Tem mulher na macumba “sim sinhô”: as mulheres negras na macumba religiosa e musical carioca entre 1870 e 1930

Detalhes bibliográficos
Autor(a) principal: Rivas, Maria Elise G. B. M
Data de Publicação: 2017
Tipo de documento: Tese
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
Texto Completo: https://tede2.pucsp.br/handle/handle/20634
Resumo: This paper adresses black women in the macumbas of Rio de Janeiro, in the newspapers of such city, from 1870 to 1930, aiming to analyse their presence or absence in the macumbas. There are two hypothesis here considered: to verify if the presence of black women found in the researched material (that is, the newspapers of Rio de Janeiro) equals their importance in the macumbas, and to verify how much do the papers performed by man and women in the terreiros influence or not the musical macumba regarding aesthetics. The research uses a feminist perspective, so the theoretical reference privileges gender. I recollect Fiorenza’s hermeneutics of suspicion (1992) in order to find women in the newspaper, a historical look that aims to find them as characters of day by day in Perrot (2005), and a anthropologic approach of black women in the Candomblés in Bernardo (2005-2005). Also, we refer to Pollak (1989) and the underground memory, and to Weber (2013) and the separation of the issues in order to understand better the division of macumba into religious and musical. The empirical field is formed by 19 newspapers that were active in the city of Rio de Janeiro through the chosen period. Such newspapers are available in the Hemeroteca Digital of Rio de Janeiro, so the analyzed material is a primary source. Methodology used to analyze the newspapers is the approach given by Zicman (1985). It is worth mentioning that too much effort has been needed so we could find black women in both macumbas: they were there
id PUC_SP-1_a3d2f00ec58cf1c83a98f950388f7043
oai_identifier_str oai:repositorio.pucsp.br:handle/20634
network_acronym_str PUC_SP-1
network_name_str Biblioteca Digital de Teses e Dissertações da PUC_SP
repository_id_str
spelling Nunes, Maria José Fontelas Rosadohttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4388250D0Rivas, Maria Elise G. B. M2017-12-05T13:18:12Z2017-11-17Rivas, Maria Elise G. B. M. Tem mulher na macumba “sim sinhô”: as mulheres negras na macumba religiosa e musical carioca entre 1870 e 1930. 2017. 266 f. Tese (Doutorado em Ciência da Religião) - Programa de Estudos Pós-Graduados em Ciência da Religião, Pontifícia Universidade Católica de São Paulo, São Paulo, 2017.https://tede2.pucsp.br/handle/handle/20634This paper adresses black women in the macumbas of Rio de Janeiro, in the newspapers of such city, from 1870 to 1930, aiming to analyse their presence or absence in the macumbas. There are two hypothesis here considered: to verify if the presence of black women found in the researched material (that is, the newspapers of Rio de Janeiro) equals their importance in the macumbas, and to verify how much do the papers performed by man and women in the terreiros influence or not the musical macumba regarding aesthetics. The research uses a feminist perspective, so the theoretical reference privileges gender. I recollect Fiorenza’s hermeneutics of suspicion (1992) in order to find women in the newspaper, a historical look that aims to find them as characters of day by day in Perrot (2005), and a anthropologic approach of black women in the Candomblés in Bernardo (2005-2005). Also, we refer to Pollak (1989) and the underground memory, and to Weber (2013) and the separation of the issues in order to understand better the division of macumba into religious and musical. The empirical field is formed by 19 newspapers that were active in the city of Rio de Janeiro through the chosen period. Such newspapers are available in the Hemeroteca Digital of Rio de Janeiro, so the analyzed material is a primary source. Methodology used to analyze the newspapers is the approach given by Zicman (1985). It is worth mentioning that too much effort has been needed so we could find black women in both macumbas: they were thereEsta pesquisa tem como objeto as mulheres negras nas macumbas cariocas, nos jornais do Rio de Janeiro, entre os anos de 1870 a 1930, tendo como objetivo analisar a presença ou ausência das mesmas nas macumbas. As duas hipóteses elencadas são as seguintes: verificar se a presença das mulheres negras no material encontrado (os jornais cariocas) corresponde à importância