Tem mulher na macumba “sim sinhô”: as mulheres negras na macumba religiosa e musical carioca entre 1870 e 1930
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da PUC_SP |
Texto Completo: | https://tede2.pucsp.br/handle/handle/20634 |
Resumo: | This paper adresses black women in the macumbas of Rio de Janeiro, in the newspapers of such city, from 1870 to 1930, aiming to analyse their presence or absence in the macumbas. There are two hypothesis here considered: to verify if the presence of black women found in the researched material (that is, the newspapers of Rio de Janeiro) equals their importance in the macumbas, and to verify how much do the papers performed by man and women in the terreiros influence or not the musical macumba regarding aesthetics. The research uses a feminist perspective, so the theoretical reference privileges gender. I recollect Fiorenza’s hermeneutics of suspicion (1992) in order to find women in the newspaper, a historical look that aims to find them as characters of day by day in Perrot (2005), and a anthropologic approach of black women in the Candomblés in Bernardo (2005-2005). Also, we refer to Pollak (1989) and the underground memory, and to Weber (2013) and the separation of the issues in order to understand better the division of macumba into religious and musical. The empirical field is formed by 19 newspapers that were active in the city of Rio de Janeiro through the chosen period. Such newspapers are available in the Hemeroteca Digital of Rio de Janeiro, so the analyzed material is a primary source. Methodology used to analyze the newspapers is the approach given by Zicman (1985). It is worth mentioning that too much effort has been needed so we could find black women in both macumbas: they were there |
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Nunes, Maria José Fontelas Rosadohttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4388250D0Rivas, Maria Elise G. B. M2017-12-05T13:18:12Z2017-11-17Rivas, Maria Elise G. B. M. Tem mulher na macumba “sim sinhô”: as mulheres negras na macumba religiosa e musical carioca entre 1870 e 1930. 2017. 266 f. Tese (Doutorado em Ciência da Religião) - Programa de Estudos Pós-Graduados em Ciência da Religião, Pontifícia Universidade Católica de São Paulo, São Paulo, 2017.https://tede2.pucsp.br/handle/handle/20634This paper adresses black women in the macumbas of Rio de Janeiro, in the newspapers of such city, from 1870 to 1930, aiming to analyse their presence or absence in the macumbas. There are two hypothesis here considered: to verify if the presence of black women found in the researched material (that is, the newspapers of Rio de Janeiro) equals their importance in the macumbas, and to verify how much do the papers performed by man and women in the terreiros influence or not the musical macumba regarding aesthetics. The research uses a feminist perspective, so the theoretical reference privileges gender. I recollect Fiorenza’s hermeneutics of suspicion (1992) in order to find women in the newspaper, a historical look that aims to find them as characters of day by day in Perrot (2005), and a anthropologic approach of black women in the Candomblés in Bernardo (2005-2005). Also, we refer to Pollak (1989) and the underground memory, and to Weber (2013) and the separation of the issues in order to understand better the division of macumba into religious and musical. The empirical field is formed by 19 newspapers that were active in the city of Rio de Janeiro through the chosen period. Such newspapers are available in the Hemeroteca Digital of Rio de Janeiro, so the analyzed material is a primary source. Methodology used to analyze the newspapers is the approach given by Zicman (1985). It is worth mentioning that too much effort has been needed so we could find black women in both macumbas: they were thereEsta pesquisa tem como objeto as mulheres negras nas macumbas cariocas, nos jornais do Rio de Janeiro, entre os anos de 1870 a 1930, tendo como objetivo analisar a presença ou ausência das mesmas nas macumbas. As duas hipóteses elencadas são as seguintes: verificar se a