Toadas de Bumba meu boi: um canto entre a palavra folclórica e a voz poética
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da PUC_SP |
Texto Completo: | https://tede2.pucsp.br/handle/handle/19900 |
Resumo: | According to the version of Bueno (1999), the legend of St. John's little ox is recreated by the Bumba meu boi Maranhense through oral tradition, so common during the presentations of jokes and exaltations to St. Anthony, St. John, St. Peter and São Marçal, the latter two being much revered by the groups considered as root accents (matraca and zabumba). In this dissertation, we deal with the plays of Bumba meu boi, with the purpose of recognizing in the oral performance aspects of the poetics present in the construction of the formal and erudite culture of Maranhão. The objective is to investigate the toadas as a magical element of construction of the popular vernacular as a poetic voice. The corpus selects five toadas for the analysis of orality, whose choice is due to the representativeness of the folk groups, duly proven by the large number of followers during popular rehearsals and presentations. In the adopted methodology there are three stages: 1) the bibliographic cataloging to favor a better understanding of the regional research; 2) the visit to the barracks and test sites; 3) the presence and oral recording of the presentations of the groups of singers, with the purpose of selecting the corpus of analysis and reading. Based on the conception of the ethnologist Paul Zumthor that oral poetry is present in the most varied artistic manifestations that have the voice as the raw material for singing, we aim to prove that faith and devotion to the sacred offer composers, Or Amos of Bumba meu boi, structural elements to describe the poetic in the magic of toadas |
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Palo, Maria Joséhttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4189072P0Serejo, Janick de Lisieux Diniz2017-03-29T12:34:23Z2017-02-16Serejo, Janick de Lisieux Diniz. Toadas de Bumba meu boi: um canto entre a palavra folclórica e a voz poética. 2016. 98 f. Dissertação (Mestrado em Literatura e Crítica Literária) - Programa de Estudos Pós-Graduados em Literatura e Crítica Literária, Pontifícia Universidade Católica de São Paulo, São Paulo, 2016.https://tede2.pucsp.br/handle/handle/19900According to the version of Bueno (1999), the legend of St. John's little ox is recreated by the Bumba meu boi Maranhense through oral tradition, so common during the presentations of jokes and exaltations to St. Anthony, St. John, St. Peter and São Marçal, the latter two being much revered by the groups considered as root accents (matraca and zabumba). In this dissertation, we deal with the plays of Bumba meu boi, with the purpose of recognizing in the oral performance aspects of the poetics present in the construction of the formal and erudite culture of Maranhão. The objective is to investigate the toadas as a magical element of construction of the popular vernacular as a poetic voice. The corpus selects five toadas for the analysis of orality, whose choice is due to the representativeness of the folk groups, duly proven by the large number of followers during popular rehearsals and presentations. In the adopted methodology there are three stages: 1) the bibliographic cataloging to favor a better understanding of the regional research; 2) the visit to the barracks and test sites; 3) the presence and oral recording of the presentations of the groups of singers, with the purpose of selecting the corpus of analysis and reading. Based on the conception of the ethnologist Paul Zumthor that oral poetry is present in the most varied artistic manifestations that have the voice as the raw material for singing, we aim to prove that faith and devotion to the sacred offer composers, Or Amos of Bumba meu boi, structural elements to describe the poetic in the magic of toadasSegundo a versão de Bueno (1999), a lenda do boizinho de São João é recriada pelo Bumba meu boi maranhense através da tradição oral, por isso comum durante as apresentações das brincadeiras e exaltações a Santo Antônio, São João, São Pedro e São Marçal, sendo os dois últimos muito reverenciados pelos grupos considerados de sotaques de raiz (matraca e zabumba).Nesta dissertação, tratamos das toadas de Bumba meu Boi, com o objetivo de reconhecer na performance oral os aspectos da poética presentes na construção da cultura maranhense. O corpus seleciona cinco toadas para a análise da oralidade, cuja escolha deve-se à representatividade dos grupos folclóricos, devidamente comprovados pelo grande número de seguidores durante ensaios e apresentações populares. Na metodologia adotada ocorrem três etapas: 1) a catalogação bibliográfica para favorecer uma melhor compreensão da pesquisa regional; 2) a visita aos barracões e locais de ensaios; 3) a presença e registro oral das apresentações dos grupos de cantadores, com o propósito de selecionar o corpus de análise e leitura.Com base na concepção do etnólogo Paul Zumthor, de que a poesia oral está presentenas mais variadas manifestações artísticas que têm a voz como matéria-prima do canto, visamos comprovar que a fé e a devoção ao sagrado oferecem aos compositores, na maioria os cantadores ou Amos do bumba meu boi, elementos estruturais para descrever o poético na magia das toadasUniversidade Estadual do Maranhão - UEMAapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/41670/Janick%20de%20Lisieux%20Diniz%20Serejo.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Literatura e Crítica LiteráriaPUC-SPBrasilFaculdade de Filosofia, Comunicação, Letras e ArtesBumba meu boiToadaPerformance poéticaPoetic performanceOralityCNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIAToadas de Bumba meu boi: um canto entre a palavra folclórica e a voz poéticainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTJanick de Lisieux Diniz Serejo.pdf.txtJanick de Lisieux Diniz Serejo.pdf.txtExtracted texttext/plain171341https://repositorio.pucsp.br/xmlui/bitstream/handle/19900/4/Janick%20de%20Lisieux%20Diniz%20Serejo.pdf.txt4c65db73b988e3919408e1bbb822eb09MD54LICENSElicense.txtlicense.txttext/plain; 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dc.title.por.fl_str_mv |
