Yuri Lotman and the Semiotics of Theatre
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Data de Publicação: | 2019 |
Tipo de documento: | Artigo |
Idioma: | por eng |
Título da fonte: | Bakhtiniana |
Texto Completo: | https://revistas.pucsp.br/index.php/bakhtiniana/article/view/39181 |
Resumo: | The semiotician Yuri Lotman wrote decisive contributions to the field of semiotics of literature. However, throughout the 1970s he expanded his universe of interests beyond the literary text contributing to the study of cinema, fine arts and even Russian nobility’s code of behavior. In this article, I introduce Lotman’s writings in the field of theatre semiotics to demonstrate how the Russian semiotician brings important considerations to a field until then underexplored within semiotic studies. His reflections on the nature of the theatrical space, on the relations between text and code, on the role of theatre semiotics, and on the theatrical ensemble enlarged the path opened by the Linguistic Circle of Prague and anticipate discussions that only recently started to be explored by the semiotics of theatre. |
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Yuri Lotman and the Semiotics of TheatreIuri Lótman e a semiótica do teatroIuri LótmanSemiótica do teatroYuri LotmanSemiotics of theatreThe semiotician Yuri Lotman wrote decisive contributions to the field of semiotics of literature. However, throughout the 1970s he expanded his universe of interests beyond the literary text contributing to the study of cinema, fine arts and even Russian nobility’s code of behavior. In this article, I introduce Lotman’s writings in the field of theatre semiotics to demonstrate how the Russian semiotician brings important considerations to a field until then underexplored within semiotic studies. His reflections on the nature of the theatrical space, on the relations between text and code, on the role of theatre semiotics, and on the theatrical ensemble enlarged the path opened by the Linguistic Circle of Prague and anticipate discussions that only recently started to be explored by the semiotics of theatre.O semioticista Iuri Lótman escreveu contribuições decisivas no campo da semiótica da literatura. No entanto, ao longo dos anos 70 passa a ampliar seu universo de interesses para além do texto literário, trazendo contribuições para os estudos do cinema, das artes plásticas e mesmo das normas de etiqueta da nobreza russa. Neste artigo pretendo introduzir as contribuições de Lótman no campo da semiótica da cena e demonstrar como o semioticista russo realiza reflexões importantes em um campo até então pouco explorado dentro dos estudos semióticos. Ao analisar o caráter do espaço teatral, as relações entre texto e código, o papel da semiótica teatral e do ensemble cênico, Lótman retoma o caminho aberto pelo Círculo Linguístico de Praga e antecipa flancos de interesse que só recentemente seriam explorados pela semiótica teatral.Pontifícia Universidade Católica de São Paulo2019-08-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://revistas.pucsp.br/index.php/bakhtiniana/article/view/39181Bakhtiniana. Revista de Estudos do Discurso ; Vol. 14 No. 3 (2019); Port. 199-219 / Eng. 208-229Bakhtiniana. Revista de Estudos do Discurso; Vol. 14 Núm. 3 (2019); Port. 199-219 / Eng. 208-229Bakhtiniana. Revista de Estudos do Discurso; Vol. 14 No. 3 (2019); Port. 199-219 / Eng. 208-229Bakhtiniana. Revista de Estudos do Discurso; v. 14 n. 3 (2019); Port. 199-219 / Eng. 208-229Бахтиниана: Журнал дискурсивных исследований; Том 14 № 3 (2019); Port. 199-219 / Eng. 208-2292176-4573reponame:Bakhtinianainstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporenghttps://revistas.pucsp.br/index.php/bakhtiniana/article/view/39181/29166https://revistas.pucsp.br/index.php/bakhtiniana/article/view/39181/29167Copyright (c) 2019 Bakhtiniana. Revista de Estudos do Discursoinfo:eu-repo/semantics/openAccessNascimento, Rodrigo Alves do2019-08-06T11:19:14Zoai:ojs.pkp.sfu.ca:article/39181Revistahttps://revistas.pucsp.br/index.php/bakhtiniana/indexPRIhttps://old.scielo.br/oai/scielo-oai.php||bakhtinianarevista@gmail.com2176-45732176-4573opendoar:2019-08-06T11:19:14Bakhtiniana - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.none.fl_str_mv |
