O objeto-livro infantil: perspectivas crítico-estéticas entre literatura e outras mídias
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da PUC_SP |
Texto Completo: | https://repositorio.pucsp.br/jspui/handle/handle/24797 |
Resumo: | This work aims to present a theoretical repositioning of criticism in view of the aesthetics that is established as the production of the object book in contemporary Children’s Literature. Our main goal is to contribute to studies in literary theory and criticism, reflecting on other critical-aesthetic possibilities of confrontation to these experiments in hybrid languages and materialized in different media that cross each other’s borders. The selected corpus – formed with Alice in Wonderland (2002), by Suzy Lee; A Cloud (2007), by Katsumi Komagata; and Bili com limão verde na mão (2009), by Décio Pignatari, Daniel Bueno and Luciana Facchini – is an example of these language experiences addressed to children, since it takes into account not only the verbal and visual meanings, but also the book’s objectuality. Within this context, we question whether the theories that underlie the Children’s Literature field today are enough to help us out thinking critically about what we are proposing to call children’s object-book, produced by visual artists, in its difference to the well-known book-object, and we ask what would be the aspects to be expanded, revised, overcome in view of these objects. Our hypotheses are based on the idea that prestigious critical studies dedicated to the word-image-design relationship (Nodelman, Nikolajeva, Lewis, Linden, Beckett) are insufficient to support an expansion of Reading (which is looking, listening, touching, feeling) these works informed as a reflection and part of the movements and senses of the body that holds them up, and that a multidisciplinary approach, which sees the book not only as a support but also as a medium (Bolter & Grusin, Elleström), is the most effective way to analytically explore these literary experiments inscribed in the traditional form of codexical media. In this sense, the thesis is structured in five chapters that seek, in book studies (Carrión, Plaza, Drucker), a defense of the codex as a significant and self-conscious form, promoting new materialistic approaches in literary studies (Brillenburg Wurth, Plate, Pressman); in the philosophy of language dialoguing with aesthetics and neuroscience (Didi-Huberman, Sheets-Johnstone, Gallese), elements that constitute an understanding of what is haptic in looking, touching, gesturing, decisive conceptions in the perceptual turn throughout the 20th century and the basis of artistic experiments at the beginning of the 21st century; and in design and perception theories (Flusser, Santaella, Marks), bases that support the multifaceted thinking of artistic practices that look at a folded sheet of paper, inscribing multiple durations in a book, as a materialized form that selfconsciously updates itself in the act of making the Reader aware of his moving body |
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Cardoso, Elizabethhttp://lattes.cnpq.br/5133916834625567http://lattes.cnpq.br/3182742196653496Girão, Luis Carlos Barroso de Sousa2022-02-22T17:07:28Z2022-02-22T17:07:28Z2021-11-12Girão, Luis Carlos Barroso de Sousa. O objeto-livro infantil: perspectivas crítico-estéticas entre literatura e outras mídias. 2021. Tese (Doutorado em Literatura e Crítica Literária) - Programa de Estudos Pós-Graduados em Literatura e Crítica Literária da Pontifícia Universidade Católica de São Paulo, São Paulo, 2021.https://repositorio.pucsp.br/jspui/handle/handle/24797This work aims to present a theoretical repositioning of criticism in view of the aesthetics that is established as the production of the object book in contemporary Children’s Literature. Our main goal is to contribute to studies in literary theory and criticism, reflecting on other critical-aesthetic possibilities of confrontation to these experiments in hybrid languages and materialized in different media that cross each other’s borders. The selected corpus – formed with Alice in Wonderland (2002), by Suzy Lee; A Cloud (2007), by Katsumi Komagata; and Bili com limão verde na mão (2009), by Décio Pignatari, Daniel Bueno and Luciana Facchini – is an example of these language experiences addressed to children, since it takes into account not only the verbal and