É mentira, Chico?: o humor em um tributo à imaginação popular
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da PUC_SP |
Texto Completo: | https://tede2.pucsp.br/handle/handle/22588 |
Resumo: | This thesis is situated in the line of research Text and discourse in the oral and written modalities and addresses the production of rhetoric by humoristic discourse. It aims to investigate the construction of laudatory discourse in the book of short stories É mentira, Terta? (1973) [Is it a lie, Terta?], by Chico Anysio. Humor is an ambivalent object capable of criticism and praise. Although humor does not have the primary objective of generating explicit debate, it always causes a reaction, whether of acceptance or repudiation. Identifying the rhetorical procedures related to laughable discourse allows us to realize how a speaker intends to promote reflections, (re)conceptualizations and (re)evaluations through the means of humor. In Chico Anysio’s (1931 – 2012) book, we find two speakers: the narrator and the main character, the humorous Pantaleão Pereira Peixoto. Our hypothesis is that there are rhetorical amplification resources in the discourses of both main speakers that give rise to the constitution of laudatory discourse regarding the character and his social group. To fulfil the intended objective, our research was founded upon the theoretical framework of Rhetoric, found especially in Aristotle (2015), Cicero (1997, 2002) and Quintilian (2015a, 2015b), and the new rhetoric, as understood from the works of Perelman and Olbrechts-Tyteca (1996), Olbrecths-Tyteca (1974) and Meyer (2007). For the analysis of the narratives, we resorted to studies by Todorov (1974) and Genette (1989), among others. With the analysis of the short stories concluded, we took notice of the amplification in the construction of the main character’s hyperbolic traits and in the production of the connecting narratives that intensify persuasion. Through amplification, the character is converted into a representation of his social group, whereas the greatness of his personality in overcoming obstacles becomes subject to praise |
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Ferreira, Luiz Antoniohttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4405948U3Ferraz, Luana2019-09-19T12:27:02Z2019-09-04Ferraz, Luana. É mentira, Chico?: o humor em um tributo à imaginação popular. 2019. 179 f. Tese (Doutorado em Língua Portuguesa) - Programa de Estudos Pós-Graduados em Língua Portuguesa, Pontifícia Universidade Católica de São Paulo, São Paulo, 2019.https://tede2.pucsp.br/handle/handle/22588This thesis is situated in the line of research Text and discourse in the oral and written modalities and addresses the production of rhetoric by humoristic discourse. It aims to investigate the construction of laudatory discourse in the book of short stories É mentira, Terta? (1973) [Is it a lie, Terta?], by Chico Anysio. Humor is an ambivalent object capable of criticism and praise. Although humor does not have the primary objective of generating explicit debate, it always causes a reaction, whether of acceptance or repudiation. Identifying the rhetorical procedures related to laughable discourse allows us to realize