O negócio do ócio: o teatro profissional londrino (1576-1603)
Autor(a) principal: | |
---|---|
Data de Publicação: | 2009 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da PUC_SP |
Texto Completo: | https://tede2.pucsp.br/handle/handle/13187 |
Resumo: | The objective of this dissertation was to investigate the ways in which Elizabethan professional theatre practice was, at the same time, a product and a producer of historical changes. Following the construction of London s first purpose-built playhouse in 1576, theatre slowly became a lucrative business run by full-time professionals. Soon after this historical development, the professional companies suffered constant attacks. These claimed that plays propagated sin and idleness among those who watched or took part in them. Through the analysis of the anti-theatrical writings and laws produced between 1576 and 1603, we observed the nature of the changes in theatrical practice in London and questioned the motives behind the attacks against the stage. We found that the process of professionalization of the London companies incorporated many of the social changes at work at the time. However, the new theatres created new social spaces in which transgressive social practices found their place beyond the City s control. Therefore, the professional theatre played an active role in making these new social values visible |
id |
PUC_SP-1_c232b59297fe76997fee2775faad1900 |
---|---|
oai_identifier_str |
oai:repositorio.pucsp.br:handle/13187 |
network_acronym_str |
PUC_SP-1 |
network_name_str |
Biblioteca Digital de Teses e Dissertações da PUC_SP |
repository_id_str |
|
spelling |
Peixoto, Maria do Rosário da Cunhahttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4753130T3Seidl, Rodrigo2016-04-27T19:32:42Z2010-01-222009-11-10Seidl, Rodrigo. The business of idleness: London s professional theatre (1576-1603). 2009. 112 f. Dissertação (Mestrado em História) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2009.https://tede2.pucsp.br/handle/handle/13187The objective of this dissertation was to investigate the ways in which Elizabethan professional theatre practice was, at the same time, a product and a producer of historical changes. Following the construction of London s first purpose-built playhouse in 1576, theatre slowly became a lucrative business run by full-time professionals. Soon after this historical development, the professional companies suffered constant attacks. These claimed that plays propagated sin and idleness among those who watched or took part in them. Through the analysis of the anti-theatrical writings and laws produced between 1576 and 1603, we observed the nature of the changes in theatrical practice in London and questioned the motives behind the attacks against the stage. We found that the process of professionalization of the London companies incorporated many of the social changes at work at the time. However, the new theatres created new social spaces in which transgressive social practices found their place beyond the City s control. Therefore, the professional theatre played an active role in making these new social values visibleO objetivo desta dissertação foi investigar as formas pelas quais a prática teatral profissional elisabetana foi, ao mesmo tempo, produto e produtor de mudanças históricas. Após a construção do primeiro teatro permanente de Londres em 1576, o teatro aos poucos se tornou um negócio lucrativo administrado por profissionais. Logo após este desenvolvimento histórico, as companhias profissionais sofreram ataques constantes. Estes afirmavam que peças teatrais propagavam o pecado e o ócio entre as pessoas que assistiam ou participavam nelas. Por meio da análise dos tratados e leis antiteatrais produzidas entre 1576 e 1603, nós observamos a natureza das mudanças na prática teatral em Londres e questionamos os motivos por trás dos ataques contra o teatro. Nós percebemos que o processo de profissionalização das companhias londrinas incorporou várias mudanças sociais que estavam em curso na época. Entretanto, os novos teatros criaram novos espaços sociais nos quais práticas sociais transgressoras acharam seu lugar fora do controle da Cidade. Portanto, o teatro profissional desempenhou um papel ativo ao dar visibilidade a estes novos valores sociaisapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/25907/Rodrigo%20Seidl.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em HistóriaPUC-SPBRHistóriaTeatro elisabetanoPerformanceCulturaHistória do teatroTeatro -- Inglaterra -- Historia -- Seculo 16Elizabethan theatreShakespearePerformanceCultureTheatre historyHistoryCNPQ::CIENCIAS HUMANAS::HISTORIAO negócio do ócio: o teatro profissional londrino (1576-1603)The business of idleness: London s professional theatre (1576-1603)info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTRodrigo Seidl.pdf.txtRodrigo Seidl.pdf.txtExtracted texttext/plain280961https://repositorio.pucsp.br/xmlui/bitstream/handle/13187/3/Rodrigo%20Seidl.pdf.txt77f0add21687c854cc0c9063be8869b9MD53ORIGINALRodrigo Seidl.pdfapplication/pdf1488767https://repositorio.pucsp.br/xmlui/bitstream/handle/13187/1/Rodrigo%20Seidl.pdf0bd757518f92f78fba55bac5524e18feMD51THUMBNAILRodrigo Seidl.pdf.jpgRodrigo Seidl.pdf.jpgGenerated Thumbnailimage/jpeg1943https://repositorio.pucsp.br/xmlui/bitstream/handle/13187/2/Rodrigo%20Seidl.pdf.jpgcc73c4c239a4c332d642ba1e7c7a9fb2MD52handle/131872022-04-27 20:27:28.387oai:repositorio.pucsp.br:handle/13187Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2022-04-27T23:27:28Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.por.fl_str_mv |
