Mise-en-scène em Gotham: Batman Begins de Christopher Nolan

Detalhes bibliográficos
Autor(a) principal: Gonçalves, Vilson André Moreira
Data de Publicação: 2013
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações do UTP
Texto Completo: http://tede.utp.br:8080/jspui/handle/tede/1488
Resumo: This research proposes to investigate the construction of the urban environment of Gotham in Christopher Nolan’s Batman Begins (2005). Batman Begins presents a origin narrative for the character created in 1939 by Bob Kane and Bill Finger. Portrayed by several artists, writers and filmmakers, Batman is a character of diffuse authorship, whose adaptation processes constitute dialogs between diverse expressive codes. Through these relations, room is given to aesthetic constructs and meaning assignments that coexist and enrich each other, rather than substituting each other. Therefore, I seek, in this dissertation, to observe elements of the narrative and aesthetic constitution of Gotham in Batman Begins, taking into consideration possible intertextualities. I start from the premise that the city is an articulating element in the narrative, as is acts on the constitution of the figure of Batman, a paradoxical hero. Theoretically and methodologically based on Linda Hutcheon and Julie Sanders (adaptation theory), and David Bordwell (film theory), among others, I look to investigate the resources employed in the construction of Gotham, especially the film’s mise-en-scène, as well as to the referece/adaptation materials used for the film production, in the comics and, possibly, in other films dedicated to the character. The city, as I argue, can be thought of something more than a backdrop for dramatic action.
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spelling Guimarães, Denise Azevedo DuarteAraujo, Denize CorreaSalgado, Luiz Antonio Zahdihttp://lattes.cnpq.br/4906353087466218Gonçalves, Vilson André Moreira2018-07-30T16:43:18Z2013-03-25Gonçalves, Vilson André Moreira. Mise-en-scène em Gotham: Batman Begins de Christopher Nolan. 2013. 152 f. Dissertação( Mestrado em Comunicação e Linguagens) - Universidade Tuiuti do Paraná, Curitiba, 2013.http://tede.utp.br:8080/jspui/handle/tede/1488This research proposes to investigate the construction of the urban environment of Gotham in Christopher Nolan’s Batman Begins (2005). Batman Begins presents a origin narrative for the character created in 1939 by Bob Kane and Bill Finger. Portrayed by several artists, writers and filmmakers, Batman is a character of diffuse authorship, whose adaptation processes constitute dialogs between diverse expressive codes. Through these relations, room is given to aesthetic constructs and meaning assignments that coexist and enrich each other, rather than substituting each other. Therefore, I seek, in this dissertation, to observe elements of the narrative and aesthetic constitution of Gotham in Batman Begins, taking into consideration possible intertextualities. I start from the premise that the city is an articulating element in the narrative, as is acts on the constitution of the figure of Batman, a paradoxical hero. Theoretically and methodologically based on Linda Hutcheon and Julie Sanders (adaptation theory), and David Bordwell (film theory), among others, I look to investigate the resources employed in the construction of Gotham, especially the film’s mise-en-scène, as well as to the referece/adaptation materials used for the film production, in the comics and, possibly, in other films dedicated to the character. The city, as I argue, can be thought of something more than a backdrop for dramatic action.Esta pesquisa se propõe estudar a construção do ambiente urbano de Gotham no filme Batman Begins (2005), de Christopher Nolan. Batman Begins apresenta uma narrativa de origem para o personagem criado em 1939 por Bob Kane e Bill Finger. Representado por diversos desenhistas, escritores e cineastas, Batman é um personagem de autoria difusa, cujos processos de adaptação constituem diálogos entre códigos expressivas distintos. Através destas relações, abre-se margem para construções estéticas e atribuições de sentido que coexistem e se enriquecem, em vez de substituírem uma à outra. Procuro