Da captura e do incapturável: considerações sobre funk, capitalismo e desejo
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da PUC_SP |
Texto Completo: | https://repositorio.pucsp.br/jspui/handle/handle/32567 |
Resumo: | The present study was developed from the questioning about the relationship between funk and the discourses of domination prevailing in Brazilian society, given its importance and unique position in culture. To this end, we explored two ways that could broaden the debate on the subject. The first one was to establish relations between funk, as culture, and the capitalist way of production and hegemonic culture from the structural axes: class, race and gender. The second was to investigate from a psychoanalytical perspective what things the genre, as both a creative process and a way of life, can teach about the desire and uniqueness of subjects. Thus, we seek to establish a dialogue between Psychoanalysis and the fields of Cultural Studies, Art and History. For that, the first chapter consists of a presentation of the history of funk, whose objective is to highlight the heterogeneity of the phenomenon, considering its transformations and its structuring elements: music, dance and parties and to build a basis for the following discussions. In the second chapter we seek to present some notions pertaining to the field of Cultural Studies, the relations between industry and culture, based on the notion of culture as a field of dispute between a block of power, that determines which are the manifestations that should be transformed according to the values of this same block, and another block, that resists the movements of capture and total dominance. In the third chapter we intended to weave some of the articulations between the fields of art and psychoanalysis based the concept of sublimation, which was initially presented by Freud as a process present in art in artistic creation, and that constitutes a third possible destination for libido. However, it is in accordance with J. Lacan's developments for the concept presented on The Ethics of Psychoanalysis (1959-1960 / 2008), that we evolve the discussion between art, subject and desire, through the debate about of the object of das Ding, the artistic creation and the subject of desire. Finally, in the fourth chapter we seek to explore structural issues in the discussions about funk as a manifestation of culture and art, with the aim of establishing opening and closure points between the different fields of knowledge, as well as discussing possible resistances that funk may offer against the dominant discourses |
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Pacheco Filho, Raul Albinohttp://lattes.cnpq.br/1104011611313412http://lattes.cnpq.br/7840443168011133Oliveira, Thaina de Paula2023-06-01T18:09:01Z2023-06-01T18:09:01Z2020-05-27Oliveira, Thaina de Paula. Da captura e do incapturável: considerações sobre funk, capitalismo e desejo. 2020. Dissertação (Mestrado em Psicologia: Psicologia Social) - Programa de Estudos Pós-Graduados em Psicologia: Psicologia Social da Pontifícia Universidade Católica de São Paulo, São Paulo, 2020.https://repositorio.pucsp.br/jspui/handle/handle/32567The present study was developed from the questioning about the relationship between funk and the discourses of domination prevailing in Brazilian society, given its importance and unique position in culture. To this end, we explored two ways that could broaden the debate on the subject. The first one was to establish relations between funk, as culture, and the capitalist way of production and hegemonic culture from the structural axes: class, race and gender. The second was to investigate from a psychoanalytical perspective what things the genre, as both a creative process and a way of life, can teach about the desire and uniqueness of subjects. Thus, we seek to establish a dialogue between Psychoanalysis and the fields of Cultural Studies, Art and History. For that, the first chapter consists of a presentation of the history of funk, whose objective is to highlight the heterogeneity of the phenomenon, considering its transformations and its structuring elements: music, dance and parties and to build a basis for the following discussions. In the second chapter we seek to present some notions pertaining to the field of Cultural Studies, the relations between industry and culture, based on the notion of culture as a field of dispute between a block of power, that determines which are the manifestations that should be transformed according to the values of this same block, and another block, that resists the movements of capture and total dominance. In the third chapter we intended to weave some of the articulations between the fields of art and psychoanalysis based the concept of sublimation, which was initially presented by Freud as a process present in art in artistic creation, and that constitutes a third possible destination for libido. However, it is in accordance with J. Lacan's developments for the concept presented on The Ethics of