how a speaker intends to promote reflections, (re)conceptualizations and (re)evaluations through the means of humor. In Chico Anysio’s (1931 – 2012) book, we find two speakers: the narrator and the main character, the humorous Pantaleão Pereira Peixoto. Our hypothesis is that there are rhetorical amplification resources in the discourses of both main speakers that give rise to the constitution of laudatory discourse regarding the character and his social group. To fulfil the intended objective, our research was founded upon the theoretical framework of Rhetoric, found especially in Aristotle (2015), Cicero (1997, 2002) and Quintilian (2015a, 2015b), and the new rhetoric, as understood from the works of Perelman and Olbrechts-Tyteca (1996), Olbrecths-Tyteca (1974) and Meyer (2007). For the analysis of the narratives, we resorted to studies by Todorov (1974) and Genette (1989), among others. With the analysis of the short stories concluded, we took notice of the amplification in the construction of the main character’s hyperbolic traits and in the production of the connecting narratives that intensify persuasion. Through amplification, the character is converted into a representation of his social group, whereas the greatness of his personality in overcoming obstacles becomes subject to praiseEsta tese insere-se na linha de pesquisa Texto e discurso nas modalidades oral e escrita e trata da produção retórica do discurso humorístico. Para tanto, propõe-se a investigar a construção do discurso laudatório nos contos do livro É mentira, Terta? (1973), de Chico Anysio. O humor é um objeto ambivalente, capaz de criticar e elevar. Mesmo que não tenha por objetivo principal provocar um debate explícito, o humor sempre provoca uma reação, seja de aceitação, seja de repúdio. A identificação dos procedimentos retóricos vinculados à produção do risível possibilita-nos perceber como um orador busca promover reflexões, (re)conceitualizações e (re)avaliações por meio de um discurso humorístico. No livro de Chico Anysio (1931-2012), encontramos dois oradores principais: o narrador e a personagem Pantaleão Pereira Peixoto, uma personagem risível. Nossa hipótese é que existem, nos discursos dos dois oradores, recursos retóricos de amplificação que permitem a constituição de um discurso laudatório a respeito da personagem e de seu grupo social. Para cumprir o objetivo pretendido, fundamentamo-nos nos pressupostos teóricos da Retórica, encontrados especialmente em Aristóteles (2005), Cícero (1997, 2002) e Quintiliano (2015a, 2015b), e das neorretóricas, compreendidos a partir de Perelman e Olbrechts-Tyteca (1996), Olbrecths-Tyteca (1974) e Meyer (2007). Para a análise das narrativas, recorremos também aos estudos de Todorov (1981) e Genette (1989), entre outros. Finda a análise dos contos, constatamos a amplificação na construção do caráter hiperbólico da personagem e na produção de narrativas encaixadas que constituem exempla com função persuasiva. Pela amplificação, a personagem se converte em um tipo que representa o seu grupo social, e a grandeza de seu caráter, que suplanta as adversidades, torna-se matéria de elogioCoordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/50306/Luana%20Ferraz.