nesta dissertação, portanto, observar elementos da constituição narrativa e estética da Gotham de Batman Begins, levando em consideração possíveis intertextualidades. Parto da premissa de que a cidade é um elemento articulador da narrativa, à medida que age na constituição da figura de Batman, um herói paradoxal. Fundamentado teórica e metodologicamente em Linda Hutcheon e Julie Sanders (adaptação), e David Bordwell (teoria do cinema), entre outros, busco investigar os recursos empregados para a construção de Gotham, em particular a miseen- scène do filme, bem como para os materiais de referência/adaptação buscados pela produção fílmica, nas narrativas em quadrinhos e, possivelmente, nas demais produções cinematográficas dedicadas ao personagem. A cidade cinematográfica, segundo proponho, pode ser pensada como algo mais que um pano de fundo para a ação dramática.Submitted by Divanete Paiva (divanete.paiva@utp.br) on 2018-07-30T16:43:18Z No. of bitstreams: 1 MISE-EN-SCENE.pdf: 4632142 bytes, checksum: 15d9b4ac930c651bcbe09ba8d17c50f4 (MD5)Made available in DSpace on 2018-07-30T16:43:18Z (GMT). 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dc.title.por.fl_str_mv Mise-en-scène em Gotham: Batman Begins de Christopher Nolan
title Mise-en-scène em Gotham: Batman Begins de Christopher Nolan
spellingShingle Mise-en-scène em Gotham: Batman Begins de Christopher Nolan
Gonçalves, Vilson André Moreira
Mise-en-scène
Batman Begins
HQs
Cidade
Adaptação
Comics
City
Adaptation
CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
title_short Mise-en-scène em Gotham: Batman Begins de Christopher Nolan
title_full Mise-en-scène em Gotham: Batman Begins de Christopher Nolan
title_fullStr Mise-en-scène em Gotham: Batman Begins de Christopher Nolan
title_full_unstemmed Mise-en-scène em Gotham: Batman Begins de Christopher Nolan
title_sort Mise-en-scène em Gotham: Batman Begins de Christopher Nolan
author Gonçalves, Vilson André Moreira
author_facet Gonçalves, Vilson André Moreira
author_role author
dc.contributor.advisor1.fl_str_mv Guimarães, Denise Azevedo Duarte
dc.contributor.referee1.fl_str_mv Araujo, Denize Correa
dc.contributor.referee2.fl_str_mv Salgado, Luiz Antonio Zahdi
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/4906353087466218
dc.contributor.author.fl_str_mv Gonçalves, Vilson André Moreira
contributor_str_mv Guimarães, Denise Azevedo Duarte
Araujo, Denize Correa
Salgado, Luiz Antonio Zahdi
dc.subject.por.fl_str_mv Mise-en-scène
Batman Begins
HQs
Cidade
Adaptação
topic Mise-en-scène
Batman Begins
HQs
Cidade
Adaptação
Comics
City
Adaptation
CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
dc.subject.eng.fl_str_mv Comics
City
Adaptation
dc.subject.cnpq.fl_str_mv CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
dc.description.abstract.eng.fl_txt_mv This research proposes to investigate the construction of the urban environment of Gotham in Christopher Nolan’s Batman Begins (2005). Batman Begins presents a origin narrative for the character created in 1939 by Bob Kane and Bill Finger. Portrayed by several artists, writers and filmmakers, Batman is a character of diffuse authorship, whose adaptation processes constitute dialogs between diverse expressive codes. Through these relations, room is given to aesthetic constructs and meaning assignments that coexist and enrich each other, rather than substituting each other. Therefore, I seek, in this dissertation, to observe elements of the narrative and aesthetic constitution of Gotham in Batman Begins, taking into consideration possible intertextualities. I start from the premise that the city is an articulating element in the narrative, as is acts on the constitution of the figure of Batman, a paradoxical hero. Theoretically and methodologically based on Linda Hutcheon and Julie Sanders (adaptation theory), and David Bordwell (film theory), among others, I look to investigate the resources employed in the construction of Gotham, especially the film’s mise-en-scène, as well as to the referece/adaptation materials used for the film production, in the comics and, possibly, in other films dedicated to the character. The city, as I argue, can be thought of something more than a backdrop for dramatic action.
