Música e psicanálise: uma possível aproximação

• Autor(a) principal: Paulo, Joedson Silva de
• Data de Publicação: 2012
• Tipo de documento: Trabalho de conclusão de curso
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
• Texto Completo: https://repositorio.pucsp.br/jspui/handle/handle/34486
• topic: CNPQ::CIENCIAS HUMANAS::PSICOLOGIA; Música; Psicanálise; Pulsão invocante; Musicoterapia; Music; Psychoanalysis; Invocating pulsion; Music therapy

This essay intends to explain Psychoanalysis and Music's concepts, seeking the possibility of correlating these two fields. Going into the Psychoanalysis' concepts, we will explain the birth of music in ancient societies, its relation with the emergency of the language, the changes in culture coming from the choice of image over sound, and writing. Addressing Freudian and Lacanian content about the absense of men, we will try to explain the reasons that may have led the beginning of singing: who sings? for whom? for what? We will seek answers to those questions addressing imaginatives, simbolic and reality concepts, the three Lacan‟s pillars (records). We will highlight the invocating pulsion as a possible cause of men's search for the missing object. We will highlight the invocating pulsion as a possible cause of men's search for the missing object then we will show an environment where music is used in a terapeutic way, and its various forms and relations to the music therapy's setting, highlighting the discontinued moment when the therapist fasces itself in a new scenario, which asks of him a floating listening. We will present two cases to illustrate the theory in order to confirm the possibility of the correlation between psychoanalysis, music and music therapy.