Breve análise de duas Entradas Clownescas: do papel à cena pela Cia La Mínima

• Autor(a) principal: Almeida, Carolina Leiner de
• Data de Publicação: 2022
• Tipo de documento: Trabalho de conclusão de curso
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
• Texto Completo: https://repositorio.pucsp.br/jspui/handle/handle/32673
• topic: CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS; Entradas clássicas; Palhaço; Circo; Clown scenes; Clown; Circus

The objective of this final paper is to briefly analyze two Clown Scenes, The Balls (1930) and The Clarinet (1954), and parallel them when staged by Cia La Mínima de Teatro. The paper aims to study the difference that occurs in the dramaturgy of the Clown Scenes when they move from writing to performance. Our hypothesis is that only when they are staged, they do come into existence. The methodology included reading the two Clown Scenes and watching the play Circo Charanga (2020) by Cia La Mínima, as well as reading books, articles, and a doctoral thesis. The corpus consisted of two Clown Scenes taken from the book Clown Scenes (1962) by Tristan Rémy and the video of the play Circo Charanga (2020) seen on the company's official YouTube channel. The result points out that, as in theatrical performance, Clown Scenes are only complete when they move from word to action, confirming our hypothesis