Scenography, Setting and Ethical World in Jogo de Cena [Scene Game]: A Discursive Approach

Detalhes bibliográficos
Autor(a) principal: Mendes, Silma Ramos Coimbra
Data de Publicação: 2022
Outros Autores: Souza e Silva, Maria Cecília Pérez
Tipo de documento: Artigo
Idioma: por
eng
Título da fonte: Bakhtiniana
Texto Completo: https://revistas.pucsp.br/index.php/bakhtiniana/article/view/54994
Resumo: Among Eduardo Coutinho’s vast production, the documentary Jogo de cena (2007) stands out and is celebrated as being the centerpiece of the filmmaker's filmography, in which the interviews occupy a central place. The purpose of this article is to reflect upon these interviews, discursively, based on: speech scenes put in perspective and in relation to the aesthetic choices and materiality of the documentary; nature of the interviewer-interviewee relationship, marked by the refusal of an “alleged neutrality” and the production of settings, scenographies, and ethical worlds. For this, we articulated basic concepts of Discourse Analysis, as theorized by Dominique Maingueneau, such as interdiscourse, scenography, setting and discursive ethos. The results demonstrate that it is possible to establish a dialogue between Coutinho’s methodological apparatus and concepts of Discourse Analysis. From a mystical aura of his welcoming silence, the interviewer’s respectful and considerate ethos in relation to the characters' speeches can be inferred.
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spelling Scenography, Setting and Ethical World in Jogo de Cena [Scene Game]: A Discursive Approach Cenografia, agenciamento e mundo ético na entrevista em Jogo de cena: uma abordagem discursiva Análise do discursoDocumentárioAgenciamentoCenas de enunciaçãoEthos discursivoDiscourse AnalysisDocumentarySettingScenographyDiscursive ethosAmong Eduardo Coutinho’s vast production, the documentary Jogo de cena (2007) stands out and is celebrated as being the centerpiece of the filmmaker's filmography, in which the interviews occupy a central place. The purpose of this article is to reflect upon these interviews, discursively, based on: speech scenes put in perspective and in relation to the aesthetic choices and materiality of the documentary; nature of the interviewer-interviewee relationship, marked by the refusal of an “alleged neutrality” and the production of settings, scenographies, and ethical worlds. For this, we articulated basic concepts of Discourse Analysis, as theorized by Dominique Maingueneau, such as interdiscourse, scenography, setting and discursive ethos. The results demonstrate that it is possible to establish a dialogue between Coutinho’s methodological apparatus and concepts of Discourse Analysis. From a mystical aura of his welcoming silence, the interviewer’s respectful and considerate ethos in relation to the characters' speeches can be inferred.Entre a vasta produção de Eduardo Coutinho, destaca-se o documentário Jogo de cena (2007), celebrado como “objeto solar” da filmografia do cineasta, no qual a entrevista ocupa um lugar central. O objetivo deste artigo é refletir discursivamente sobre ela a partir de cenas de fala postas a circular em relação às escolhas estéticas e à materialidade do documentário; natureza da relação entrevistador-entrevistadas, marcada pela recusa a uma “suposta neutralidade” e produção de agenciamentos, cenografias e mundo ético. Para isso, são acionados conceitos basilares da Análise do Discurso, como interdiscurso, cenografia, agenciamento e ethos discursivo, conforme formulados por Dominique Maingueneau. Os resultados mostram que é possível estabelecer diálogos profícuos com os dispositivos metodológicos de Coutinho e conceitos da Análise do Discurso. A partir de uma aura mística do seu silêncio acolhedor, pode-se depreender um ethos respeitoso e atencioso do entrevistador em relação às falas das personagens.Pontifícia Universidade Católica de São Paulo2022-08-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://revistas.pucsp.br/index.php/bakhtiniana/article/view/5499410.1590/2176-4573p54994Bakhtiniana. Revista de Estudos do Discurso ; Vol. 17 No. 3 (2022); Port. 83-104 / Eng. 93-116Bakhtiniana. Revista de Estudos do Discurso; Vol. 17 Núm. 3 (2022); Port. 83-104 / Eng. 93-116Bakhtiniana. Revista de Estudos do Discurso; Vol. 17 No. 3 (2022); Port. 83-104 / Eng. 93-116Bakhtiniana. Revista de Estudos do Discurso; v. 17 n. 3 (2022); Port. 83-104 / Eng. 93-116Бахтиниана: Журнал дискурсивных исследований; Том 17 № 3 (2022); Port. 83-104 / Eng. 93-1162176-4573reponame:Bakhtinianainstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporenghttps://revistas.pucsp.br/index.php/bakhtiniana/article/view/54994/40246https://revistas.pucsp.br/index.php/bakhtiniana/article/view/54994/40247Copyright (c) 2022 Bakhtiniana. Revista de Estudos do Discursohttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMendes, Silma Ramos CoimbraSouza e Silva, Maria Cecília Pérez2022-08-11T13:44:12Zoai:ojs.pkp.sfu.ca:article/54994Revistahttps://revistas.pucsp.br/index.php/bakhtiniana/indexPRIhttps://old.scielo.br/oai/scielo-oai.php||bakhtinianarevista@gmail.com2176-45732176-4573opendoar:2022-08-11T13:44:12Bakhtiniana - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv Scenography, Setting and Ethical World in Jogo de Cena [Scene Game]: A Discursive Approach