O negócio do ócio: o teatro profissional londrino (1576-1603) |
dc.title.alternative.eng.fl_str_mv |
The business of idleness: London s professional theatre (1576-1603) |
title |
O negócio do ócio: o teatro profissional londrino (1576-1603) |
spellingShingle |
O negócio do ócio: o teatro profissional londrino (1576-1603) Seidl, Rodrigo Teatro elisabetano Performance Cultura História do teatro Teatro -- Inglaterra -- Historia -- Seculo 16 Elizabethan theatre Shakespeare Performance Culture Theatre history History CNPQ::CIENCIAS HUMANAS::HISTORIA |
title_short |
O negócio do ócio: o teatro profissional londrino (1576-1603) |
title_full |
O negócio do ócio: o teatro profissional londrino (1576-1603) |
title_fullStr |
O negócio do ócio: o teatro profissional londrino (1576-1603) |
title_full_unstemmed |
O negócio do ócio: o teatro profissional londrino (1576-1603) |
title_sort |
O negócio do ócio: o teatro profissional londrino (1576-1603) |
author |
Seidl, Rodrigo |
author_facet |
Seidl, Rodrigo |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Peixoto, Maria do Rosário da Cunha |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4753130T3 |
dc.contributor.author.fl_str_mv |
Seidl, Rodrigo |
contributor_str_mv |
Peixoto, Maria do Rosário da Cunha |
dc.subject.por.fl_str_mv |
Teatro elisabetano Performance Cultura História do teatro Teatro -- Inglaterra -- Historia -- Seculo 16 |
topic |
Teatro elisabetano Performance Cultura História do teatro Teatro -- Inglaterra -- Historia -- Seculo 16 Elizabethan theatre Shakespeare Performance Culture Theatre history History CNPQ::CIENCIAS HUMANAS::HISTORIA |
dc.subject.eng.fl_str_mv |
Elizabethan theatre Shakespeare Performance Culture Theatre history History |
dc.subject.cnpq.fl_str_mv |
CNPQ::CIENCIAS HUMANAS::HISTORIA |
description |
The objective of this dissertation was to investigate the ways in which Elizabethan professional theatre practice was, at the same time, a product and a producer of historical changes. Following the construction of London s first purpose-built playhouse in 1576, theatre slowly became a lucrative business run by full-time professionals. Soon after this historical development, the professional companies suffered constant attacks. These claimed that plays propagated sin and idleness among those who watched or took part in them. Through the analysis of the anti-theatrical writings and laws produced between 1576 and 1603, we observed the nature of the changes in theatrical practice in London and questioned the motives behind the attacks against the stage. We found that the process of professionalization of the London companies incorporated many of the social changes at work at the time. However, the new theatres created new social spaces in which transgressive social practices found their place beyond the City s control. Therefore, the professional theatre played an active role in making these new social values visible |
publishDate |
2009 |
dc.date.issued.fl_str_mv |
2009-11-10 |
dc.date.available.fl_str_mv |
2010-01-22 |
dc.date.accessioned.fl_str_mv |
2016-04-27T19:32:42Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
Seidl, Rodrigo. The business of idleness: London s professional theatre (1576-1603). 2009. 112 f. Dissertação (Mestrado em História) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2009. |
dc.identifier.uri.fl_str_mv |
https://tede2.pucsp.br/handle/handle/13187 |
identifier_str_mv |
Seidl, Rodrigo. The business of idleness: London s professional theatre (1576-1603). 2009. 112 f. Dissertação (Mestrado em História) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2009. |
url |
https://tede2.pucsp.br/handle/handle/13187 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Pontifícia Universidade Católica de São Paulo |
dc.publisher.program.fl_str_mv |
Programa de Estudos Pós-Graduados em História |
dc.publisher.initials.fl_str_mv |
PUC-SP |
dc.publisher.country.fl_str_mv |
BR |
dc.publisher.department.fl_str_mv |
História |
publisher.none.fl_str_mv |
Pontifícia Universidade Católica de São Paulo |
dc.source.none.fl_str_mv |
reponame:Biblioteca Digital de Teses e Dissertações da PUC_SP instname:Pontifícia Universidade Católica de São Paulo (PUC-SP) instacron:PUC_SP |
instname_str |
Pontifícia Universidade Católica de São Paulo (PUC-SP) |
instacron_str |
PUC_SP |
institution |
PUC_SP |
reponame_str |
Biblioteca Digital de Teses e Dissertações da PUC_SP |
collection |
Biblioteca Digital de Teses e Dissertações da PUC_SP |
bitstream.url.fl_str_mv |
https://repositorio.pucsp.br/xmlui/bitstream/handle/13187/3/Rodrigo%20Seidl.pdf.txt https://repositorio.pucsp.br/xmlui/bitstream/handle/13187/1/Rodrigo%20Seidl.pdf https://repositorio.pucsp.br/xmlui/bitstream/handle/13187/2/Rodrigo%20Seidl.pdf.jpg |
bitstream.checksum.fl_str_mv |
77f0add21687c854cc0c9063be8869b9 0bd757518f92f78fba55bac5524e18fe cc73c4c239a4c332d642ba1e7c7a9fb2 |
bitstream.checksumAlgorithm.fl_str_mv |
MD5 MD5 MD5 |
repository.name.fl_str_mv |
Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP) |
repository.mail.fl_str_mv |
bngkatende@pucsp.br||rapassi@pucsp.br |
_version_ |
1799796137555656704 |