Psychoanalysis (1959-1960 / 2008), that we evolve the discussion between art, subject and desire, through the debate about of the object of das Ding, the artistic creation and the subject of desire. Finally, in the fourth chapter we seek to explore structural issues in the discussions about funk as a manifestation of culture and art, with the aim of establishing opening and closure points between the different fields of knowledge, as well as discussing possible resistances that funk may offer against the dominant discoursesO presente estudo desenvolveu-se a partir do questionamento sobre as relações entre o funk, e os discursos de dominação vigentes na sociedade brasileira, dado a sua importância e posição ímpar na cultura. Para tal, exploramos duas vias que pudessem ampliar o debate sobre o tema, sendo a primeira a de estabelecer algumas relações entre o funk, enquanto cultura, e o modo de produção capitalista e a cultura hegemônica a partir dos eixos estruturais: classe, raça e gênero. A segunda via é a de investigar a partir de uma perspectiva psicanalítica o que o funk, enquanto fazer/viver artístico, pode ensinar sobre o desejo e a singularidade dos sujeitos. Dessa forma, procuramos estabelecer um diálogo entre a Psicanálise e os campos dos Estudos Culturais, Arte e História. Assim, o primeiro capítulo é composto por uma apresentação da história do funk, cujo objetivo é o de destacar a heterogeneidade do fenômeno, considerando suas transformações e seus elementos estruturantes: música, dança e bailes e a de construir uma base para as discussões nos seguintes capítulos. No segundo capítulo buscamos apresentar algumas noções pertencentes ao campo dos Estudos Culturais, as relações entre e indústria e cultura, a partir da noção da cultura como um campo de disputa entre um bloco de poder, que determina e quais são as manifestações que devem ser transformadas de acordo com os valores deste mesmo bloco, e outro bloco de poder, que resiste aos movimentos de captura e dominação total. No terceiro capítulo procuramos tecer algumas das articulações entre o campo da arte e a psicanálise a partir do conceito de sublimação, que inicialmente foi apresentado por Freud como um processo presente na criação artística, e que se constitui como uma terceira destinação possível para a libido. Entretanto, é de acordo com os desenvolvimentos de J. Lacan para o conceito, a partir da apresentação do seminário A ética da Psicanálise (1959-1960/2008), que avançamos com a discussão entre a arte, sujeito e desejo, através do debate acerca do objeto das Ding, ou a Coisa, a criação artística e o sujeito de desejo. Por fim, no quarto capítulo buscamos explorar questões estruturais às discussões sobre o funk enquanto uma manifestação da cultura e artística, com o objetivo de estabelecer pontos de fechamento e abertura entre os distintos campos do conhecimento, assim como de discutir possíveis resistências que o funk pode trazer em relação aos discursos de dominaçãoConselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPqporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Psicologia: Psicologia SocialPUC-SPBrasilFaculdade de Ciências Humanas e da SaúdeCNPQ::CIENCIAS HUMANAS::PSICOLOGIA::PSICOLOGIA SOCIALPsicanáliseFunkEstudos culturaisSublimaçãoArteCulturaPsychoanalysisFunkCultural studiesSublimationArtCultureDa captura e do incapturável: considerações sobre funk, capitalismo e desejoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPORIGINALThaina de Paula Oliveira.pdfapplication/pdf1066350https://repositorio.pucsp.br/xmlui/bitstream/handle/32567/1/Thaina%20de%20Paula%20Oliveira.pdf6a0a68bd1168efbda3b4be7f46a03f25MD51TEXTThaina de Paula Oliveira.pdf.txtThaina de Paula Oliveira.pdf.txtExtracted texttext/plain219597https://repositorio.pucsp.br/xmlui/bitstream/handle/32567/2/Thaina%20de%20Paula%20Oliveira.pdf.txt86b1ddf9341ece85bbac084aaead22baMD52THUMBNAILThaina de Paula Oliveira.pdf.jpgThaina de Paula Oliveira.pdf.jpgGenerated Thumbnailimage/jpeg1198https://repositorio.pucsp.br/xmlui/bitstream/handle/32567/3/Thaina%20de%20Paula%20Oliveira.pdf.jpg6cf094c0977449e7d24856cb04acea0bMD53handle/325672023-06-02 08:46:44.773oai:repositorio.pucsp.br:handle/32567Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2023-06-02T11:46:44Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.pt_BR.fl_str_mv |
Da captura e do incapturável: considerações sobre funk, capitalismo e desejo |
title |
Da captura e do incapturável: considerações sobre funk, capitalismo e desejo |
spellingShingle |
Da captura e do incapturável: considerações sobre funk, capitalismo e desejo Oliveira, Thaina de Paula CNPQ::CIENCIAS HUMANAS::PSICOLOGIA::PSICOLOGIA SOCIAL Psicanálise Funk Estudos culturais Sublimação Arte Cultura Psychoanalysis Funk Cultural studies Sublimation Art Culture |
title_short |
Da captura e do incapturável: considerações sobre funk, capitalismo e desejo |
title_full |
Da captura e do incapturável: considerações sobre funk, capitalismo e desejo |
title_fullStr |
Da captura e do incapturável: considerações sobre funk, capitalismo e desejo |