delas nas macumbas, e verificar em que medida a configuração dos papéis desempenhados por homens e mulheres nos terreiros influenciaram ou não a macumba musical na esfera estética. A pesquisa é realizada sob uma perspectiva feminista, de modo que o horizonte teórico privilegia as questões de gênero. Faço uso da hermenêutica da suspeita de Fiorenza (1992) para encontrar as mulheres nos jornais, um olhar histórico que busca encontrar as mulheres como personagens do cotidiano em Perrot (2005) e uma abordagem antropológica das mulheres negras nos candomblés em Bernardo (2003-2005). Mas, também trago Pollak (1989) com o referêncial memória subterrânea e Weber (2013) com a separação das esferas para melhor entender a “separação” da macumba em religiosa e musical. O campo empírico são 19 jornais que circularam na cidade carioca no período pesquisado disponibilizados na Hemeroteca Digital do Rio de Janeiro, ou seja, o material analisado é uma fonte primária. A metodologia utilizada para análise dos jornais é a abordagem dada por Zicman (1985). Vale ressaltar que foi necessário muito esforço para podermos encontrar as mulheres negras em ambas as macumbas, mas elas estavam láCoordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/44034/Maria%20Elise%20G.%20B.%20M.%20Rivas.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Ciência da ReligiãoPUC-SPBrasilFaculdade de Ciências SociaisNegras - Rio de Janeiro, RJCandomblé - Rio de Janeiro, RJMulheres e religiãoWomen, Black - Rio de Janeiro, RJCandomble (Cult) - Rio de Janeiro, RJWomen and religionCNPQ::CIENCIAS HUMANAS::SOCIOLOGIA::OUTRAS SOCIOLOGIAS ESPECIFICASTem mulher na macumba “sim sinhô”: as mulheres negras na macumba religiosa e musical carioca entre 1870 e 1930info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTMaria Elise G. B. M. Rivas.pdf.txtMaria Elise G. B. M. Rivas.pdf.txtExtracted texttext/plain598768https://repositorio.pucsp.br/xmlui/bitstream/handle/20634/4/Maria%20Elise%20G.%20B.%20M.%20Rivas.pdf.txt80377756385c926ecc18b851bde93a25MD54LICENSElicense.txtlicense.txttext/plain; charset=utf-82165https://repositorio.pucsp.br/xmlui/bitstream/handle/20634/1/license.txtbd3efa91386c1718a7f26a329fdcb468MD51ORIGINALMaria Elise G. B. M. Rivas.pdfMaria Elise G. B. M. Rivas.pdfapplication/pdf3552936https://repositorio.pucsp.br/xmlui/bitstream/handle/20634/2/Maria%20Elise%20G.%20B.%20M.%20Rivas.pdff7b8bcdf7f4a70bdd8671da3133040c6MD52THUMBNAILMaria Elise G. B. M. Rivas.pdf.jpgMaria Elise G. B. M. Rivas.pdf.jpgGenerated Thumbnailimage/jpeg3004https://repositorio.pucsp.br/xmlui/bitstream/handle/20634/3/Maria%20Elise%20G.%20B.%20M.%20Rivas.pdf.jpg58c19adabebec3e3834682aee7b55024MD53handle/206342022-04-28 10:59:10.387oai:repositorio.pucsp.br: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Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2022-04-28T13:59:10Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.por.fl_str_mv Tem mulher na macumba “sim sinhô”: as mulheres negras na macumba religiosa e musical carioca entre 1870 e 1930
title Tem mulher na macumba “sim sinhô”: as mulheres negras na macumba religiosa e musical carioca entre 1870 e 1930
spellingShingle Tem mulher na macumba “sim sinhô”: as mulheres negras na macumba religiosa e musical carioca entre 1870 e 1930
Rivas, Maria Elise G. B. M
Negras - Rio de Janeiro, RJ
Candomblé - Rio de Janeiro, RJ
Mulheres e religião
Women, Black - Rio de Janeiro, RJ
Candomble (Cult) - Rio de Janeiro, RJ
Women and religion
CNPQ::CIENCIAS HUMANAS::SOCIOLOGIA::OUTRAS SOCIOLOGIAS ESPECIFICAS
title_short Tem mulher na macumba “sim sinhô”: as mulheres negras na macumba religiosa e musical carioca entre 1870 e 1930
title_full Tem mulher na macumba “sim sinhô”: as mulheres negras na macumba religiosa e musical carioca entre 1870 e 1930
title_fullStr Tem mulher na macumba “sim sinhô”: as mulheres negras na macumba religiosa e musical carioca entre 1870 e 1930
title_full_unstemmed Tem mulher na macumba “sim sinhô”: as mulheres negras na macumba religiosa e musical carioca entre 1870 e 1930
title_sort Tem mulher na macumba “sim sinhô”: as mulheres negras na macumba religiosa e musical carioca entre 1870 e 1930
author Rivas, Maria Elise G. B. M
author_facet Rivas, Maria Elise G. B. M
author_role author
dc.contributor.advisor1.fl_str_mv Nunes, Maria José Fontelas Rosado
dc.contributor.authorLattes.fl_str_mv http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4388250D0
dc.contributor.author.fl_str_mv Rivas, Maria Elise G. B. M