Yuri Lotman and the Semiotics of Theatre Iuri Lótman e a semiótica do teatro |
title |
Yuri Lotman and the Semiotics of Theatre |
spellingShingle |
Yuri Lotman and the Semiotics of Theatre Nascimento, Rodrigo Alves do Iuri Lótman Semiótica do teatro Yuri Lotman Semiotics of theatre |
title_short |
Yuri Lotman and the Semiotics of Theatre |
title_full |
Yuri Lotman and the Semiotics of Theatre |
title_fullStr |
Yuri Lotman and the Semiotics of Theatre |
title_full_unstemmed |
Yuri Lotman and the Semiotics of Theatre |
title_sort |
Yuri Lotman and the Semiotics of Theatre |
author |
Nascimento, Rodrigo Alves do |
author_facet |
Nascimento, Rodrigo Alves do |
author_role |
author |
dc.contributor.author.fl_str_mv |
Nascimento, Rodrigo Alves do |
dc.subject.por.fl_str_mv |
Iuri Lótman Semiótica do teatro Yuri Lotman Semiotics of theatre |
topic |
Iuri Lótman Semiótica do teatro Yuri Lotman Semiotics of theatre |
description |
The semiotician Yuri Lotman wrote decisive contributions to the field of semiotics of literature. However, throughout the 1970s he expanded his universe of interests beyond the literary text contributing to the study of cinema, fine arts and even Russian nobility’s code of behavior. In this article, I introduce Lotman’s writings in the field of theatre semiotics to demonstrate how the Russian semiotician brings important considerations to a field until then underexplored within semiotic studies. His reflections on the nature of the theatrical space, on the relations between text and code, on the role of theatre semiotics, and on the theatrical ensemble enlarged the path opened by the Linguistic Circle of Prague and anticipate discussions that only recently started to be explored by the semiotics of theatre. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-08-06 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.pucsp.br/index.php/bakhtiniana/article/view/39181 |
url |
https://revistas.pucsp.br/index.php/bakhtiniana/article/view/39181 |
dc.language.iso.fl_str_mv |
por eng |
language |
por eng |
dc.relation.none.fl_str_mv |
https://revistas.pucsp.br/index.php/bakhtiniana/article/view/39181/29166 https://revistas.pucsp.br/index.php/bakhtiniana/article/view/39181/29167 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Bakhtiniana. Revista de Estudos do Discurso info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Bakhtiniana. Revista de Estudos do Discurso |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Pontifícia Universidade Católica de São Paulo |
publisher.none.fl_str_mv |
Pontifícia Universidade Católica de São Paulo |
dc.source.none.fl_str_mv |
Bakhtiniana. Revista de Estudos do Discurso ; Vol. 14 No. 3 (2019); Port. 199-219 / Eng. 208-229 Bakhtiniana. Revista de Estudos do Discurso; Vol. 14 Núm. 3 (2019); Port. 199-219 / Eng. 208-229 Bakhtiniana. Revista de Estudos do Discurso; Vol. 14 No. 3 (2019); Port. 199-219 / Eng. 208-229 Bakhtiniana. Revista de Estudos do Discurso; v. 14 n. 3 (2019); Port. 199-219 / Eng. 208-229 Бахтиниана: Журнал дискурсивных исследований; Том 14 № 3 (2019); Port. 199-219 / Eng. 208-229 2176-4573 reponame:Bakhtiniana instname:Pontifícia Universidade Católica de São Paulo (PUC-SP) instacron:PUC_SP |
instname_str |
Pontifícia Universidade Católica de São Paulo (PUC-SP) |
instacron_str |
PUC_SP |
institution |
PUC_SP |
reponame_str |
Bakhtiniana |
collection |
Bakhtiniana |
repository.name.fl_str_mv |
Bakhtiniana - Pontifícia Universidade Católica de São Paulo (PUC-SP) |
repository.mail.fl_str_mv |
||bakhtinianarevista@gmail.com |
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