visual meanings, but also the book’s objectuality. Within this context, we question whether the theories that underlie the Children’s Literature field today are enough to help us out thinking critically about what we are proposing to call children’s object-book, produced by visual artists, in its difference to the well-known book-object, and we ask what would be the aspects to be expanded, revised, overcome in view of these objects. Our hypotheses are based on the idea that prestigious critical studies dedicated to the word-image-design relationship (Nodelman, Nikolajeva, Lewis, Linden, Beckett) are insufficient to support an expansion of Reading (which is looking, listening, touching, feeling) these works informed as a reflection and part of the movements and senses of the body that holds them up, and that a multidisciplinary approach, which sees the book not only as a support but also as a medium (Bolter & Grusin, Elleström), is the most effective way to analytically explore these literary experiments inscribed in the traditional form of codexical media. In this sense, the thesis is structured in five chapters that seek, in book studies (Carrión, Plaza, Drucker), a defense of the codex as a significant and self-conscious form, promoting new materialistic approaches in literary studies (Brillenburg Wurth, Plate, Pressman); in the philosophy of language dialoguing with aesthetics and neuroscience (Didi-Huberman, Sheets-Johnstone, Gallese), elements that constitute an understanding of what is haptic in looking, touching, gesturing, decisive conceptions in the perceptual turn throughout the 20th century and the basis of artistic experiments at the beginning of the 21st century; and in design and perception theories (Flusser, Santaella, Marks), bases that support the multifaceted thinking of artistic practices that look at a folded sheet of paper, inscribing multiple durations in a book, as a materialized form that selfconsciously updates itself in the act of making the Reader aware of his moving bodyEste trabalho visa um reposicionamento teórico da crítica diante da estética que se estabelece como produção do objeto livro na Literatura Infantil contemporânea. Nosso objetivo é contribuir com estudos em teoria e crítica literária, ao refletir sobre outras possibilidades de enfrentamento crítico-estético dessas experimentações em linguagens híbridas e materializadas em mídias distintas que se atravessam. O corpus selecionado – formado por Alice in Wonderland (2002), de Suzy Lee; A Cloud (2007), de Katsumi Komagata; e Bili com limão verde na mão (2009), de Décio Pignatari, Daniel Bueno e Luciana Facchini – é exemplar dessas experiências de linguagem endereçadas ao público infantil, por levar em conta não apenas as significações verbais e visuais, como também a objetualidade do livro. Nesse contexto, questionamos se as teorias que embasam a área de Literatura Infantil hoje são suficientes para auxiliar-nos a pensar criticamente sobre o que propomos chamar de objeto-livro infantil, produzido por artistas da visualidade, em sua diferença ao conhecido livro-objeto, e perguntamos quais seriam os aspectos a serem ampliados, revistos, superados diante desses objetos. Nossas hipóteses partem da ideia de que estudos críticos consagrados dedicados à relação palavra-imagem-design (Nodelman, Nikolajeva, Lewis, Linden, Beckett) são insuficientes para embasar uma ampliação do Ler (que é olhar, ouvir, tocar, sentir) essas obras informadas como reflexo e parte dos movimentos e sentidos do corpo que as segura, e que uma visada multidisciplinar, que encare o livro não apenas como suporte mas como mídia (Bolter & Grusin, Elleström), seja o caminho mais eficaz para explorar analiticamente essas experimentações literárias inscritas na forma tradicional de mídia codexical. Nesse sentido, a tese está estruturada em cinco capítulos que buscam, nos estudos do livro (Carrión, Plaza, Drucker), uma defesa do códex como forma significante e autoconsciente, promotora de abordagens neo-materialistas nos estudos literários (Brillenburg Wurth, Plate, Pressman); na filosofia da linguagem em diálogo com a estética e a neurociência (Didi-Huberman, Sheets-Johnstone, Gallese), elementos que constituam uma compreensão daquilo que é háptico no olhar, no tocar, no gestualizar, concepções decisivas na virada perceptual ao longo do século XX e base dos experimentos artísticos neste início