presença das mulheres negras no material encontrado (os jornais cariocas) corresponde à importância delas nas macumbas, e verificar em que medida a configuração dos papéis desempenhados por homens e mulheres nos terreiros influenciaram ou não a macumba musical na esfera estética. A pesquisa é realizada sob uma perspectiva feminista, de modo que o horizonte teórico privilegia as questões de gênero. Faço uso da hermenêutica da suspeita de Fiorenza (1992) para encontrar as mulheres nos jornais, um olhar histórico que busca encontrar as mulheres como personagens do cotidiano em Perrot (2005) e uma abordagem antropológica das mulheres negras nos candomblés em Bernardo (2003-2005). Mas, também trago Pollak (1989) com o referêncial memória subterrânea e Weber (2013) com a separação das esferas para melhor entender a “separação” da macumba em religiosa e musical. O campo empírico são 19 jornais que circularam na cidade carioca no período pesquisado disponibilizados na Hemeroteca Digital do Rio de Janeiro, ou seja, o material analisado é uma fonte primária. A metodologia utilizada para análise dos jornais é a abordagem dada por Zicman (1985). Vale ressaltar que foi necessário muito esforço para podermos encontrar as mulheres negras em ambas as macumbas, mas elas estavam láCoordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/44034/Maria%20Elise%20G.%20B.%20M.%20Rivas.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Ciência da ReligiãoPUC-SPBrasilFaculdade de Ciências SociaisNegras - Rio de Janeiro, RJCandomblé - Rio de Janeiro, RJMulheres e religiãoWomen, Black - Rio de Janeiro, RJCandomble (Cult) - Rio de Janeiro, RJWomen and religionCNPQ::CIENCIAS HUMANAS::SOCIOLOGIA::OUTRAS SOCIOLOGIAS ESPECIFICASTem mulher na macumba “sim sinhô”: as mulheres negras na macumba religiosa e musical carioca entre 1870 e 1930info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTMaria Elise G. B. M. Rivas.pdf.txtMaria Elise G. B. M. Rivas.pdf.txtExtracted texttext/plain598768https://repositorio.pucsp.br/xmlui/bitstream/handle/20634/4/Maria%20Elise%20G.%20B.%20M.%20Rivas.pdf.txt80377756385c926ecc18b851bde93a25MD54LICENSElicense.txtlicense.txttext/plain; charset=utf-82165https://repositorio.pucsp.br/xmlui/bitstream/handle/20634/1/license.txtbd3efa91386c1718a7f26a329fdcb468MD51ORIGINALMaria Elise G. B. M. Rivas.pdfMaria Elise G. B. M. Rivas.pdfapplication/pdf3552936https://repositorio.pucsp.br/xmlui/bitstream/handle/20634/2/Maria%20Elise%20G.%20B.%20M.%20Rivas.pdff7b8bcdf7f4a70bdd8671da3133040c6MD52THUMBNAILMaria Elise G. B. M. Rivas.pdf.jpgMaria Elise G. B. M. 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dc.title.por.fl_str_mv |
Tem mulher na macumba “sim sinhô”: as mulheres negras na macumba religiosa e musical carioca entre 1870 e 1930 |
title |
Tem mulher na macumba “sim sinhô”: as mulheres negras na macumba religiosa e musical carioca entre 1870 e 1930 |
spellingShingle |
Tem mulher na macumba “sim sinhô”: as mulheres negras na macumba religiosa e musical carioca entre 1870 e 1930 Rivas, Maria Elise G. B. M Negras - Rio de Janeiro, RJ Candomblé - Rio de Janeiro, RJ Mulheres e religião Women, Black - Rio de Janeiro, RJ Candomble (Cult) - Rio de Janeiro, RJ Women and religion CNPQ::CIENCIAS HUMANAS::SOCIOLOGIA::OUTRAS SOCIOLOGIAS ESPECIFICAS |
title_short |
Tem mulher na macumba “sim sinhô”: as mulheres negras na macumba religiosa e musical carioca entre 1870 e 1930 |
title_full |
Tem mulher na macumba “sim sinhô”: as mulheres negras na macumba religiosa e musical carioca entre 1870 e 1930 |
title_fullStr |
Tem mulher na macumba “sim sinhô”: as mulheres negras na macumba religiosa e musical carioca entre 1870 e 1930 |
title_full_unstemmed |
Tem mulher na macumba “sim sinhô”: as mulheres negras na macumba religiosa e musical carioca entre 1870 e 1930 |
title_sort |
Tem mulher na macumba “sim sinhô”: as mulheres negras na macumba religiosa e musical carioca entre 1870 e 1930 |
author |
Rivas, Maria Elise G. B. M |
author_facet |
Rivas, Maria Elise G. B. M |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Nunes, Maria José Fontelas Rosado |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4388250D0 |
