"Estética relacional na cibercultura": visão social dos coletivos Superflex e De Geuzen a respeito da linguagem digital
Autor(a) principal: | |
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Data de Publicação: | 2009 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da PUC_SP |
Texto Completo: | https://tede2.pucsp.br/handle/handle/5212 |
Resumo: | This research has as main objective the analysis of projects 2 and Karlskrona Superchannel of collective Superflex, Denmark, and projects Frivolity and Folly and Fripperies and Trimmings, of the group De Geuzen, the Netherlands, in the light of the theory of relational aesthetics of Nicolas Bourriaud. From the 1990s, Bourriaud set the parameters for contemporary artistic production that is based on and is embodied from social exchanges. Given this theoretical framework, the relevance of the research lies in the fact that focus on productions that use digital cyberspace and language as means of dissemination and transmission of artistic proposals - language and tools then viewed with reservation by Bourriaud. The problem of research, ultimately theoretical, lies precisely in this tension between the internal relational aesthetics of the French philosopher and the chosen corpus. Established relational groups, such as De Geuzen and Superflex, advocate the use of technological devices and declare that, in some art propositions, technology and the Internet facilitate and potentialize objectives of social exchange. Both groups focus more on the network relations provided by the Internet than the technology it encloses. They both make use of the digital language as relational/communicational tools. Thus, it is clear that, unlike what Bourriaud thought, it is not the fact that these groups use the technology that they lose their relational character. For the demonstration of this reflexive perspective, this work has considered alongside the research, the theories of Lemos, Lovejoy, Lévy, Trivinho, Virilio and Baudrillard on cyberculture, and the reflections of Musso, Parente, Prado, and Miltrop Latour, among others, on the networks. The theory of society as a network, designed by Castells and for which contributed Mafessoli, had significant importance in this research. Other important findings were made by direct research on the groups websites and through personal analysis of their works and access to documents submitted by them in symposia and electronic publications. In addition to the corpus of the study, art expressions that use technology and social exchange, as the foundation of production, were also presented, such as the propositions of tactical media and locative media as well as experiments in social networks |
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Trivinho, Eugêniohttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4264731Z5Cunha, Ana Carolina da2016-04-26T18:17:57Z2009-06-082009-05-11Cunha, Ana Carolina da. "Estética relacional na cibercultura": visão social dos coletivos Superflex e De Geuzen a respeito da linguagem digital. 2009. 123 f. Dissertação (Mestrado em Comunicação) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2009.https://tede2.pucsp.br/handle/handle/5212This research has as main objective the analysis of projects 2 and Karlskrona Superchannel of collective Superflex, Denmark, and projects Frivolity and Folly and Fripperies and Trimmings, of the group De Geuzen, the Netherlands, in the light of the theory of relational aesthetics of Nicolas Bourriaud. From the 1990s, Bourriaud set the parameters for contemporary artistic production that is based on and is embodied from social exchanges. Given this theoretical framework, the relevance of the research lies in the fact that focus on productions that use digital cyberspace and language as means of dissemination and transmission of artistic proposals - language and tools then viewed with reservation by Bourriaud. The problem of research, ultimately theoretical, lies precisely in this tension between the internal relational aesthetics of the French philosopher and the chosen corpus. Established relational groups, such as De Geuzen and Superflex, advocate the use of technological devices and declare that, in some art propositions, technology and the Internet facilitate and potentialize objectives of social exchange. Both groups focus more on the network relations provided by the Internet than the technology it encloses. They both make use of the digital language as relational/communicational tools. Thus, it is clear that, unlike what Bourriaud thought, it is not the fact that these groups use the technology that they lose their relational character. For the demonstration of this reflexive perspective, this work has considered alongside the research, the theories of Lemos, Lovejoy, Lévy, Trivinho, Virilio and Baudrillard on cyberculture, and the reflections of Musso, Parente, Prado, and Miltrop Latour, among others, on the networks. The theory of society as a network, designed by Castells and for which contributed Mafessoli, had significant importance