Moda e elite em Sex and the City: uma semiótica da distinção
Autor(a) principal: | |
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Data de Publicação: | 2013 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da PUC_SP |
Texto Completo: | https://tede2.pucsp.br/handle/handle/4503 |
Resumo: | The purpose of this research is to study contemporary clothing from the standpoint of its dual role as a social profiler and an instrument of self-affirmation and personal expression based on its representation in the media. A question which has been addressed by fashion scholars, the dispute between classes involving the desire for imitation and distinction has been referred to a key driver of fashion and held accountable for the fast pace of renewal cycles and the search for novelty. From this perspective, we will begin with the optimistic outlook of Gilles Lipovetsky, who points to the democratization of fashion in a supposedly re-enchanted world, and then compare it against the disenchanted critique presented by Walter Benjamin and his commentators, who still see the contemporary man reduced to the cultural industry s mass production, seduced by merchandise and conditioned to consumerism. Methodologically speaking, this is a bibliographic and documentary research and analysis underpinned by Roland Barthes contemporary reflections about the myths behind fashion magazine editorials and Pierre Bourdieu s theory of distinction. The corpus of this paper consists of pieces of the chic wardrobe for American television series Sex and the City (1998-2004) and its cinematic sequels (2008 and 2010), signed by fashionista Patricia Field, given the influence of said series on female audiences and its close ties with fashion. We will see that even though fashion designers claim to be inspired by the streets and vice versa, the breaking of class barriers in this field is but illusory, as distinction, by definition, entails high standing and repeals department stores |
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Motta, Leda Tenorio dahttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4442460P9Rossi, Camila Fanchini2016-04-26T18:12:53Z2013-05-162013-05-07Rossi, Camila Fanchini. Moda e elite em Sex and the City: uma semiótica da distinção. 2013. 127 f. Dissertação (Mestrado em Comunicação) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2013.https://tede2.pucsp.br/handle/handle/4503The purpose of this research is to study contemporary clothing from the standpoint of its dual role as a social profiler and an instrument of self-affirmation and personal expression based on its representation in the media. A question which has been addressed by fashion scholars, the dispute between classes involving the desire for imitation and distinction has been referred to a key driver of fashion and held accountable for the fast pace of renewal cycles and the search for novelty. From this perspective, we will begin with the optimistic outlook of Gilles Lipovetsky, who points to the democratization of fashion in a supposedly re-enchanted world, and then compare it against the disenchanted critique presented by Walter Benjamin and his commentators, who still see the contemporary man reduced to the cultural industry s mass production, seduced by merchandise and conditioned to consumerism. Methodologically speaking, this is a bibliographic and documentary research and analysis underpinned by Roland Barthes contemporary reflections about the myths behind fashion magazine editorials and Pierre Bourdieu s theory of distinction. The corpus of this paper consists of pieces of the chic wardrobe for American television series Sex and the City (1998-2004) and its cinematic sequels (2008 and 2010), signed by fashionista Patricia Field, given the influence of said series on female audiences and its close ties with fashion. We will see that even though fashion designers claim to be inspired by the streets and vice versa, the breaking of class barriers in this field is but illusory, as distinction, by definition, entails high standing and repeals department storesA presente pesquisa tem como objetivo estudar o vestuário contemporâneo, do duplo ângulo de suas funções de discriminador social e de instrumento de autoafirmação e expressão pessoal, a partir de sua representação midiática. Questão já abordada por estudiosos da indumentária, a disputa entre classes envolvendo o desejo de imitação e distinção foi apontada como motor fundamental da moda, tendo-lhe sido atribuídos o ritmo acelerado dos ciclos de renovação e a busca por novidades. Dentro destas perspectivas, partiremos da visão otimista de Gilles Lipovetsky, que assinala a democratização da moda num mundo supostamente reencantado, e a confrontaremos com a crítica desencantada de Walter Benjamin e seus comentadores, que ainda veem o homem contemporâneo reduzido à massificação da indústria cultural, seduzido pelas mercadorias e condicionado ao consumo. Metodologicamente, trata-se de uma pesquisa bibliográfica e documental, cuja análise apoia-se nas reflexões contemporâneas de Roland Barthes sobre os mitos dos editoriais de moda e na teoria da distinção de Pierre Bourdieu. O corpus da pesquisa compreende as peças do guarda-roupa chique da série televisiva americana Sex and the City (1998-2004) e de suas sequências cinematográficas (2008 e 2010), assinado pela fashionista Patricia Field, dada a influência da referida série sobre o público feminino e a sua estreita relação com a moda. Verificamos que, embora os designers de moda reivindiquem inspirar-se nas ruas, e vice-versa, o rompimento das barreiras de classe neste campo é ilusório, já que o distinto, por definição, afirma o alto pertencimento e repele as lojas de departamentoapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/13252/Camila%20Fanchini%20Rossi.