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Língua PortuguesaPUC-SPBrasilFaculdade de Filosofia, Comunicação, Letras e ArtesRetóricaNarrativa (Retórica)HumorHumorismo - História e críticaAnysio, Chico [1931-2012]RhetoricNarration (Rhetoric)HumorWit and humor - History and criticismCNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LINGUA PORTUGUESAÉ mentira, Chico?: o humor em um tributo à imaginação popularinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTLuana Ferraz.pdf.txtLuana Ferraz.pdf.txtExtracted texttext/plain406963https://repositorio.pucsp.br/xmlui/bitstream/handle/22588/4/Luana%20Ferraz.pdf.txt0da33cd756ebb1b52fe7d57729238898MD54LICENSElicense.txtlicense.txttext/plain; charset=utf-82165https://repositorio.pucsp.br/xmlui/bitstream/handle/22588/1/license.txtbd3efa91386c1718a7f26a329fdcb468MD51ORIGINALLuana Ferraz.pdfLuana Ferraz.pdfapplication/pdf1193954https://repositorio.pucsp.br/xmlui/bitstream/handle/22588/2/Luana%20Ferraz.pdfc6228473bc6296e4235c14968bf68505MD52THUMBNAILLuana Ferraz.pdf.jpgLuana Ferraz.pdf.jpgGenerated Thumbnailimage/jpeg1943https://repositorio.pucsp.br/xmlui/bitstream/handle/22588/3/Luana%20Ferraz.pdf.jpgcc73c4c239a4c332d642ba1e7c7a9fb2MD53handle/225882022-04-28 11:43:39.577oai:repositorio.pucsp.br:handle/22588Tk9UQTogQ09MT1FVRSBBUVVJIEEgU1VBIFBSw5NQUklBIExJQ0VOw4dBCkVzdGEgbGljZW7Dp2EgZGUgZXhlbXBsbyDDqSBmb3JuZWNpZGEgYXBlbmFzIHBhcmEgZmlucyBpbmZvcm1hdGl2b3MuCgpMSUNFTsOHQSBERSBESVNUUklCVUnDh8ODTyBOw4NPLUVYQ0xVU0lWQQoKQ29tIGEgYXByZXNlbnRhw6fDo28gZGVzdGEgbGljZW7Dp2EsIHZvY8OqIChvIGF1dG9yIChlcykgb3UgbyB0aXR1bGFyIGRvcyBkaXJlaXRvcyBkZSBhdXRvcikgY29uY2VkZSDDoCBVbml2ZXJzaWRhZGUgClhYWCAoU2lnbGEgZGEgVW5pdmVyc2lkYWRlKSBvIGRpcmVpdG8gbsOjby1leGNsdXNpdm8gZGUgcmVwcm9kdXppciwgIHRyYWR1emlyIChjb25mb3JtZSBkZWZpbmlkbyBhYmFpeG8pLCBlL291IApkaXN0cmlidWlyIGEgc3VhIHRlc2Ugb3UgZGlzc2VydGHDp8OjbyAoaW5jbHVpbmRvIG8gcmVzdW1vKSBwb3IgdG9kbyBvIG11bmRvIG5vIGZvcm1hdG8gaW1wcmVzc28gZSBlbGV0csO0bmljbyBlIAplbSBxdWFscXVlciBtZWlvLCBpbmNsdWluZG8gb3MgZm9ybWF0b3Mgw6F1ZGlvIG91IHbDrWRlby4KClZvY8OqIGNvbmNvcmRhIHF1ZSBhIFNpZ2xhIGRlIFVuaXZlcnNpZGFkZSBwb2RlLCBzZW0gYWx0ZXJhciBvIGNvbnRlw7pkbywgdHJhbnNwb3IgYSBzdWEgdGVzZSBvdSBkaXNzZXJ0YcOnw6NvIApwYXJhIHF1YWxxdWVyIG1laW8gb3UgZm9ybWF0byBwYXJhIGZpbnMgZGUgcHJlc2VydmHDp8Ojby4KClZvY8OqIHRhbWLDqW0gY29uY29yZGEgcXVlIGEgU2lnbGEgZGUgVW5pdmVyc2lkYWRlIHBvZGUgbWFudGVyIG1haXMgZGUgdW1hIGPDs3BpYSBhIHN1YSB0ZXNlIG91IApkaXNzZXJ0YcOnw6NvIHBhcmEgZmlucyBkZSBzZWd1cmFuw6dhLCBiYWNrLXVwIGUgcHJlc2VydmHDp8Ojby4KClZvY8OqIGRlY2xhcmEgcXVlIGEgc3VhIHRlc2Ugb3UgZGlzc2VydGHDp8OjbyDDqSBvcmlnaW5hbCBlIHF1ZSB2b2PDqiB0ZW0gbyBwb2RlciBkZSBjb25jZWRlciBvcyBkaXJlaXRvcyBjb250aWRvcyAKbmVzdGEgbGljZW7Dp2EuIFZvY8OqIHRhbWLDqW0gZGVjbGFyYSBxdWUgbyBkZXDDs3NpdG8gZGEgc3VhIHRlc2Ugb3UgZGlzc2VydGHDp8OjbyBuw6NvLCBxdWUgc2VqYSBkZSBzZXUgCmNvbmhlY2ltZW50bywgaW5mcmluZ2UgZGlyZWl0b3MgYXV0b3JhaXMgZGUgbmluZ3XDqW0uCgpDYXNvIGEgc3VhIHRlc2Ugb3UgZGlzc2VydGHDp8OjbyBjb250ZW5oYSBtYXRlcmlhbCBxdWUgdm9jw6ogbsOjbyBwb3NzdWkgYSB0aXR1bGFyaWRhZGUgZG9zIGRpcmVpdG9zIGF1dG9yYWlzLCB2b2PDqiAKZGVjbGFyYSBxdWUgb2J0ZXZlIGEgcGVybWlzc8OjbyBpcnJlc3RyaXRhIGRvIGRldGVudG9yIGRvcyBkaXJlaXRvcyBhdXRvcmFpcyBwYXJhIGNvbmNlZGVyIMOgIFNpZ2xhIGRlIFVuaXZlcnNpZGFkZSAKb3MgZGlyZWl0b3MgYXByZXNlbnRhZG9zIG5lc3RhIGxpY2Vuw6dhLCBlIHF1ZSBlc3NlIG1hdGVyaWFsIGRlIHByb3ByaWVkYWRlIGRlIHRlcmNlaXJvcyBlc3TDoSBjbGFyYW1lbnRlIAppZGVudGlmaWNhZG8gZSByZWNvbmhlY2lkbyBubyB0ZXh0byBvdSBubyBjb250ZcO6ZG8gZGEgdGVzZSBvdSBkaXNzZXJ0YcOnw6NvIG9yYSBkZXBvc2l0YWRhLgoKQ0FTTyBBIFRFU0UgT1UgRElTU0VSVEHDh8ODTyBPUkEgREVQT1NJVEFEQSBURU5IQSBTSURPIFJFU1VMVEFETyBERSBVTSBQQVRST0PDjU5JTyBPVSAKQVBPSU8gREUgVU1BIEFHw4pOQ0lBIERFIEZPTUVOVE8gT1UgT1VUUk8gT1JHQU5JU01PIFFVRSBOw4NPIFNFSkEgQSBTSUdMQSBERSAKVU5JVkVSU0lEQURFLCBWT0PDiiBERUNMQVJBIFFVRSBSRVNQRUlUT1UgVE9ET1MgRSBRVUFJU1FVRVIgRElSRUlUT1MgREUgUkVWSVPDg08gQ09NTyAKVEFNQsOJTSBBUyBERU1BSVMgT0JSSUdBw4fDlUVTIEVYSUdJREFTIFBPUiBDT05UUkFUTyBPVSBBQ09SRE8uCgpBIFNpZ2xhIGRlIFVuaXZlcnNpZGFkZSBzZSBjb21wcm9tZXRlIGEgaWRlbnRpZmljYXIgY2xhcmFtZW50ZSBvIHNldSBub21lIChzKSBvdSBvKHMpIG5vbWUocykgZG8ocykgCmRldGVudG9yKGVzKSBkb3MgZGlyZWl0b3MgYXV0b3JhaXMgZGEgdGVzZSBvdSBkaXNzZXJ0YcOnw6NvLCBlIG7Do28gZmFyw6EgcXVhbHF1ZXIgYWx0ZXJhw6fDo28sIGFsw6ltIGRhcXVlbGFzIApjb25jZWRpZGFzIHBvciBlc3RhIGxpY2Vuw6dhLgo=Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2022-04-28T14:43:39Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.por.fl_str_mv |
É mentira, Chico?: o humor em um tributo à imaginação popular |
title |
É mentira, Chico?: o humor em um tributo à imaginação popular |
spellingShingle |
É mentira, Chico?: o humor em um tributo à imaginação popular Ferraz, Luana Retórica Narrativa (Retórica) Humor Humorismo - História e crítica Anysio, Chico [1931-2012] Rhetoric Narration (Rhetoric) Humor Wit and humor - History and criticism CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LINGUA PORTUGUESA |
title_short |
É mentira, Chico?: o humor em um tributo à imaginação popular |
title_full |
É mentira, Chico?: o humor em um tributo à imaginação popular |
title_fullStr |
É mentira, Chico?: o humor em um tributo à imaginação popular |
title_full_unstemmed |
É mentira, Chico?: o humor em um tributo à imaginação popular |
title_sort |
É mentira, Chico?: o humor em um tributo à imaginação popular |
author |
Ferraz, Luana |
author_facet |
Ferraz, Luana |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Ferreira, Luiz Antonio |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4405948U3 |
dc.contributor.author.fl_str_mv |
Ferraz, Luana |
contributor_str_mv |
Ferreira, Luiz Antonio |
dc.subject.por.fl_str_mv |
Retórica Narrativa (Retórica) Humor Humorismo - História e crítica Anysio, Chico [1931-2012] |
topic |
Retórica Narrativa (Retórica) Humor Humorismo - História e crítica Anysio, Chico [1931-2012] Rhetoric Narration (Rhetoric) Humor Wit and humor - History and criticism CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LINGUA PORTUGUESA |
dc.subject.eng.fl_str_mv |
Rhetoric Narration (Rhetoric) Humor Wit and humor - History and criticism |
dc.subject.cnpq.fl_str_mv |
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LINGUA PORTUGUESA |
description |
