THE MISE-EN-SCÈNE OF GOTHAM IN BATMAN BEGINS, BY CHRISTOPHER NOLAN

Detalhes bibliográficos
Autor(a) principal: Gonçalves, Vilson André Moreira
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Cordis: Revista Eletrônica de História Social da Cidade
Texto Completo: https://revistas.pucsp.br/index.php/cordis/article/view/64448
Resumo: This investigation intends to study the construction of the urban environment of Gotham in the film Batman Begins (2005), by Christopher Nolan, assessing how this fictional city is presented through the medium of mise-en-scène. Through the theorethicpropositions established by Noël Carroll (1996), Edward Branigan (1992) and David Bordwell (2006), among others, I intend to analyze the resources that were employed in the filmic configuration of Gotham, especially the concept of mise-en-scène as thought of by Bordwell and Thompson (2008), meaning the concatenation of setting, characterization, lighting and acting. The filmic city, as I propose, can be though of as more than a backdrop to dramatic action, effectively becoming the igniting factor and conductor of the movie narrative.
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spelling THE MISE-EN-SCÈNE OF GOTHAM IN BATMAN BEGINS, BY CHRISTOPHER NOLANA MISE-EN-SCÈNE DE GOTHAM EM BATMAN BEGINS, DE CHRISTOPHER NOLANMise-en-scèneBatman BefinscityMise-en-scèneBatman BeginscidadeThis investigation intends to study the construction of the urban environment of Gotham in the film Batman Begins (2005), by Christopher Nolan, assessing how this fictional city is presented through the medium of mise-en-scène. Through the theorethicpropositions established by Noël Carroll (1996), Edward Branigan (1992) and David Bordwell (2006), among others, I intend to analyze the resources that were employed in the filmic configuration of Gotham, especially the concept of mise-en-scène as thought of by Bordwell and Thompson (2008), meaning the concatenation of setting, characterization, lighting and acting. The filmic city, as I propose, can be though of as more than a backdrop to dramatic action, effectively becoming the igniting factor and conductor of the movie narrative.Esta investigação se propõe estudar a construção do ambiente urbano de Gotham no filme Batman Begins (2005), de Christopher Nolan, avaliando como a cidade fictícia é apresentada pelo viés da mise-enscène. A partir dos princípios teóricos estabelecidos por Noël Carroll (1996), Edward Branigan (1992) e David Bordwell (2006), entre outros, busco analisar os recursos empregados para a configuração fílmica de Gotham, em particular o conceito de mise-en-scène pensado por Bordwell e Thompson (2008), ou seja, a concatenação de cenografia,caracterização, iluminação e atuação. A cidade cinematográfica, segundo proponho, pode ser pensada como algo mais que um pano de fundo para a ação dramática, tornando-se efetivamente o fator desencadeador e condutor da narrativa fílmica.Pontifícia Universidade Católica de São Paulo2023-11-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/cordis/article/view/6444810.23925/2176-4174/v2.2023e64448Cordis: Revista Eletrônica de História Social da Cidade; v. 2 n. 30 (2023): História e Arte; 176-2052176-4174reponame:Cordis: Revista Eletrônica de História Social da Cidadeinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/cordis/article/view/64448/43617Copyright (c) 2023 Cordis: Revista Eletrônica de História Social da Cidadehttps://creativecommons.org/licenses/by-nd/4.0info:eu-repo/semantics/openAccessGonçalves, Vilson André Moreira2023-11-30T17:59:12Zoai:ojs.pkp.sfu.ca:article/64448Revistahttps://revistas.pucsp.br/cordisPUBhttps://revistas.pucsp.br/cordis/oai||revistacordis@pucsp.br2176-41742176-4174opendoar:2023-11-30T17:59:12Cordis: Revista Eletrônica de História Social da Cidade - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv THE MISE-EN-SCÈNE OF GOTHAM IN BATMAN BEGINS, BY CHRISTOPHER NOLAN
A MISE-EN-SCÈNE DE GOTHAM EM BATMAN BEGINS, DE CHRISTOPHER NOLAN
title THE MISE-EN-SCÈNE OF GOTHAM IN BATMAN BEGINS, BY CHRISTOPHER NOLAN
spellingShingle THE MISE-EN-SCÈNE OF GOTHAM IN BATMAN BEGINS, BY CHRISTOPHER NOLAN
Gonçalves, Vilson André Moreira
Mise-en-scène
Batman Befins
city
Mise-en-scène
Batman Begins
cidade
title_short THE MISE-EN-SCÈNE OF GOTHAM IN BATMAN BEGINS, BY CHRISTOPHER NOLAN
title_full THE MISE-EN-SCÈNE OF GOTHAM IN BATMAN BEGINS, BY CHRISTOPHER NOLAN
title_fullStr THE MISE-EN-SCÈNE OF GOTHAM IN BATMAN BEGINS, BY CHRISTOPHER NOLAN
title_full_unstemmed THE MISE-EN-SCÈNE OF GOTHAM IN BATMAN BEGINS, BY CHRISTOPHER NOLAN
title_sort THE MISE-EN-SCÈNE OF GOTHAM IN BATMAN BEGINS, BY CHRISTOPHER NOLAN
author Gonçalves, Vilson André Moreira
author_facet Gonçalves, Vilson André Moreira
author_role author
dc.contributor.author.fl_str_mv Gonçalves, Vilson André Moreira
dc.subject.por.fl_str_mv Mise-en-scène
Batman Befins
city
Mise-en-scène
Batman Begins
cidade
topic Mise-en-scène
Batman Befins
city
Mise-en-scène
Batman Begins
cidade
description This investigation intends to study the construction of the urban environment of Gotham in the film Batman Begins (2005), by Christopher Nolan, assessing how this fictional city is presented through the medium of mise-en-scène. Through the theorethicpropositions established by Noël Carroll (1996), Edward Branigan (1992) and David Bordwell (2006), among others, I intend to analyze the resources that were employed in the filmic configuration of Gotham, especially the concept of mise-en-scène as thought of by Bordwell and Thompson (2008), meaning the concatenation of setting, characterization, lighting and acting. The filmic city, as I propose, can be though of as more than a backdrop to dramatic action, effectively becoming the igniting factor and conductor of the movie narrative.
publishDate 2023
dc.date.none.fl_str_mv 2023-11-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/cordis/article/view/64448
10.23925/2176-4174/v2.2023e64448
url https://revistas.pucsp.br/index.php/cordis/article/view/64448
identifier_str_mv 10.23925/2176-4174/v2.2023e64448
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/cordis/article/view/64448/43617
dc.rights.driver.fl_str_mv Copyright (c) 2023 Cordis: Revista Eletrônica de História Social da Cidade
https://creativecommons.org/licenses/by-nd/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Cordis: Revista Eletrônica de História Social da Cidade
https://creativecommons.org/licenses/by-nd/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
dc.source.none.fl_str_mv Cordis: Revista Eletrônica de História Social da Cidade; v. 2 n. 30 (2023): História e Arte; 176-205
2176-4174
reponame:Cordis: Revista Eletrônica de História Social da Cidade
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Cordis: Revista Eletrônica de História Social da Cidade
collection Cordis: Revista Eletrônica de História Social da Cidade
repository.name.fl_str_mv Cordis: Revista Eletrônica de História Social da Cidade - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv ||revistacordis@pucsp.br
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