Mise-en-scène em Gotham: Batman Begins de Christopher Nolan
Autor(a) principal: | |
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Data de Publicação: | 2013 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações do UTP |
Texto Completo: | http://tede.utp.br:8080/jspui/handle/tede/1488 |
Resumo: | This research proposes to investigate the construction of the urban environment of Gotham in Christopher Nolan’s Batman Begins (2005). Batman Begins presents a origin narrative for the character created in 1939 by Bob Kane and Bill Finger. Portrayed by several artists, writers and filmmakers, Batman is a character of diffuse authorship, whose adaptation processes constitute dialogs between diverse expressive codes. Through these relations, room is given to aesthetic constructs and meaning assignments that coexist and enrich each other, rather than substituting each other. Therefore, I seek, in this dissertation, to observe elements of the narrative and aesthetic constitution of Gotham in Batman Begins, taking into consideration possible intertextualities. I start from the premise that the city is an articulating element in the narrative, as is acts on the constitution of the figure of Batman, a paradoxical hero. Theoretically and methodologically based on Linda Hutcheon and Julie Sanders (adaptation theory), and David Bordwell (film theory), among others, I look to investigate the resources employed in the construction of Gotham, especially the film’s mise-en-scène, as well as to the referece/adaptation materials used for the film production, in the comics and, possibly, in other films dedicated to the character. The city, as I argue, can be thought of something more than a backdrop for dramatic action. |
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Guimarães, Denise Azevedo DuarteAraujo, Denize CorreaSalgado, Luiz Antonio Zahdihttp://lattes.cnpq.br/4906353087466218Gonçalves, Vilson André Moreira2018-07-30T16:43:18Z2013-03-25Gonçalves, Vilson André Moreira. Mise-en-scène em Gotham: Batman Begins de Christopher Nolan. 2013. 152 f. Dissertação( Mestrado em Comunicação e Linguagens) - Universidade Tuiuti do Paraná, Curitiba, 2013.http://tede.utp.br:8080/jspui/handle/tede/1488This research proposes to investigate the construction of the urban environment of Gotham in Christopher Nolan’s Batman Begins (2005). Batman Begins presents a origin narrative for the character created in 1939 by Bob Kane and Bill Finger. Portrayed by several artists, writers and filmmakers, Batman is a character of diffuse authorship, whose adaptation processes constitute dialogs between diverse expressive codes. Through these relations, room is given to aesthetic constructs and meaning assignments that coexist and enrich each other, rather than substituting each other. Therefore, I seek, in this dissertation, to observe elements of the narrative and aesthetic constitution of Gotham in Batman Begins, taking into consideration possible intertextualities. I start from the premise that the city is an articulating element in the narrative, as is acts on the constitution of the figure of Batman, a paradoxical hero. Theoretically and methodologically based on Linda Hutcheon and Julie Sanders (adaptation theory), and David Bordwell (film theory), among others, I look to investigate the resources employed in the construction of Gotham, especially the film’s mise-en-scène, as well as to the referece/adaptation materials used for the film production, in the comics and, possibly, in other films dedicated to the character. The city, as I argue, can be thought of something more than a backdrop for dramatic action.Esta pesquisa se propõe estudar a construção do ambiente urbano de Gotham no filme Batman Begins (2005), de Christopher Nolan. Batman Begins apresenta uma narrativa de origem para o personagem criado em 1939 por Bob Kane e Bill Finger. Representado por diversos desenhistas, escritores e cineastas, Batman é um personagem de autoria difusa, cujos processos de adaptação constituem diálogos entre códigos expressivas distintos. Através destas relações, abre-se margem para construções estéticas e atribuições de sentido que coexistem e se enriquecem, em vez de substituírem uma à outra. Procuro nesta dissertação, portanto, observar elementos da constituição narrativa e estética da Gotham de Batman Begins, levando em consideração possíveis intertextualidades. Parto da premissa de que a cidade é um elemento articulador da narrativa, à medida que age na constituição da figura de Batman, um herói paradoxal. Fundamentado teórica e metodologicamente em Linda Hutcheon e Julie Sanders (adaptação), e David Bordwell (teoria do cinema), entre outros, busco investigar os recursos empregados para a construção de Gotham, em particular a miseen- scène do filme, bem como para os materiais de referência/adaptação buscados pela produção fílmica, nas narrativas em quadrinhos e, possivelmente, nas demais produções cinematográficas dedicadas ao personagem. A cidade cinematográfica, segundo proponho, pode ser pensada como algo mais que um pano de fundo para a ação dramática.Submitted by Divanete Paiva (divanete.paiva@utp.br) on 2018-07-30T16:43:18Z No. of bitstreams: 1 MISE-EN-SCENE.pdf: 4632142 bytes, checksum: 15d9b4ac930c651bcbe09ba8d17c50f4 (MD5)Made available in DSpace on 2018-07-30T16:43:18Z (GMT). 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dc.title.por.fl_str_mv |
Mise-en-scène em Gotham: Batman Begins de Christopher Nolan |
title |
Mise-en-scène em Gotham: Batman Begins de Christopher Nolan |
spellingShingle |
Mise-en-scène em Gotham: Batman Begins de Christopher Nolan Gonçalves, Vilson André Moreira Mise-en-scène Batman Begins HQs Cidade Adaptação Comics City Adaptation CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
title_short |
Mise-en-scène em Gotham: Batman Begins de Christopher Nolan |
title_full |
Mise-en-scène em Gotham: Batman Begins de Christopher Nolan |
title_fullStr |
Mise-en-scène em Gotham: Batman Begins de Christopher Nolan |
title_full_unstemmed |
Mise-en-scène em Gotham: Batman Begins de Christopher Nolan |
title_sort |
Mise-en-scène em Gotham: Batman Begins de Christopher Nolan |
author |