de século XXI; e nas teorias do design e da percepção (Flusser, Santaella, Marks), bases que sustentem o pensamento multifacetado das práticas artísticas que olham para uma folha de papel dobrada, inscrevendo um livro em múltiplas durações, como forma materializada que se atualiza auto-conscientemente no ato de conscientizar o Leitor de seu corpo em movimentoCoordenação de Aperfeiçoamento de Pessoal de Nível Superior – CAPESporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Literatura e Crítica LiteráriaPUC-SPBrasilFaculdade de Filosofia, Comunicação, Letras e ArtesCNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIACrítica literáriaObjeto-livroLiteratura infantilNeo-materialismoIntermídiaLinguagemCrítica literáriaObjetualidadeCorpobjetualidadeCorpoLiterary criticismobject-bookchildren's literatureneo materialismintermedialanguageobjectualitybodyO objeto-livro infantil: perspectivas crítico-estéticas entre literatura e outras mídiasinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPORIGINALLuis Carlos Barroso de Sousa Girão.pdfapplication/pdf2694706https://repositorio.pucsp.br/xmlui/bitstream/handle/24797/1/Luis%20Carlos%20Barroso%20de%20Sousa%20Gir%c3%a3o.pdfa1bc1ff3171733a7406f5c67c8710fc5MD51TEXTLuis Carlos Barroso de Sousa Girão.pdf.txtLuis Carlos Barroso de Sousa Girão.pdf.txtExtracted texttext/plain469276https://repositorio.pucsp.br/xmlui/bitstream/handle/24797/2/Luis%20Carlos%20Barroso%20de%20Sousa%20Gir%c3%a3o.pdf.txt85e4d3c86fff9a6664e2d22003dc1e9fMD52THUMBNAILLuis Carlos Barroso de Sousa Girão.pdf.jpgLuis Carlos Barroso de Sousa Girão.pdf.jpgGenerated Thumbnailimage/jpeg1301https://repositorio.pucsp.br/xmlui/bitstream/handle/24797/3/Luis%20Carlos%20Barroso%20de%20Sousa%20Gir%c3%a3o.pdf.jpge994c56085ce73a8dddc3c32e3852c5fMD53handle/247972022-02-24 09:12:49.225oai:repositorio.pucsp.br:handle/24797Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2022-02-24T12:12:49Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.pt_BR.fl_str_mv |
O objeto-livro infantil: perspectivas crítico-estéticas entre literatura e outras mídias |
title |
O objeto-livro infantil: perspectivas crítico-estéticas entre literatura e outras mídias |
spellingShingle |
O objeto-livro infantil: perspectivas crítico-estéticas entre literatura e outras mídias Girão, Luis Carlos Barroso de Sousa CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA Crítica literária Objeto-livro Literatura infantil Neo-materialismo Intermídia Linguagem Crítica literária Objetualidade Corpobjetualidade Corpo Literary criticism object-book children's literature neo materialism intermedia language objectuality body |
title_short |
O objeto-livro infantil: perspectivas crítico-estéticas entre literatura e outras mídias |
title_full |
O objeto-livro infantil: perspectivas crítico-estéticas entre literatura e outras mídias |
title_fullStr |
O objeto-livro infantil: perspectivas crítico-estéticas entre literatura e outras mídias |
title_full_unstemmed |
O objeto-livro infantil: perspectivas crítico-estéticas entre literatura e outras mídias |
title_sort |
O objeto-livro infantil: perspectivas crítico-estéticas entre literatura e outras mídias |
author |
Girão, Luis Carlos Barroso de Sousa |
author_facet |
Girão, Luis Carlos Barroso de Sousa |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Cardoso, Elizabeth |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/5133916834625567 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/3182742196653496 |
dc.contributor.author.fl_str_mv |
Girão, Luis Carlos Barroso de Sousa |
contributor_str_mv |
Cardoso, Elizabeth |
dc.subject.cnpq.fl_str_mv |
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA |
topic |
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA Crítica literária Objeto-livro Literatura infantil Neo-materialismo Intermídia Linguagem Crítica literária Objetualidade Corpobjetualidade Corpo Literary criticism object-book children's literature neo materialism intermedia language objectuality body |
dc.subject.por.fl_str_mv |
Crítica literária Objeto-livro Literatura infantil Neo-materialismo Intermídia Linguagem Crítica literária Objetualidade Corpobjetualidade Corpo |
dc.subject.eng.fl_str_mv |
Literary criticism object-book children's literature neo materialism intermedia language objectuality body |
description |
