Sheerazades, Penélopes & Moiras: a mulher-narrativa em fazes-me falta, de Inês Pedrosa

• Autor(a) principal: Ventura, Telma Regina
• Data de Publicação: 2015
• Tipo de documento: Trabalho de conclusão de curso
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
• Texto Completo: https://repositorio.pucsp.br/jspui/handle/handle/29297
• topic: CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURA COMPARADA; Inês Pedrosa; Literatura portuguesa contemporânea; Autoria feminina; Escrita feminina; Prosa-poética; Inês Pedrosa; Contemporary portuguese literature; Female authors; Feminine writing; Prose poetry

The main objective of this research is to investigate, in the writings of Inês Pedrosa, in particular in the Fazes-me Falta novel, published in Portugal in 2002, the relationships between the Feminine Writing and the Metahistorical Deconstructionism, which, on being woven together, enable the female character (de)construction, as well as the narrative. Such proposition was composed due to the fact that the pedrosina‟s literary production reveals a compositional process made in lace, exposed through gaps, ruptures and holes, unrolling the contemporary fragmentation and textual decomposition linguistic procedures, even if proclaimed by the distinctive lyrical voice of the Portuguese literary tradition. In order to understand how this woman novelist intertwines the Feminine Writing and the deconstructive process, permeated by the poetic language, therefore deconstituting simultaneously the female character and the narrative (analogy established by the term woman-narrative), this monographic study treaded the following pathway: in a first moment, it was determined the historical and literary context of Inês Pedrosa‟s fiction, aiming to characterize the stylistics of her novel production; then, it was configured the pedrosino discursive model, structured in face of the interlace between the Feminine Writing and the Deconstructionism, and permeated by the Female Authors‟ Voice, evidencing the respective contribution whereby this Discourse is performed in the author‟s literary work; and lastly, Fazes-me Falta was analyzed in a view of elucidating the way the previously engendered theory culminates in both female character and narrative deconstructions, fostering the womannarrative concept represented in the novel. On ending this journey, it was concluded that Inês Pedrosa outlines in her literary novel production a compositional process which resembles three mythological and archetypal feminine images - Scherazade, Penelope, and the Moirai: Scherazade reflects the woman who narrates to avoid (or postpone) the Death; Penelope reveals the woman who waves (narrates) in order to deny the Death (of her beloved Ulysses); and the Moirai contemplate the threefold women who wave, unravel and disconnect the life (narrative) threads. Settling a pioneering narrative style, interspersed by the Portuguese literary tradition and the contemporary stylistics, Inês Pedrosa, herself, narrates to keep a Voice, a lyricism, a beloved, alive. Love for Literature