
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
Texto Completo: https://tede2.pucsp.br/handle/handle/21224
Resumo: The use of cinematographic sources from Haiti, Cuba, Jamaica and Brazil in this research intends to escape the “archival power”, accompanying Michel-Rolph Trouillot (1995) and his questioning, in ways of deconstructing universal metanarratives and de-silencing of History. Challenging images and sounds of the 21st century aims to approach the traditions and ways of life of Afro-Latin American groups. Tracks opened by dimensions of postcolonial studies and cultural studies served as a starting point against the power of discourse, analyzing practices of representation that impose a “regime of truth” and mark cultural difference by signifying "the racialized 'Other' in Western popular culture" (HALL, 2016). While searching for what emerges when the „Other‟ represents his/herself from their own positionality and epistemic perspectives of the South, this work intentionally draws on references that produce knowledge and theories „otherwise‟, decentering Global North‟s instrumental rationalism. Approaching socialized cultures ruled by "regimes of orality" (ANTONACCI, 2016) requires getting close to multifaceted ways of being, living and knowing manifested in cognitive and communicational practices. It requires apprehending distinctions, and considering that the unforeseen of encounters / confrontations in the so-called New World have resulted in a plurality of Afrodiasporic cultures. As paradigms are being redefined, "musicosmoving afroepistemes" are being surveyed, confronting the concept of literacy and its lack of consideration for the senses. The term coined in this research pluralizes epistemes from a sensory-corporeal-reason standpoint, where the rhythm allows for alignment with the time of the Cosmos, updating and actualizing ideas that do not constitute themselves individually, but as a whole, as performances – “vital acts of transfers" (TAYLOR, 2013) – as seen in cinematographies I have used in this work
id PUC_SP-1_4e22f8cfbb0612a7a23c159adcb879a4
oai_identifier_str oai:repositorio.pucsp.br:handle/21224
network_acronym_str PUC_SP-1
network_name_str Biblioteca Digital de Teses e Dissertações da PUC_SP
repository_id_str
spelling Antonacci, Maria Antonieta Martinezhttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4251571U5Braga, Liliane Pereira2018-07-11T12:30:20Z2018-04-06Braga, Liliane Pereira. Cinematografias afrodiaspóricas: imagens e narrativas sob regimes de oralidade. 2018. 270 f. Tese (Doutorado em História) - Programa de Estudos Pós-Graduados em História, Pontifícia Universidade Católica de São Paulo, São Paulo, 2018.https://tede2.pucsp.br/handle/handle/21224The use of cinematographic sources from Haiti, Cuba, Jamaica and Brazil in this research intends to escape the “archival power”, accompanying Michel-Rolph Trouillot (1995) and his questioning, in ways of deconstructing universal metanarratives and de-silencing of History. Challenging images and sounds of the 21st century aims to approach the traditions and ways of life of Afro-Latin American groups. Tracks opened by dimensions of postcolonial studies and cultural studies served as a starting point against the power of discourse, analyzing practices of representation that impose a “regime of truth” and mark cultural difference by signifying "the racialized 'Other' in Western popular culture" (HALL, 2016). While searching for what emerges when the „Other‟ represents his/herself from their own positionality and epistemic perspectives of the South, this work intentionally draws on references that produce knowledge and theories „otherwise‟, decentering Global North‟s instrumental rationalism. Approaching socialized cultures ruled by "regimes of orality" (ANTONACCI, 2016) requires getting close to multifaceted ways of being, living and knowing manifested in cognitive and communicational practices. It requires apprehending distinctions, and considering that the unforeseen of encounters / confrontations in the so-called New World have resulted in a plurality of Afrodiasporic cultures. As paradigms are being redefined, "musicosmoving afroepistemes" are being surveyed, confronting the concept of literacy and its lack of consideration for the senses. The term coined in this research pluralizes epistemes from a sensory-corporeal-reason standpoint, where the rhythm allows for alignment with the time of the Cosmos, updating and actualizing ideas that do not constitute themselves individually, but as a whole, as performances – “vital acts of transfers" (TAYLOR, 2013) – as seen in cinematographies I have used in this workNesta pesquisa, que interpela imagens e