dc.contributor.author.fl_str_mv |
Rivas, Maria Elise G. B. M |
contributor_str_mv |
Nunes, Maria José Fontelas Rosado |
dc.subject.por.fl_str_mv |
Negras - Rio de Janeiro, RJ Candomblé - Rio de Janeiro, RJ Mulheres e religião |
topic |
Negras - Rio de Janeiro, RJ Candomblé - Rio de Janeiro, RJ Mulheres e religião Women, Black - Rio de Janeiro, RJ Candomble (Cult) - Rio de Janeiro, RJ Women and religion CNPQ::CIENCIAS HUMANAS::SOCIOLOGIA::OUTRAS SOCIOLOGIAS ESPECIFICAS |
dc.subject.eng.fl_str_mv |
Women, Black - Rio de Janeiro, RJ Candomble (Cult) - Rio de Janeiro, RJ Women and religion |
dc.subject.cnpq.fl_str_mv |
CNPQ::CIENCIAS HUMANAS::SOCIOLOGIA::OUTRAS SOCIOLOGIAS ESPECIFICAS |
description |
This paper adresses black women in the macumbas of Rio de Janeiro, in the newspapers of such city, from 1870 to 1930, aiming to analyse their presence or absence in the macumbas. There are two hypothesis here considered: to verify if the presence of black women found in the researched material (that is, the newspapers of Rio de Janeiro) equals their importance in the macumbas, and to verify how much do the papers performed by man and women in the terreiros influence or not the musical macumba regarding aesthetics. The research uses a feminist perspective, so the theoretical reference privileges gender. I recollect Fiorenza’s hermeneutics of suspicion (1992) in order to find women in the newspaper, a historical look that aims to find them as characters of day by day in Perrot (2005), and a anthropologic approach of black women in the Candomblés in Bernardo (2005-2005). Also, we refer to Pollak (1989) and the underground memory, and to Weber (2013) and the separation of the issues in order to understand better the division of macumba into religious and musical. The empirical field is formed by 19 newspapers that were active in the city of Rio de Janeiro through the chosen period. Such newspapers are available in the Hemeroteca Digital of Rio de Janeiro, so the analyzed material is a primary source. Methodology used to analyze the newspapers is the approach given by Zicman (1985). It is worth mentioning that too much effort has been needed so we could find black women in both macumbas: they were there |
publishDate |
2017 |
dc.date.accessioned.fl_str_mv |
2017-12-05T13:18:12Z |
dc.date.issued.fl_str_mv |
2017-11-17 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/doctoralThesis |
format |
doctoralThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
Rivas, Maria Elise G. B. M. Tem mulher na macumba “sim sinhô”: as mulheres negras na macumba religiosa e musical carioca entre 1870 e 1930. 2017. 266 f. Tese (Doutorado em Ciência da Religião) - Programa de Estudos Pós-Graduados em Ciência da Religião, Pontifícia Universidade Católica de São Paulo, São Paulo, 2017. |
dc.identifier.uri.fl_str_mv |
https://tede2.pucsp.br/handle/handle/20634 |
identifier_str_mv |
Rivas, Maria Elise G. B. M. Tem mulher na macumba “sim sinhô”: as mulheres negras na macumba religiosa e musical carioca entre 1870 e 1930. 2017. 266 f. Tese (Doutorado em Ciência da Religião) - Programa de Estudos Pós-Graduados em Ciência da Religião, Pontifícia Universidade Católica de São Paulo, São Paulo, 2017. |
url |
https://tede2.pucsp.br/handle/handle/20634 |
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por |
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por |
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info:eu-repo/semantics/openAccess |
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openAccess |
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Pontifícia Universidade Católica de São Paulo |
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Programa de Estudos Pós-Graduados em Ciência da Religião |
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PUC-SP |
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Brasil |
dc.publisher.department.fl_str_mv |
Faculdade de Ciências Sociais |
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Pontifícia Universidade Católica de São Paulo |
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