This work aims to present a theoretical repositioning of criticism in view of the aesthetics that is established as the production of the object book in contemporary Children’s Literature. Our main goal is to contribute to studies in literary theory and criticism, reflecting on other critical-aesthetic possibilities of confrontation to these experiments in hybrid languages and materialized in different media that cross each other’s borders. The selected corpus – formed with Alice in Wonderland (2002), by Suzy Lee; A Cloud (2007), by Katsumi Komagata; and Bili com limão verde na mão (2009), by Décio Pignatari, Daniel Bueno and Luciana Facchini – is an example of these language experiences addressed to children, since it takes into account not only the verbal and visual meanings, but also the book’s objectuality. Within this context, we question whether the theories that underlie the Children’s Literature field today are enough to help us out thinking critically about what we are proposing to call children’s object-book, produced by visual artists, in its difference to the well-known book-object, and we ask what would be the aspects to be expanded, revised, overcome in view of these objects. Our hypotheses are based on the idea that prestigious critical studies dedicated to the word-image-design relationship (Nodelman, Nikolajeva, Lewis, Linden, Beckett) are insufficient to support an expansion of Reading (which is looking, listening, touching, feeling) these works informed as a reflection and part of the movements and senses of the body that holds them up, and that a multidisciplinary approach, which sees the book not only as a support but also as a medium (Bolter & Grusin, Elleström), is the most effective way to analytically explore these literary experiments inscribed in the traditional form of codexical media. In this sense, the thesis is structured in five chapters that seek, in book studies (Carrión, Plaza, Drucker), a defense of the codex as a significant and self-conscious form, promoting new materialistic approaches in literary studies (Brillenburg Wurth, Plate, Pressman); in the philosophy of language dialoguing with aesthetics and neuroscience (Didi-Huberman, Sheets-Johnstone, Gallese), elements that constitute an understanding of what is haptic in looking, touching, gesturing, decisive conceptions in the perceptual turn throughout the 20th century and the basis of artistic experiments at the beginning of the 21st century; and in design and perception theories (Flusser, Santaella, Marks), bases that support the multifaceted thinking of artistic practices that look at a folded sheet of paper, inscribing multiple durations in a book, as a materialized form that selfconsciously updates itself in the act of making the Reader aware of his moving body |
publishDate |
2021 |
dc.date.issued.fl_str_mv |
2021-11-12 |
dc.date.accessioned.fl_str_mv |
2022-02-22T17:07:28Z |
dc.date.available.fl_str_mv |
2022-02-22T17:07:28Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/doctoralThesis |
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doctoralThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
Girão, Luis Carlos Barroso de Sousa. O objeto-livro infantil: perspectivas crítico-estéticas entre literatura e outras mídias. 2021. Tese (Doutorado em Literatura e Crítica Literária) - Programa de Estudos Pós-Graduados em Literatura e Crítica Literária da Pontifícia Universidade Católica de São Paulo, São Paulo, 2021. |
dc.identifier.uri.fl_str_mv |
https://repositorio.pucsp.br/jspui/handle/handle/24797 |
identifier_str_mv |
Girão, Luis Carlos Barroso de Sousa. O objeto-livro infantil: perspectivas crítico-estéticas entre literatura e outras mídias. 2021. Tese (Doutorado em Literatura e Crítica Literária) - Programa de Estudos Pós-Graduados em Literatura e Crítica Literária da Pontifícia Universidade Católica de São Paulo, São Paulo, 2021. |
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Pontifícia Universidade Católica de São Paulo |
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Programa de Estudos Pós-Graduados em Literatura e Crítica Literária |
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PUC-SP |
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Brasil |
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Faculdade de Filosofia, Comunicação, Letras e Artes |
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Pontifícia Universidade Católica de São Paulo |
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