narrativas afrodiaspóricas do século XXI, em abordagens relacionadas a tradições e formas de vida de grupos populares de Afro-Latino-Américas, utilizam-se como fontes cinematografias de Haiti, Cuba, Jamaica e Brasil. Intencionando escapar ao “poder do arquivo”, o recurso a imagens, sons, montagens fílmicas acompanha questionamentos de Michel-Rolph Trouillot (1995), em caminhos de desconstrução de metanarrativas universais e de des-silenciamentos da História. Trilhas abertas por vertentes de estudos pós-coloniais e Estudos Culturais serviram de ponto de partida na contramão ao poder do discurso, analisando práticas de representação que impõem “regime de verdade” e marcam diferença cultural ao significar “o „Outro‟ racializado na cultura popular ocidental” (HALL, 2016). Em busca do que emerge quando “o „Outro‟” se autorrepresenta desde suas local-idades ao Sul, tornaram-se necessários referenciais outros, além teorias produzidas em racionalismo instrumental do Norte global. Lidar com culturas sociabilizadas sob “regimes de oralidade” requer acercar-se a modos de ser, viver e saber de práticas cognitivas e comunicacionais, apreendendo suas distinções, uma vez que o imprevisível de encontros/confrontos em terras do chamado Novo Mundo resultou em pluralidade de culturas afrodiaspóricas. Em percepção de paradigmas que se atualizam, na contramão de anulação dos sentidos própria de letramento, sondam-se “afroepistemes musicosmodançantes”. Com expressão cunhada nesta pesquisa, pluralizam-se epistemes desde razão corpóreo-sensorial, onde o ritmo permite alinhamento ao tempo cósmico, atualizando e presentificando pensares que não se constituem individualmente, mas em grupo, a partir de performances – “atos vitais de transferências” (TAYLOR, 2013) – como acompanhado em cinematografias trabalhadasConselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPqCoordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/46004/Liliane%20Pereira%20Braga.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em HistóriaPUC-SPBrasilFaculdade de Ciências SociaisRepresentações cinematográficasRegimes de oralidadeLutas culturaisDiáspora africanaCinematographic representationsRegimes of oralityCultural battleAfrican diasporaCNPQ::CIENCIAS HUMANAS::HISTORIACinematografias afrodiaspóricas: imagens e narrativas sob regimes de oralidadeinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTLiliane Pereira Braga.pdf.txtLiliane Pereira Braga.pdf.txtExtracted texttext/plain689345https://repositorio.pucsp.br/xmlui/bitstream/handle/21224/5/Liliane%20Pereira%20Braga.pdf.txt640ff655444f2e8517b48bb521427a2eMD55ORIGINALLiliane Pereira Braga.pdfLiliane Pereira Braga.pdfapplication/pdf5200100https://repositorio.pucsp.br/xmlui/bitstream/handle/21224/2/Liliane%20Pereira%20Braga.pdfe5976fe34dacd65fc0778b11370b86d2MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82165https://repositorio.pucsp.br/xmlui/bitstream/handle/21224/3/license.txtbd3efa91386c1718a7f26a329fdcb468MD53THUMBNAILLiliane Pereira Braga.pdf.jpgLiliane Pereira Braga.pdf.jpgGenerated Thumbnailimage/jpeg1952https://repositorio.pucsp.br/xmlui/bitstream/handle/21224/4/Liliane%20Pereira%20Braga.pdf.jpg76eaa61bef8580d3e07d61355ae90c44MD54handle/212242022-04-28 14:48:19.459oai:repositorio.pucsp.br: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Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2022-04-28T17:48:19Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.por.fl_str_mv Cinematografias afrodiaspóricas: imagens e narrativas sob regimes de oralidade
title Cinematografias afrodiaspóricas: imagens e narrativas sob regimes de oralidade
spellingShingle Cinematografias afrodiaspóricas: imagens e narrativas sob regimes de oralidade
Braga, Liliane Pereira
Representações cinematográficas
Regimes de oralidade
Lutas culturais
Diáspora africana
Cinematographic representations
Regimes of orality
Cultural battle
African diaspora
CNPQ::CIENCIAS HUMANAS::HISTORIA
title_short Cinematografias afrodiaspóricas: imagens e narrativas sob regimes de oralidade
title_full Cinematografias afrodiaspóricas: imagens e narrativas sob regimes de oralidade
title_fullStr Cinematografias afrodiaspóricas: imagens e narrativas sob regimes de oralidade
title_full_unstemmed Cinematografias afrodiaspóricas: imagens e narrativas sob regimes de oralidade
title_sort Cinematografias afrodiaspóricas: imagens e narrativas sob regimes de oralidade
author Braga, Liliane Pereira
author_facet Braga, Liliane Pereira
author_role author
dc.contributor.advisor1.fl_str_mv Antonacci, Maria Antonieta Martinez
dc.contributor.authorLattes.fl_str_mv http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4251571U5
dc.contributor.author.fl_str_mv Braga, Liliane Pereira