Gonçalves, Vilson André Moreira |
author_facet |
Gonçalves, Vilson André Moreira |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Guimarães, Denise Azevedo Duarte |
dc.contributor.referee1.fl_str_mv |
Araujo, Denize Correa |
dc.contributor.referee2.fl_str_mv |
Salgado, Luiz Antonio Zahdi |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/4906353087466218 |
dc.contributor.author.fl_str_mv |
Gonçalves, Vilson André Moreira |
contributor_str_mv |
Guimarães, Denise Azevedo Duarte Araujo, Denize Correa Salgado, Luiz Antonio Zahdi |
dc.subject.por.fl_str_mv |
Mise-en-scène Batman Begins HQs Cidade Adaptação |
topic |
Mise-en-scène Batman Begins HQs Cidade Adaptação Comics City Adaptation CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
dc.subject.eng.fl_str_mv |
Comics City Adaptation |
dc.subject.cnpq.fl_str_mv |
CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
dc.description.abstract.eng.fl_txt_mv |
This research proposes to investigate the construction of the urban environment of Gotham in Christopher Nolan’s Batman Begins (2005). Batman Begins presents a origin narrative for the character created in 1939 by Bob Kane and Bill Finger. Portrayed by several artists, writers and filmmakers, Batman is a character of diffuse authorship, whose adaptation processes constitute dialogs between diverse expressive codes. Through these relations, room is given to aesthetic constructs and meaning assignments that coexist and enrich each other, rather than substituting each other. Therefore, I seek, in this dissertation, to observe elements of the narrative and aesthetic constitution of Gotham in Batman Begins, taking into consideration possible intertextualities. I start from the premise that the city is an articulating element in the narrative, as is acts on the constitution of the figure of Batman, a paradoxical hero. Theoretically and methodologically based on Linda Hutcheon and Julie Sanders (adaptation theory), and David Bordwell (film theory), among others, I look to investigate the resources employed in the construction of Gotham, especially the film’s mise-en-scène, as well as to the referece/adaptation materials used for the film production, in the comics and, possibly, in other films dedicated to the character. The city, as I argue, can be thought of something more than a backdrop for dramatic action. |
dc.description.abstract.por.fl_txt_mv |
Esta pesquisa se propõe estudar a construção do ambiente urbano de Gotham no filme Batman Begins (2005), de Christopher Nolan. Batman Begins apresenta uma narrativa de origem para o personagem criado em 1939 por Bob Kane e Bill Finger. Representado por diversos desenhistas, escritores e cineastas, Batman é um personagem de autoria difusa, cujos processos de adaptação constituem diálogos entre códigos expressivas distintos. Através destas relações, abre-se margem para construções estéticas e atribuições de sentido que coexistem e se enriquecem, em vez de substituírem uma à outra. Procuro nesta dissertação, portanto, observar elementos da constituição narrativa e estética da Gotham de Batman Begins, levando em consideração possíveis intertextualidades. Parto da premissa de que a cidade é um elemento articulador da narrativa, à medida que age na constituição da figura de Batman, um herói paradoxal. Fundamentado teórica e metodologicamente em Linda Hutcheon e Julie Sanders (adaptação), e David Bordwell (teoria do cinema), entre outros, busco investigar os recursos empregados para a construção de Gotham, em particular a miseen- scène do filme, bem como para os materiais de referência/adaptação buscados pela produção fílmica, nas narrativas em quadrinhos e, possivelmente, nas demais produções cinematográficas dedicadas ao personagem. A cidade cinematográfica, segundo proponho, pode ser pensada como algo mais que um pano de fundo para a ação dramática. |
description |
This research proposes to investigate the construction of the urban environment of Gotham in Christopher Nolan’s Batman Begins (2005). Batman Begins presents a origin narrative for the character created in 1939 by Bob Kane and Bill Finger. Portrayed by several artists, writers and filmmakers, Batman is a character of diffuse authorship, whose adaptation processes constitute dialogs between diverse expressive codes. Through these relations, room is given to aesthetic constructs and meaning assignments that coexist and enrich each other, rather than substituting each other. Therefore, I seek, in this dissertation, to observe elements of the narrative and aesthetic constitution of Gotham in Batman Begins, taking into consideration possible intertextualities. I start from the premise that the city is an articulating element in the narrative, as is acts on the constitution of the figure of Batman, a paradoxical hero. Theoretically and methodologically based on Linda Hutcheon and Julie Sanders (adaptation theory), and David Bordwell (film theory), among others, I look to investigate the resources employed in the construction of Gotham, especially the film’s mise-en-scène, as well as to the referece/adaptation materials used for the film production, in the comics and, possibly, in other films dedicated to the character. The city, as I argue, can be thought of something more than a backdrop for dramatic action. |
publishDate |
2013 |
dc.date.issued.fl_str_mv |
2013-03-25 |
dc.date.accessioned.fl_str_mv |
2018-07-30T16:43:18Z |
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dc.identifier.citation.fl_str_mv |
Gonçalves, Vilson André Moreira. Mise-en-scène em Gotham: Batman Begins de Christopher Nolan. 2013. 152 f. Dissertação( Mestrado em Comunicação e Linguagens) - Universidade Tuiuti do Paraná, Curitiba, 2013. |
dc.identifier.uri.fl_str_mv |
http://tede.utp.br:8080/jspui/handle/tede/1488 |
identifier_str_mv |
Gonçalves, Vilson André Moreira. Mise-en-scène em Gotham: Batman Begins de Christopher Nolan. 2013. 152 f. Dissertação( Mestrado em Comunicação e Linguagens) - Universidade Tuiuti do Paraná, Curitiba, 2013. |
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http://tede.utp.br:8080/jspui/handle/tede/1488 |
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