Construção poética e resistência negra em Solano Trindade

Detalhes bibliográficos
Autor(a) principal: Pinto, Isauber Maria Vieira
Data de Publicação: 2017
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
Texto Completo: https://tede2.pucsp.br/handle/handle/20324
Resumo: The present study aims to analyze the writing of Solano Trindade, highlighting how his poems point to the movements of black resistance, which is also evident in terms of poetic construction. As an intellectual and artist of the first half of the twentieth century, but still unknown in academic studies, Solano Trindade has a production that reconfigures the trajectory and memory of Afro-Brazilians, interfering in the ways of thinking of society and intervening in systems of production, especially in Brazilian cultural standards. Centered on his production, this research selects the poems "Sou Negro", "Conversa", "Quem tá gemendo?", "Negros", "Zumbi" and "Velho atabaque", which are part of the work O poeta do povo published in São Paulo by Ediouro and Editora Segmento, in 2008. This selection privileges in the poems the representation of the black identity, the poetic persona, the resistance and the desire for political and social change. It is considered the hypothesis that Solano Trindade's aesthetic is evidenced by the description of a "poetic persona" that identifies with the other, through the unveiling of black identity, and the aesthetic resistance. His poetry points to the importance of the interrelationship between black literature and African myth, singing, capoeira, maracatu and gestural memory, revealing the syncretism between poetry and popular culture. The research is structured in three chapters. In the first one, "Identity in the contemporary world, black literature: identity, memory and negritude", we present concepts such as identity, black literature and resistance, which are central to Solano Trindade's poetry approach. In this chapter, we focus mainly on the studies of Zilá Bend, Munaga and Jorge de Lima. In the second chapter – "A Poetry of Resistance" – we will approach the life and work of Solano Trindade, presenting not only his biographical data, but the aspects that directly interfered in the elaboration of his poetry. In the third one, "The strength of Afro-Brazilian poetry and the construction of identity", we present the analysis of Solano Trindade's poems, evidencing the interrelationship between the political-social and poetic aspects that permeate his poetry, marked by resistance and for the defense of black identity
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spelling Navas, Dianahttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4985579Z0Pinto, Isauber Maria Vieira2017-08-30T12:56:15Z2017-08-25Pinto, Isauber Maria Vieira. Construção poética e resistência negra em Solano Trindade. 2017. 59 f. Dissertação (Mestrado em Literatura e Crítica Literária) - Programa de Estudos Pós-Graduados, Pontifícia Universidade Católica de São Paulo, São Paulo, 2017.https://tede2.pucsp.br/handle/handle/20324The present study aims to analyze the writing of Solano Trindade, highlighting how his poems point to the movements of black resistance, which is also evident in terms of poetic construction. As an intellectual and artist of the first half of the twentieth century, but still unknown in academic studies, Solano Trindade has a production that reconfigures the trajectory and memory of Afro-Brazilians, interfering in the ways of thinking of society and intervening in systems of production, especially in Brazilian cultural standards. Centered on his production, this research selects the poems "Sou Negro", "Conversa", "Quem tá gemendo?", "Negros", "Zumbi" and "Velho atabaque", which are part of the work O poeta do povo published in São Paulo by Ediouro and Editora Segmento, in 2008. This selection privileges in the poems the representation of the black identity, the poetic persona, the resistance and the desire for political and social change. It is considered the hypothesis that Solano Trindade's aesthetic is evidenced by the description of a "poetic persona" that identifies with the other, through the unveiling of black identity, and the aesthetic resistance. His poetry points to the importance of the interrelationship between black literature and African myth, singing, capoeira, maracatu and gestural memory, revealing the syncretism between poetry and popular culture. The research is structured in three chapters. In the first one, "Identity in the contemporary world, black literature: identity, memory and negritude", we present concepts such as