contributor_str_mv Antonacci, Maria Antonieta Martinez
dc.subject.por.fl_str_mv Representações cinematográficas
Regimes de oralidade
Lutas culturais
Diáspora africana
topic Representações cinematográficas
Regimes de oralidade
Lutas culturais
Diáspora africana
Cinematographic representations
Regimes of orality
Cultural battle
African diaspora
CNPQ::CIENCIAS HUMANAS::HISTORIA
dc.subject.eng.fl_str_mv Cinematographic representations
Regimes of orality
Cultural battle
African diaspora
dc.subject.cnpq.fl_str_mv CNPQ::CIENCIAS HUMANAS::HISTORIA
description The use of cinematographic sources from Haiti, Cuba, Jamaica and Brazil in this research intends to escape the “archival power”, accompanying Michel-Rolph Trouillot (1995) and his questioning, in ways of deconstructing universal metanarratives and de-silencing of History. Challenging images and sounds of the 21st century aims to approach the traditions and ways of life of Afro-Latin American groups. Tracks opened by dimensions of postcolonial studies and cultural studies served as a starting point against the power of discourse, analyzing practices of representation that impose a “regime of truth” and mark cultural difference by signifying "the racialized 'Other' in Western popular culture" (HALL, 2016). While searching for what emerges when the „Other‟ represents his/herself from their own positionality and epistemic perspectives of the South, this work intentionally draws on references that produce knowledge and theories „otherwise‟, decentering Global North‟s instrumental rationalism. Approaching socialized cultures ruled by "regimes of orality" (ANTONACCI, 2016) requires getting close to multifaceted ways of being, living and knowing manifested in cognitive and communicational practices. It requires apprehending distinctions, and considering that the unforeseen of encounters / confrontations in the so-called New World have resulted in a plurality of Afrodiasporic cultures. As paradigms are being redefined, "musicosmoving afroepistemes" are being surveyed, confronting the concept of literacy and its lack of consideration for the senses. The term coined in this research pluralizes epistemes from a sensory-corporeal-reason standpoint, where the rhythm allows for alignment with the time of the Cosmos, updating and actualizing ideas that do not constitute themselves individually, but as a whole, as performances – “vital acts of transfers" (TAYLOR, 2013) – as seen in cinematographies I have used in this work
publishDate 2018
dc.date.accessioned.fl_str_mv 2018-07-11T12:30:20Z
dc.date.issued.fl_str_mv 2018-04-06
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/doctoralThesis
format doctoralThesis
status_str publishedVersion
dc.identifier.citation.fl_str_mv Braga, Liliane Pereira. Cinematografias afrodiaspóricas: imagens e narrativas sob regimes de oralidade. 2018. 270 f. Tese (Doutorado em História) - Programa de Estudos Pós-Graduados em História, Pontifícia Universidade Católica de São Paulo, São Paulo, 2018.
dc.identifier.uri.fl_str_mv https://tede2.pucsp.br/handle/handle/21224
identifier_str_mv Braga, Liliane Pereira. Cinematografias afrodiaspóricas: imagens e narrativas sob regimes de oralidade. 2018. 270 f. Tese (Doutorado em História) - Programa de Estudos Pós-Graduados em História, Pontifícia Universidade Católica de São Paulo, São Paulo, 2018.
url https://tede2.pucsp.br/handle/handle/21224
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
dc.publisher.program.fl_str_mv Programa de Estudos Pós-Graduados em História
dc.publisher.initials.fl_str_mv PUC-SP
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Faculdade de Ciências Sociais
publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
dc.source.none.fl_str_mv reponame:Biblioteca Digital de Teses e Dissertações da PUC_SP
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Biblioteca Digital de Teses e Dissertações da PUC_SP
collection Biblioteca Digital de Teses e Dissertações da PUC_SP
bitstream.url.fl_str_mv https://repositorio.pucsp.br/xmlui/bitstream/handle/21224/5/Liliane%20Pereira%20Braga.pdf.txt
https://repositorio.pucsp.br/xmlui/bitstream/handle/21224/2/Liliane%20Pereira%20Braga.pdf
https://repositorio.pucsp.br/xmlui/bitstream/handle/21224/3/license.txt
https://repositorio.pucsp.br/xmlui/bitstream/handle/21224/4/Liliane%20Pereira%20Braga.pdf.jpg
bitstream.checksum.fl_str_mv 640ff655444f2e8517b48bb521427a2e
e5976fe34dacd65fc0778b11370b86d2
bd3efa91386c1718a7f26a329fdcb468
76eaa61bef8580d3e07d61355ae90c44
bitstream.checksumAlgorithm.fl_str_mv MD5
MD5
MD5
MD5
repository.name.fl_str_mv Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv bngkatende@pucsp.br||rapassi@pucsp.br
_version_ 1809278011655061504