dc.description.abstract.por.fl_txt_mv Esta pesquisa se propõe estudar a construção do ambiente urbano de Gotham no filme Batman Begins (2005), de Christopher Nolan. Batman Begins apresenta uma narrativa de origem para o personagem criado em 1939 por Bob Kane e Bill Finger. Representado por diversos desenhistas, escritores e cineastas, Batman é um personagem de autoria difusa, cujos processos de adaptação constituem diálogos entre códigos expressivas distintos. Através destas relações, abre-se margem para construções estéticas e atribuições de sentido que coexistem e se enriquecem, em vez de substituírem uma à outra. Procuro nesta dissertação, portanto, observar elementos da constituição narrativa e estética da Gotham de Batman Begins, levando em consideração possíveis intertextualidades. Parto da premissa de que a cidade é um elemento articulador da narrativa, à medida que age na constituição da figura de Batman, um herói paradoxal. Fundamentado teórica e metodologicamente em Linda Hutcheon e Julie Sanders (adaptação), e David Bordwell (teoria do cinema), entre outros, busco investigar os recursos empregados para a construção de Gotham, em particular a miseen- scène do filme, bem como para os materiais de referência/adaptação buscados pela produção fílmica, nas narrativas em quadrinhos e, possivelmente, nas demais produções cinematográficas dedicadas ao personagem. A cidade cinematográfica, segundo proponho, pode ser pensada como algo mais que um pano de fundo para a ação dramática.
description This research proposes to investigate the construction of the urban environment of Gotham in Christopher Nolan’s Batman Begins (2005). Batman Begins presents a origin narrative for the character created in 1939 by Bob Kane and Bill Finger. Portrayed by several artists, writers and filmmakers, Batman is a character of diffuse authorship, whose adaptation processes constitute dialogs between diverse expressive codes. Through these relations, room is given to aesthetic constructs and meaning assignments that coexist and enrich each other, rather than substituting each other. Therefore, I seek, in this dissertation, to observe elements of the narrative and aesthetic constitution of Gotham in Batman Begins, taking into consideration possible intertextualities. I start from the premise that the city is an articulating element in the narrative, as is acts on the constitution of the figure of Batman, a paradoxical hero. Theoretically and methodologically based on Linda Hutcheon and Julie Sanders (adaptation theory), and David Bordwell (film theory), among others, I look to investigate the resources employed in the construction of Gotham, especially the film’s mise-en-scène, as well as to the referece/adaptation materials used for the film production, in the comics and, possibly, in other films dedicated to the character. The city, as I argue, can be thought of something more than a backdrop for dramatic action.
publishDate 2013
dc.date.issued.fl_str_mv 2013-03-25
dc.date.accessioned.fl_str_mv 2018-07-30T16:43:18Z
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dc.identifier.citation.fl_str_mv Gonçalves, Vilson André Moreira. Mise-en-scène em Gotham: Batman Begins de Christopher Nolan. 2013. 152 f. Dissertação( Mestrado em Comunicação e Linguagens) - Universidade Tuiuti do Paraná, Curitiba, 2013.
dc.identifier.uri.fl_str_mv http://tede.utp.br:8080/jspui/handle/tede/1488
identifier_str_mv Gonçalves, Vilson André Moreira. Mise-en-scène em Gotham: Batman Begins de Christopher Nolan. 2013. 152 f. Dissertação( Mestrado em Comunicação e Linguagens) - Universidade Tuiuti do Paraná, Curitiba, 2013.
url http://tede.utp.br:8080/jspui/handle/tede/1488
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dc.publisher.department.fl_str_mv Comunicação e Linguagens
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