This thesis is situated in the line of research Text and discourse in the oral and written modalities and addresses the production of rhetoric by humoristic discourse. It aims to investigate the construction of laudatory discourse in the book of short stories É mentira, Terta? (1973) [Is it a lie, Terta?], by Chico Anysio. Humor is an ambivalent object capable of criticism and praise. Although humor does not have the primary objective of generating explicit debate, it always causes a reaction, whether of acceptance or repudiation. Identifying the rhetorical procedures related to laughable discourse allows us to realize how a speaker intends to promote reflections, (re)conceptualizations and (re)evaluations through the means of humor. In Chico Anysio’s (1931 – 2012) book, we find two speakers: the narrator and the main character, the humorous Pantaleão Pereira Peixoto. Our hypothesis is that there are rhetorical amplification resources in the discourses of both main speakers that give rise to the constitution of laudatory discourse regarding the character and his social group. To fulfil the intended objective, our research was founded upon the theoretical framework of Rhetoric, found especially in Aristotle (2015), Cicero (1997, 2002) and Quintilian (2015a, 2015b), and the new rhetoric, as understood from the works of Perelman and Olbrechts-Tyteca (1996), Olbrecths-Tyteca (1974) and Meyer (2007). For the analysis of the narratives, we resorted to studies by Todorov (1974) and Genette (1989), among others. With the analysis of the short stories concluded, we took notice of the amplification in the construction of the main character’s hyperbolic traits and in the production of the connecting narratives that intensify persuasion. Through amplification, the character is converted into a representation of his social group, whereas the greatness of his personality in overcoming obstacles becomes subject to praise |
publishDate |
2019 |
dc.date.accessioned.fl_str_mv |
2019-09-19T12:27:02Z |
dc.date.issued.fl_str_mv |
2019-09-04 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/doctoralThesis |
format |
doctoralThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
Ferraz, Luana. É mentira, Chico?: o humor em um tributo à imaginação popular. 2019. 179 f. Tese (Doutorado em Língua Portuguesa) - Programa de Estudos Pós-Graduados em Língua Portuguesa, Pontifícia Universidade Católica de São Paulo, São Paulo, 2019. |
dc.identifier.uri.fl_str_mv |
https://tede2.pucsp.br/handle/handle/22588 |
identifier_str_mv |
Ferraz, Luana. É mentira, Chico?: o humor em um tributo à imaginação popular. 2019. 179 f. Tese (Doutorado em Língua Portuguesa) - Programa de Estudos Pós-Graduados em Língua Portuguesa, Pontifícia Universidade Católica de São Paulo, São Paulo, 2019. |
url |
https://tede2.pucsp.br/handle/handle/22588 |
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por |
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info:eu-repo/semantics/openAccess |
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openAccess |
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application/pdf |
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Pontifícia Universidade Católica de São Paulo |
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Programa de Estudos Pós-Graduados em Língua Portuguesa |
dc.publisher.initials.fl_str_mv |
PUC-SP |
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Brasil |
dc.publisher.department.fl_str_mv |
Faculdade de Filosofia, Comunicação, Letras e Artes |
publisher.none.fl_str_mv |
Pontifícia Universidade Católica de São Paulo |
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