Cenografia, agenciamento e mundo ético na entrevista em Jogo de cena: uma abordagem discursiva
title Scenography, Setting and Ethical World in Jogo de Cena [Scene Game]: A Discursive Approach
spellingShingle Scenography, Setting and Ethical World in Jogo de Cena [Scene Game]: A Discursive Approach
Mendes, Silma Ramos Coimbra
Análise do discurso
Documentário
Agenciamento
Cenas de enunciação
Ethos discursivo
Discourse Analysis
Documentary
Setting
Scenography
Discursive ethos
title_short Scenography, Setting and Ethical World in Jogo de Cena [Scene Game]: A Discursive Approach
title_full Scenography, Setting and Ethical World in Jogo de Cena [Scene Game]: A Discursive Approach
title_fullStr Scenography, Setting and Ethical World in Jogo de Cena [Scene Game]: A Discursive Approach
title_full_unstemmed Scenography, Setting and Ethical World in Jogo de Cena [Scene Game]: A Discursive Approach
title_sort Scenography, Setting and Ethical World in Jogo de Cena [Scene Game]: A Discursive Approach
author Mendes, Silma Ramos Coimbra
author_facet Mendes, Silma Ramos Coimbra
Souza e Silva, Maria Cecília Pérez
author_role author
author2 Souza e Silva, Maria Cecília Pérez
author2_role author
dc.contributor.author.fl_str_mv Mendes, Silma Ramos Coimbra
Souza e Silva, Maria Cecília Pérez
dc.subject.por.fl_str_mv Análise do discurso
Documentário
Agenciamento
Cenas de enunciação
Ethos discursivo
Discourse Analysis
Documentary
Setting
Scenography
Discursive ethos
topic Análise do discurso
Documentário
Agenciamento
Cenas de enunciação
Ethos discursivo
Discourse Analysis
Documentary
Setting
Scenography
Discursive ethos
description Among Eduardo Coutinho’s vast production, the documentary Jogo de cena (2007) stands out and is celebrated as being the centerpiece of the filmmaker's filmography, in which the interviews occupy a central place. The purpose of this article is to reflect upon these interviews, discursively, based on: speech scenes put in perspective and in relation to the aesthetic choices and materiality of the documentary; nature of the interviewer-interviewee relationship, marked by the refusal of an “alleged neutrality” and the production of settings, scenographies, and ethical worlds. For this, we articulated basic concepts of Discourse Analysis, as theorized by Dominique Maingueneau, such as interdiscourse, scenography, setting and discursive ethos. The results demonstrate that it is possible to establish a dialogue between Coutinho’s methodological apparatus and concepts of Discourse Analysis. From a mystical aura of his welcoming silence, the interviewer’s respectful and considerate ethos in relation to the characters' speeches can be inferred.
publishDate 2022
dc.date.none.fl_str_mv 2022-08-11
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/bakhtiniana/article/view/54994
10.1590/2176-4573p54994
url https://revistas.pucsp.br/index.php/bakhtiniana/article/view/54994
identifier_str_mv 10.1590/2176-4573p54994
dc.language.iso.fl_str_mv por
eng
language por
eng
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/bakhtiniana/article/view/54994/40246
https://revistas.pucsp.br/index.php/bakhtiniana/article/view/54994/40247
dc.rights.driver.fl_str_mv Copyright (c) 2022 Bakhtiniana. Revista de Estudos do Discurso
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Bakhtiniana. Revista de Estudos do Discurso
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
dc.source.none.fl_str_mv Bakhtiniana. Revista de Estudos do Discurso ; Vol. 17 No. 3 (2022); Port. 83-104 / Eng. 93-116
Bakhtiniana. Revista de Estudos do Discurso; Vol. 17 Núm. 3 (2022); Port. 83-104 / Eng. 93-116
Bakhtiniana. Revista de Estudos do Discurso; Vol. 17 No. 3 (2022); Port. 83-104 / Eng. 93-116
Bakhtiniana. Revista de Estudos do Discurso; v. 17 n. 3 (2022); Port. 83-104 / Eng. 93-116
Бахтиниана: Журнал дискурсивных исследований; Том 17 № 3 (2022); Port. 83-104 / Eng. 93-116
2176-4573
reponame:Bakhtiniana
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Bakhtiniana
collection Bakhtiniana
repository.name.fl_str_mv Bakhtiniana - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv ||bakhtinianarevista@gmail.com
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