in this research. Other important findings were made by direct research on the groups websites and through personal analysis of their works and access to documents submitted by them in symposia and electronic publications. In addition to the corpus of the study, art expressions that use technology and social exchange, as the foundation of production, were also presented, such as the propositions of tactical media and locative media as well as experiments in social networksA presente pesquisa tem como principal objetivo a análise dos projetos Karlskrona 2 e Superchannel, do coletivo Superflex, da Dinamarca, e os projetos Frivolity and Folly e Fripperies and Trimmings, do grupo De Geuzen, da Holanda, à luz da teoria da estética relacional de Nicolas Bourriaud. A partir dos anos 1990, Bourriaud estabeleceu parâmetros para a produção artística contemporânea que se calcava nas e se corporificava a partir das trocas sociais. Dado esse referencial teórico, a relevância da pesquisa reside no fato de centrar-se em produções que utilizam o ciberespaço e a linguagem digital como meios de divulgação e transmissão de propostas artísticas ferramentas e linguagem até então vistas com ressalva por Bourriaud. O problema da pesquisa, teórico em última análise, reside justamente nessa tensão interna entre a estética relacional do filósofo francês e o corpus escolhido. Grupos relacionais consagrados, como o De Geuzen e o Superflex, defendem o uso dos aparatos tecnológicos e declaram que, em algumas propostas artísticas, a tecnologia e a internet facilitam e potencializam objetivos de intercâmbio social. Ambos os grupos focam mais as relações em rede que a internet proporciona do que as tecnologias que ela encerra. Utilizam as linguagens digitais como ferramentas relacional-comunicacionais. Dessa forma, fica claro que, diferentemente do que pensava Bourriaud, não é pelo fato de esses grupos utilizarem a tecnologia que eles perdem o seu caráter relacional. Para a demonstração dessa perspectiva reflexiva, foram consideradas, durante a pesquisa, as teorias de Lemos, Lovejoy, Lévy, Trivinho, Virílio e Baudrillard sobre a cibercultura, bem como as reflexões de Musso, Parente, Prado, Latour e Miltrop, entre outros, a respeito das redes. A teoria da sociedade em rede, concebida por Castells e para a qual contribuiu Mafessoli, teve importância relevante no trabalho. Outras constatações importantes foram realizadas mediante pesquisa direta em páginas eletrônicas dos grupos, bem como por meio de análise pessoal das obras e de acesso a documentos apresentados pelos grupos em simpósios e publicações eletrônicas. Em complementação ao corpus do estudo, manifestações artísticas que utilizam, como base fundamental de produção, a tecnologia e as trocas sociais também foram apresentadas, como, por exemplo, as propostas de mídia tática e mídia locativa e as experimentações em redes sociaisSecretaria da Educação do Estado de São Pauloapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/13993/Ana%20Carolina%20da%20Cunha.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Comunicação e SemióticaPUC-SPBRComunicaçãoArte contemporâneaEstética relacionalCiberculturaTrocas sociaisRedesArte e tecnologiaComputadores e civilizacaoRedes de informacaoEstetica modernaSociedade da informacaoContemporary artRelational AestheticsNet artCybercultureSocial exchangesNetworksCNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO"Estética relacional na cibercultura": visão social dos coletivos Superflex e De Geuzen a respeito da linguagem digitalinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTAna Carolina da Cunha.pdf.txtAna Carolina da Cunha.pdf.txtExtracted texttext/plain276679https://repositorio.pucsp.br/xmlui/bitstream/handle/5212/3/Ana%20Carolina%20da%20Cunha.pdf.txtc080f02fe1d626210972572594c8e178MD53ORIGINALAna Carolina da Cunha.pdfapplication/pdf999430https://repositorio.pucsp.br/xmlui/bitstream/handle/5212/1/Ana%20Carolina%20da%20Cunha.pdf04828c376e3f4f5a3c79333cb1ca6102MD51THUMBNAILAna Carolina da Cunha.pdf.jpgAna Carolina da Cunha.pdf.jpgGenerated Thumbnailimage/jpeg1943https://repositorio.pucsp.br/xmlui/bitstream/handle/5212/2/Ana%20Carolina%20da%20Cunha.pdf.jpgcc73c4c239a4c332d642ba1e7c7a9fb2MD52handle/52122022-04-28 19:21:46.45oai:repositorio.pucsp.br:handle/5212Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2022-04-28T22:21:46Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.por.fl_str_mv |
"Estética relacional na cibercultura": visão social dos coletivos Superflex e De Geuzen a respeito da linguagem digital |
title |
"Estética relacional na cibercultura": visão social dos coletivos Superflex e De Geuzen a respeito da linguagem digital |
spellingShingle |
"Estética relacional na cibercultura": visão social dos coletivos Superflex e De Geuzen a respeito da linguagem digital Cunha, Ana Carolina da Arte contemporânea Estética relacional Cibercultura Trocas sociais Redes Arte e tecnologia Computadores e civilizacao Redes de informacao Estetica moderna Sociedade da informacao Contemporary art Relational Aesthetics Net art Cyberculture Social exchanges Networks CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