identity, black literature and resistance, which are central to Solano Trindade's poetry approach. In this chapter, we focus mainly on the studies of Zilá Bend, Munaga and Jorge de Lima. In the second chapter – "A Poetry of Resistance" – we will approach the life and work of Solano Trindade, presenting not only his biographical data, but the aspects that directly interfered in the elaboration of his poetry. In the third one, "The strength of Afro-Brazilian poetry and the construction of identity", we present the analysis of Solano Trindade's poems, evidencing the interrelationship between the political-social and poetic aspects that permeate his poetry, marked by resistance and for the defense of black identityO presente estudo objetiva analisar a escrita de Solano Trindade, destacando como seus poemas apontam para os movimentos de resistência negra, o que também se evidencia em termos de construção poética. Intelectual e artista da primeira metade do século XX, mas ainda pouco conhecido no âmbito dos estudos acadêmicos, Solano Trindade possui uma produção que reconfigurou a trajetória e a memória dos afro-brasileiros, e interferiu nas formas de pensar da sociedade e intervir nos sistemas de produção de valores, notadamente nos padrões culturais brasileiros. Centrada em sua produção, esta pesquisa elege como principais objetos de investigação os poemas “Sou Negro”, “Conversa”, “Quem tá gemendo?”, “Negros”, “Zumbi” e “Velho atabaque”, os quais fazem parte da obra O poeta do povo, publicada em São Paulo pela Ediouro e Editora Segmento, em 2008. Esse recorte privilegia, nos poemas, a representação da identidade negra, o eu lírico, a resistência e o desejo de mudança político-social. Partimos da hipótese de que se evidencia, na estética de Solano Trindade, a descrição de um “eu lírico” que se identifica com o outro, por meio do desvelamento da identidade negra, sob o viés estético de resistência. Sua poesia aponta para a importância da inter-relação da literatura negra com o mito africano, o canto, a capoeira, o maracatu e a memória gestual, revelando o sincretismo entre a poesia e a cultura popular. A pesquisa está estruturada em três capítulos. No primeiro, “A identidade na contemporaneidade, a literatura negra: identidade, memória e negritude”, apresentamos conceitos, como os de identidade, literatura negra e resistência, os quais se revelam centrais para a abordagem da poesia de Solano Trindade. Recorremos, nesse capítulo, principalmente, aos estudos de Zilá Bernd, Munaga e Jorge de Lima. No segundo capítulo – “Uma Poesia de Resistência” –, abordaremos a vida e a obra de Solano Trindade, apresentando não apenas seus dados biográficos, mas os aspectos que interferiram diretamente na elaboração de sua poesia. No terceiro – “A força da poesia afro-brasileira e a construção da identidade” –, apresentamos a análise dos poemas de Solano Trindade, privilegiando a inter-relação entre os aspectos político-sociais e poéticos que permeiam sua poesia, marcada pela resistência e pela defesa da identidade negraCoordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/43022/Isauber%20Maria%20Vieira%20Pinto.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Literatura e Crítica LiteráriaPUC-SPBrasilFaculdade de Filosofia, Comunicação, Letras e ArtesTrindade, Solano [1908-1974]Literatura brasileira - Escritores negrosPoesia brasileiraBrazilian Literature - Black writersBrazilian poetryCNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIAConstrução poética e resistência negra em Solano TrindadePoetic construction and black resistance in Solano Trindadeinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTIsauber Maria Vieira Pinto.pdf.txtIsauber Maria Vieira Pinto.pdf.txtExtracted texttext/plain137265https://repositorio.pucsp.br/xmlui/bitstream/handle/20324/4/Isauber%20Maria%20Vieira%20Pinto.pdf.txtabd2b515e9ceceba72e91f60b3e5722aMD54LICENSElicense.txtlicense.txttext/plain; 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dc.title.por.fl_str_mv Construção poética e resistência negra em Solano Trindade
dc.title.alternative.eng.fl_str_mv Poetic construction and black resistance in Solano Trindade
title Construção poética e resistência negra em Solano Trindade
spellingShingle Construção poética e resistência negra em Solano Trindade
Pinto, Isauber Maria Vieira
Trindade, Solano [1908-1974]
Literatura brasileira - Escritores negros
Poesia brasileira
Brazilian Literature - Black writers
Brazilian poetry
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA
title_short Construção poética e resistência negra em Solano Trindade
title_full Construção poética e resistência negra em Solano Trindade