contributor_str_mv Nunes, Maria José Fontelas Rosado
dc.subject.por.fl_str_mv Negras - Rio de Janeiro, RJ
Candomblé - Rio de Janeiro, RJ
Mulheres e religião
topic Negras - Rio de Janeiro, RJ
Candomblé - Rio de Janeiro, RJ
Mulheres e religião
Women, Black - Rio de Janeiro, RJ
Candomble (Cult) - Rio de Janeiro, RJ
Women and religion
CNPQ::CIENCIAS HUMANAS::SOCIOLOGIA::OUTRAS SOCIOLOGIAS ESPECIFICAS
dc.subject.eng.fl_str_mv Women, Black - Rio de Janeiro, RJ
Candomble (Cult) - Rio de Janeiro, RJ
Women and religion
dc.subject.cnpq.fl_str_mv CNPQ::CIENCIAS HUMANAS::SOCIOLOGIA::OUTRAS SOCIOLOGIAS ESPECIFICAS
description This paper adresses black women in the macumbas of Rio de Janeiro, in the newspapers of such city, from 1870 to 1930, aiming to analyse their presence or absence in the macumbas. There are two hypothesis here considered: to verify if the presence of black women found in the researched material (that is, the newspapers of Rio de Janeiro) equals their importance in the macumbas, and to verify how much do the papers performed by man and women in the terreiros influence or not the musical macumba regarding aesthetics. The research uses a feminist perspective, so the theoretical reference privileges gender. I recollect Fiorenza’s hermeneutics of suspicion (1992) in order to find women in the newspaper, a historical look that aims to find them as characters of day by day in Perrot (2005), and a anthropologic approach of black women in the Candomblés in Bernardo (2005-2005). Also, we refer to Pollak (1989) and the underground memory, and to Weber (2013) and the separation of the issues in order to understand better the division of macumba into religious and musical. The empirical field is formed by 19 newspapers that were active in the city of Rio de Janeiro through the chosen period. Such newspapers are available in the Hemeroteca Digital of Rio de Janeiro, so the analyzed material is a primary source. Methodology used to analyze the newspapers is the approach given by Zicman (1985). It is worth mentioning that too much effort has been needed so we could find black women in both macumbas: they were there
publishDate 2017
dc.date.accessioned.fl_str_mv 2017-12-05T13:18:12Z
dc.date.issued.fl_str_mv 2017-11-17
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/doctoralThesis
format doctoralThesis
status_str publishedVersion
dc.identifier.citation.fl_str_mv Rivas, Maria Elise G. B. M. Tem mulher na macumba “sim sinhô”: as mulheres negras na macumba religiosa e musical carioca entre 1870 e 1930. 2017. 266 f. Tese (Doutorado em Ciência da Religião) - Programa de Estudos Pós-Graduados em Ciência da Religião, Pontifícia Universidade Católica de São Paulo, São Paulo, 2017.
dc.identifier.uri.fl_str_mv https://tede2.pucsp.br/handle/handle/20634
identifier_str_mv Rivas, Maria Elise G. B. M. Tem mulher na macumba “sim sinhô”: as mulheres negras na macumba religiosa e musical carioca entre 1870 e 1930. 2017. 266 f. Tese (Doutorado em Ciência da Religião) - Programa de Estudos Pós-Graduados em Ciência da Religião, Pontifícia Universidade Católica de São Paulo, São Paulo, 2017.
url https://tede2.pucsp.br/handle/handle/20634
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
dc.publisher.program.fl_str_mv Programa de Estudos Pós-Graduados em Ciência da Religião
dc.publisher.initials.fl_str_mv PUC-SP
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Faculdade de Ciências Sociais
publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
dc.source.none.fl_str_mv reponame:Biblioteca Digital de Teses e Dissertações da PUC_SP
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Biblioteca Digital de Teses e Dissertações da PUC_SP
collection Biblioteca Digital de Teses e Dissertações da PUC_SP
bitstream.url.fl_str_mv https://repositorio.pucsp.br/xmlui/bitstream/handle/20634/4/Maria%20Elise%20G.%20B.%20M.%20Rivas.pdf.txt
https://repositorio.pucsp.br/xmlui/bitstream/handle/20634/1/license.txt
https://repositorio.pucsp.br/xmlui/bitstream/handle/20634/2/Maria%20Elise%20G.%20B.%20M.%20Rivas.pdf
https://repositorio.pucsp.br/xmlui/bitstream/handle/20634/3/Maria%20Elise%20G.%20B.%20M.%20Rivas.pdf.jpg
bitstream.checksum.fl_str_mv 80377756385c926ecc18b851bde93a25
bd3efa91386c1718a7f26a329fdcb468
f7b8bcdf7f4a70bdd8671da3133040c6
58c19adabebec3e3834682aee7b55024
bitstream.checksumAlgorithm.fl_str_mv MD5
MD5
MD5
MD5
repository.name.fl_str_mv Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv bngkatende@pucsp.br||rapassi@pucsp.br
_version_ 1809277994158522368