title_full_unstemmed |
Da captura e do incapturável: considerações sobre funk, capitalismo e desejo |
title_sort |
Da captura e do incapturável: considerações sobre funk, capitalismo e desejo |
author |
Oliveira, Thaina de Paula |
author_facet |
Oliveira, Thaina de Paula |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Pacheco Filho, Raul Albino |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/1104011611313412 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/7840443168011133 |
dc.contributor.author.fl_str_mv |
Oliveira, Thaina de Paula |
contributor_str_mv |
Pacheco Filho, Raul Albino |
dc.subject.cnpq.fl_str_mv |
CNPQ::CIENCIAS HUMANAS::PSICOLOGIA::PSICOLOGIA SOCIAL |
topic |
CNPQ::CIENCIAS HUMANAS::PSICOLOGIA::PSICOLOGIA SOCIAL Psicanálise Funk Estudos culturais Sublimação Arte Cultura Psychoanalysis Funk Cultural studies Sublimation Art Culture |
dc.subject.por.fl_str_mv |
Psicanálise Funk Estudos culturais Sublimação Arte Cultura |
dc.subject.eng.fl_str_mv |
Psychoanalysis Funk Cultural studies Sublimation Art Culture |
description |
The present study was developed from the questioning about the relationship between funk and the discourses of domination prevailing in Brazilian society, given its importance and unique position in culture. To this end, we explored two ways that could broaden the debate on the subject. The first one was to establish relations between funk, as culture, and the capitalist way of production and hegemonic culture from the structural axes: class, race and gender. The second was to investigate from a psychoanalytical perspective what things the genre, as both a creative process and a way of life, can teach about the desire and uniqueness of subjects. Thus, we seek to establish a dialogue between Psychoanalysis and the fields of Cultural Studies, Art and History. For that, the first chapter consists of a presentation of the history of funk, whose objective is to highlight the heterogeneity of the phenomenon, considering its transformations and its structuring elements: music, dance and parties and to build a basis for the following discussions. In the second chapter we seek to present some notions pertaining to the field of Cultural Studies, the relations between industry and culture, based on the notion of culture as a field of dispute between a block of power, that determines which are the manifestations that should be transformed according to the values of this same block, and another block, that resists the movements of capture and total dominance. In the third chapter we intended to weave some of the articulations between the fields of art and psychoanalysis based the concept of sublimation, which was initially presented by Freud as a process present in art in artistic creation, and that constitutes a third possible destination for libido. However, it is in accordance with J. Lacan's developments for the concept presented on The Ethics of Psychoanalysis (1959-1960 / 2008), that we evolve the discussion between art, subject and desire, through the debate about of the object of das Ding, the artistic creation and the subject of desire. Finally, in the fourth chapter we seek to explore structural issues in the discussions about funk as a manifestation of culture and art, with the aim of establishing opening and closure points between the different fields of knowledge, as well as discussing possible resistances that funk may offer against the dominant discourses |
publishDate |
2020 |
dc.date.issued.fl_str_mv |
2020-05-27 |
dc.date.accessioned.fl_str_mv |
2023-06-01T18:09:01Z |
dc.date.available.fl_str_mv |
2023-06-01T18:09:01Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
Oliveira, Thaina de Paula. Da captura e do incapturável: considerações sobre funk, capitalismo e desejo. 2020. Dissertação (Mestrado em Psicologia: Psicologia Social) - Programa de Estudos Pós-Graduados em Psicologia: Psicologia Social da Pontifícia Universidade Católica de São Paulo, São Paulo, 2020. |
dc.identifier.uri.fl_str_mv |
https://repositorio.pucsp.br/jspui/handle/handle/32567 |
identifier_str_mv |
Oliveira, Thaina de Paula. Da captura e do incapturável: considerações sobre funk, capitalismo e desejo. 2020. Dissertação (Mestrado em Psicologia: Psicologia Social) - Programa de Estudos Pós-Graduados em Psicologia: Psicologia Social da Pontifícia Universidade Católica de São Paulo, São Paulo, 2020. |
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https://repositorio.pucsp.br/jspui/handle/handle/32567 |
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por |
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Pontifícia Universidade Católica de São Paulo |
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Programa de Estudos Pós-Graduados em Psicologia: Psicologia Social |
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PUC-SP |
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Brasil |
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Pontifícia Universidade Católica de São Paulo |
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