title_fullStr Construção poética e resistência negra em Solano Trindade
title_full_unstemmed Construção poética e resistência negra em Solano Trindade
title_sort Construção poética e resistência negra em Solano Trindade
author Pinto, Isauber Maria Vieira
author_facet Pinto, Isauber Maria Vieira
author_role author
dc.contributor.advisor1.fl_str_mv Navas, Diana
dc.contributor.authorLattes.fl_str_mv http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4985579Z0
dc.contributor.author.fl_str_mv Pinto, Isauber Maria Vieira
contributor_str_mv Navas, Diana
dc.subject.por.fl_str_mv Trindade, Solano [1908-1974]
Literatura brasileira - Escritores negros
Poesia brasileira
topic Trindade, Solano [1908-1974]
Literatura brasileira - Escritores negros
Poesia brasileira
Brazilian Literature - Black writers
Brazilian poetry
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA
dc.subject.eng.fl_str_mv Brazilian Literature - Black writers
Brazilian poetry
dc.subject.cnpq.fl_str_mv CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA
description The present study aims to analyze the writing of Solano Trindade, highlighting how his poems point to the movements of black resistance, which is also evident in terms of poetic construction. As an intellectual and artist of the first half of the twentieth century, but still unknown in academic studies, Solano Trindade has a production that reconfigures the trajectory and memory of Afro-Brazilians, interfering in the ways of thinking of society and intervening in systems of production, especially in Brazilian cultural standards. Centered on his production, this research selects the poems "Sou Negro", "Conversa", "Quem tá gemendo?", "Negros", "Zumbi" and "Velho atabaque", which are part of the work O poeta do povo published in São Paulo by Ediouro and Editora Segmento, in 2008. This selection privileges in the poems the representation of the black identity, the poetic persona, the resistance and the desire for political and social change. It is considered the hypothesis that Solano Trindade's aesthetic is evidenced by the description of a "poetic persona" that identifies with the other, through the unveiling of black identity, and the aesthetic resistance. His poetry points to the importance of the interrelationship between black literature and African myth, singing, capoeira, maracatu and gestural memory, revealing the syncretism between poetry and popular culture. The research is structured in three chapters. In the first one, "Identity in the contemporary world, black literature: identity, memory and negritude", we present concepts such as identity, black literature and resistance, which are central to Solano Trindade's poetry approach. In this chapter, we focus mainly on the studies of Zilá Bend, Munaga and Jorge de Lima. In the second chapter – "A Poetry of Resistance" – we will approach the life and work of Solano Trindade, presenting not only his biographical data, but the aspects that directly interfered in the elaboration of his poetry. In the third one, "The strength of Afro-Brazilian poetry and the construction of identity", we present the analysis of Solano Trindade's poems, evidencing the interrelationship between the political-social and poetic aspects that permeate his poetry, marked by resistance and for the defense of black identity
publishDate 2017
dc.date.accessioned.fl_str_mv 2017-08-30T12:56:15Z
dc.date.issued.fl_str_mv 2017-08-25
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dc.identifier.citation.fl_str_mv Pinto, Isauber Maria Vieira. Construção poética e resistência negra em Solano Trindade. 2017. 59 f. Dissertação (Mestrado em Literatura e Crítica Literária) - Programa de Estudos Pós-Graduados, Pontifícia Universidade Católica de São Paulo, São Paulo, 2017.
dc.identifier.uri.fl_str_mv https://tede2.pucsp.br/handle/handle/20324
identifier_str_mv Pinto, Isauber Maria Vieira. Construção poética e resistência negra em Solano Trindade. 2017. 59 f. Dissertação (Mestrado em Literatura e Crítica Literária) - Programa de Estudos Pós-Graduados, Pontifícia Universidade Católica de São Paulo, São Paulo, 2017.
url https://tede2.pucsp.br/handle/handle/20324
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dc.publisher.program.fl_str_mv Programa de Estudos Pós-Graduados em Literatura e Crítica Literária
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dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Faculdade de Filosofia, Comunicação, Letras e Artes
publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
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