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Comunicação e SemióticaPUC-SPBRComunicaçãoModaSemiótica das roupasSociologia da distinçãoSex and the CityFashionSemiotics of clothingSociology of distinctionSex and the CityCNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAOModa e elite em Sex and the City: uma semiótica da distinçãoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTCamila Fanchini Rossi.pdf.txtCamila Fanchini Rossi.pdf.txtExtracted texttext/plain242766https://repositorio.pucsp.br/xmlui/bitstream/handle/4503/3/Camila%20Fanchini%20Rossi.pdf.txta0fa10b63aeb29a427f29bcaf9a4fe6eMD53ORIGINALCamila Fanchini Rossi.pdfapplication/pdf4012106https://repositorio.pucsp.br/xmlui/bitstream/handle/4503/1/Camila%20Fanchini%20Rossi.pdfcc91c9b2a636d4697b02b0f51ecd2c6bMD51THUMBNAILCamila Fanchini Rossi.pdf.jpgCamila Fanchini Rossi.pdf.jpgGenerated Thumbnailimage/jpeg1943https://repositorio.pucsp.br/xmlui/bitstream/handle/4503/2/Camila%20Fanchini%20Rossi.pdf.jpgcc73c4c239a4c332d642ba1e7c7a9fb2MD52handle/45032022-04-28 16:43:21.402oai:repositorio.pucsp.br:handle/4503Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2022-04-28T19:43:21Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.por.fl_str_mv |
Moda e elite em Sex and the City: uma semiótica da distinção |
title |
Moda e elite em Sex and the City: uma semiótica da distinção |
spellingShingle |
Moda e elite em Sex and the City: uma semiótica da distinção Rossi, Camila Fanchini Moda Semiótica das roupas Sociologia da distinção Sex and the City Fashion Semiotics of clothing Sociology of distinction Sex and the City CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
title_short |
Moda e elite em Sex and the City: uma semiótica da distinção |
title_full |
Moda e elite em Sex and the City: uma semiótica da distinção |
title_fullStr |
Moda e elite em Sex and the City: uma semiótica da distinção |
title_full_unstemmed |
Moda e elite em Sex and the City: uma semiótica da distinção |
title_sort |
Moda e elite em Sex and the City: uma semiótica da distinção |
author |
Rossi, Camila Fanchini |
author_facet |
Rossi, Camila Fanchini |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Motta, Leda Tenorio da |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4442460P9 |
dc.contributor.author.fl_str_mv |
Rossi, Camila Fanchini |
contributor_str_mv |
Motta, Leda Tenorio da |
dc.subject.por.fl_str_mv |
Moda Semiótica das roupas Sociologia da distinção Sex and the City |
topic |
Moda Semiótica das roupas Sociologia da distinção Sex and the City Fashion Semiotics of clothing Sociology of distinction Sex and the City CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
dc.subject.eng.fl_str_mv |
Fashion Semiotics of clothing Sociology of distinction Sex and the City |
dc.subject.cnpq.fl_str_mv |
CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
description |
The purpose of this research is to study contemporary clothing from the standpoint of its dual role as a social profiler and an instrument of self-affirmation and personal expression based on its representation in the media. A question which has been addressed by fashion scholars, the dispute between classes involving the desire for imitation and distinction has been referred to a key driver of fashion and held accountable for the fast pace of renewal cycles and the search for novelty. From this perspective, we will begin with the optimistic outlook of Gilles Lipovetsky, who points to the democratization of fashion in a supposedly re-enchanted world, and then compare it against the disenchanted critique presented by Walter Benjamin and his commentators, who still see the contemporary man reduced to the cultural industry s mass production, seduced by merchandise and conditioned to consumerism. Methodologically speaking, this is a bibliographic and documentary research and analysis underpinned by Roland Barthes contemporary reflections about the myths behind fashion magazine editorials and Pierre Bourdieu s theory of distinction. The corpus of this paper consists of pieces of the chic wardrobe for American television series Sex and the City (1998-2004) and its cinematic sequels (2008 and 2010), signed by fashionista Patricia Field, given the influence of said series on female audiences and its close ties with fashion. We will see that even though fashion designers claim to be inspired by the streets and vice versa, the breaking of class barriers in this field is but illusory, as distinction, by definition, entails high standing and repeals department stores |
publishDate |
2013 |
dc.date.available.fl_str_mv |
2013-05-16 |
dc.date.issued.fl_str_mv |
2013-05-07 |
dc.date.accessioned.fl_str_mv |
2016-04-26T18:12:53Z |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
Rossi, Camila Fanchini. Moda e elite em Sex and the City: uma semiótica da distinção. 2013. 127 f. Dissertação (Mestrado em Comunicação) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2013. |
dc.identifier.uri.fl_str_mv |
https://tede2.pucsp.br/handle/handle/4503 |
identifier_str_mv |
Rossi, Camila Fanchini. Moda e elite em Sex and the City: uma semiótica da distinção. 2013. 127 f. Dissertação (Mestrado em Comunicação) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2013. |
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Pontifícia Universidade Católica de São Paulo |
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Programa de Estudos Pós-Graduados em Comunicação e Semiótica |
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PUC-SP |
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BR |
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Comunicação |
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Pontifícia Universidade Católica de São Paulo |
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