title_short |
"Estética relacional na cibercultura": visão social dos coletivos Superflex e De Geuzen a respeito da linguagem digital |
title_full |
"Estética relacional na cibercultura": visão social dos coletivos Superflex e De Geuzen a respeito da linguagem digital |
title_fullStr |
"Estética relacional na cibercultura": visão social dos coletivos Superflex e De Geuzen a respeito da linguagem digital |
title_full_unstemmed |
"Estética relacional na cibercultura": visão social dos coletivos Superflex e De Geuzen a respeito da linguagem digital |
title_sort |
"Estética relacional na cibercultura": visão social dos coletivos Superflex e De Geuzen a respeito da linguagem digital |
author |
Cunha, Ana Carolina da |
author_facet |
Cunha, Ana Carolina da |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Trivinho, Eugênio |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4264731Z5 |
dc.contributor.author.fl_str_mv |
Cunha, Ana Carolina da |
contributor_str_mv |
Trivinho, Eugênio |
dc.subject.por.fl_str_mv |
Arte contemporânea Estética relacional Cibercultura Trocas sociais Redes Arte e tecnologia Computadores e civilizacao Redes de informacao Estetica moderna Sociedade da informacao |
topic |
Arte contemporânea Estética relacional Cibercultura Trocas sociais Redes Arte e tecnologia Computadores e civilizacao Redes de informacao Estetica moderna Sociedade da informacao Contemporary art Relational Aesthetics Net art Cyberculture Social exchanges Networks CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
dc.subject.eng.fl_str_mv |
Contemporary art Relational Aesthetics Net art Cyberculture Social exchanges Networks |
dc.subject.cnpq.fl_str_mv |
CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
description |
This research has as main objective the analysis of projects 2 and Karlskrona Superchannel of collective Superflex, Denmark, and projects Frivolity and Folly and Fripperies and Trimmings, of the group De Geuzen, the Netherlands, in the light of the theory of relational aesthetics of Nicolas Bourriaud. From the 1990s, Bourriaud set the parameters for contemporary artistic production that is based on and is embodied from social exchanges. Given this theoretical framework, the relevance of the research lies in the fact that focus on productions that use digital cyberspace and language as means of dissemination and transmission of artistic proposals - language and tools then viewed with reservation by Bourriaud. The problem of research, ultimately theoretical, lies precisely in this tension between the internal relational aesthetics of the French philosopher and the chosen corpus. Established relational groups, such as De Geuzen and Superflex, advocate the use of technological devices and declare that, in some art propositions, technology and the Internet facilitate and potentialize objectives of social exchange. Both groups focus more on the network relations provided by the Internet than the technology it encloses. They both make use of the digital language as relational/communicational tools. Thus, it is clear that, unlike what Bourriaud thought, it is not the fact that these groups use the technology that they lose their relational character. For the demonstration of this reflexive perspective, this work has considered alongside the research, the theories of Lemos, Lovejoy, Lévy, Trivinho, Virilio and Baudrillard on cyberculture, and the reflections of Musso, Parente, Prado, and Miltrop Latour, among others, on the networks. The theory of society as a network, designed by Castells and for which contributed Mafessoli, had significant importance in this research. Other important findings were made by direct research on the groups websites and through personal analysis of their works and access to documents submitted by them in symposia and electronic publications. In addition to the corpus of the study, art expressions that use technology and social exchange, as the foundation of production, were also presented, such as the propositions of tactical media and locative media as well as experiments in social networks |
publishDate |
2009 |
dc.date.available.fl_str_mv |
2009-06-08 |
dc.date.issued.fl_str_mv |
2009-05-11 |
dc.date.accessioned.fl_str_mv |
2016-04-26T18:17:57Z |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
Cunha, Ana Carolina da. "Estética relacional na cibercultura": visão social dos coletivos Superflex e De Geuzen a respeito da linguagem digital. 2009. 123 f. Dissertação (Mestrado em Comunicação) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2009. |
dc.identifier.uri.fl_str_mv |
https://tede2.pucsp.br/handle/handle/5212 |
identifier_str_mv |
Cunha, Ana Carolina da. "Estética relacional na cibercultura": visão social dos coletivos Superflex e De Geuzen a respeito da linguagem digital. 2009. 123 f. Dissertação (Mestrado em Comunicação) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2009. |
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