Retratos de caipira: construção de um estereótipo em Ângelo Agostini (1866-1872)

• Autor(a) principal: Alves, Antonio Tadeu de Miranda
• Data de Publicação: 2008
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
• Texto Completo: https://tede2.pucsp.br/handle/handle/13041
• topic: Caipira; Expressões simbólicas; História cultural; Cabriao (Jornal); Agostini, Angelo, 1843-1910; Camponeses -- Brasil; Cultura -- Brasil -- Historia; Caipira; Symbolic expressions; Cultural history; CNPQ::CIENCIAS HUMANAS::HISTORIA

Along the historical development of the Brazilian nation constitution, from nineteen century, accentuate idealizations of building a society based on progress and civilization basics. At various times and in different ways, social ideals were projected for the nation in construction, which was formed in policies of the elites associated with the Imperial government and in economy based on slavery. Such notions that formed, at the same time, the basis of ideal departure and the end of destination, were benchmarks taken in Europe, particularly in France, where the development of the art industrial hinder a firm pace of constant acceleration, signaling an irreversible process of progress and civilization. In this context, as justifying the option for the imported models, the caipira, social subject relegated to the historical ostracism, is going to be used as a representation of the non-progress and the non-civilized. This study seeks then to interpret, within the benchmark methodology of Depth Hermeneutics, and within the conceptual structures developed in Cultural History, as symbolic expressions built with the image of caipira had potential to operate as ideology, in this specific social and historic context