Toadas de Bumba meu boi: um canto entre a palavra folclórica e a voz poética |
title |
Toadas de Bumba meu boi: um canto entre a palavra folclórica e a voz poética |
spellingShingle |
Toadas de Bumba meu boi: um canto entre a palavra folclórica e a voz poética Serejo, Janick de Lisieux Diniz Bumba meu boi Toada Performance poética Poetic performance Orality CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA |
title_short |
Toadas de Bumba meu boi: um canto entre a palavra folclórica e a voz poética |
title_full |
Toadas de Bumba meu boi: um canto entre a palavra folclórica e a voz poética |
title_fullStr |
Toadas de Bumba meu boi: um canto entre a palavra folclórica e a voz poética |
title_full_unstemmed |
Toadas de Bumba meu boi: um canto entre a palavra folclórica e a voz poética |
title_sort |
Toadas de Bumba meu boi: um canto entre a palavra folclórica e a voz poética |
author |
Serejo, Janick de Lisieux Diniz |
author_facet |
Serejo, Janick de Lisieux Diniz |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Palo, Maria José |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4189072P0 |
dc.contributor.author.fl_str_mv |
Serejo, Janick de Lisieux Diniz |
contributor_str_mv |
Palo, Maria José |
dc.subject.por.fl_str_mv |
Bumba meu boi Toada Performance poética |
topic |
Bumba meu boi Toada Performance poética Poetic performance Orality CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA |
dc.subject.eng.fl_str_mv |
Poetic performance Orality |
dc.subject.cnpq.fl_str_mv |
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA |
description |
According to the version of Bueno (1999), the legend of St. John's little ox is recreated by the Bumba meu boi Maranhense through oral tradition, so common during the presentations of jokes and exaltations to St. Anthony, St. John, St. Peter and São Marçal, the latter two being much revered by the groups considered as root accents (matraca and zabumba). In this dissertation, we deal with the plays of Bumba meu boi, with the purpose of recognizing in the oral performance aspects of the poetics present in the construction of the formal and erudite culture of Maranhão. The objective is to investigate the toadas as a magical element of construction of the popular vernacular as a poetic voice. The corpus selects five toadas for the analysis of orality, whose choice is due to the representativeness of the folk groups, duly proven by the large number of followers during popular rehearsals and presentations. In the adopted methodology there are three stages: 1) the bibliographic cataloging to favor a better understanding of the regional research; 2) the visit to the barracks and test sites; 3) the presence and oral recording of the presentations of the groups of singers, with the purpose of selecting the corpus of analysis and reading. Based on the conception of the ethnologist Paul Zumthor that oral poetry is present in the most varied artistic manifestations that have the voice as the raw material for singing, we aim to prove that faith and devotion to the sacred offer composers, Or Amos of Bumba meu boi, structural elements to describe the poetic in the magic of toadas |
publishDate |
2017 |
dc.date.accessioned.fl_str_mv |
2017-03-29T12:34:23Z |
dc.date.issued.fl_str_mv |
2017-02-16 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
Serejo, Janick de Lisieux Diniz. Toadas de Bumba meu boi: um canto entre a palavra folclórica e a voz poética. 2016. 98 f. Dissertação (Mestrado em Literatura e Crítica Literária) - Programa de Estudos Pós-Graduados em Literatura e Crítica Literária, Pontifícia Universidade Católica de São Paulo, São Paulo, 2016. |
dc.identifier.uri.fl_str_mv |
https://tede2.pucsp.br/handle/handle/19900 |
identifier_str_mv |
Serejo, Janick de Lisieux Diniz. Toadas de Bumba meu boi: um canto entre a palavra folclórica e a voz poética. 2016. 98 f. Dissertação (Mestrado em Literatura e Crítica Literária) - Programa de Estudos Pós-Graduados em Literatura e Crítica Literária, Pontifícia Universidade Católica de São Paulo, São Paulo, 2016. |
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https://tede2.pucsp.br/handle/handle/19900 |
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por |
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Pontifícia Universidade Católica de São Paulo |
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Programa de Estudos Pós-Graduados em Literatura e Crítica Literária |
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PUC-SP |
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Brasil |
dc.publisher.department.fl_str_mv |
Faculdade de Filosofia, Comunicação, Letras e Artes |
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Pontifícia Universidade Católica de São Paulo |
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