Forms of the Grotesque in The Juniper Tree

Detalhes bibliográficos
Autor(a) principal: Bricker, Mary
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
eng
Título da fonte: Bakhtiniana
Texto Completo: https://revistas.pucsp.br/index.php/bakhtiniana/article/view/26108
Resumo: This essay argues for the multifold relevance of the Bakhtinian grotesque to the Brothers Grimm tale The Juniper Tree. The woman’s pregnancy, described in relation to nature’s life-death cycle, represents both the grotesque on the individual body and its its larger role in the rebirth that it advances. The mother dies after giving birth. The father remarries an abusive woman who decapitates and cooks his son in a stew, which the father unknowingly eats. The tale highlights the carnivalesque song, “My Mother Slew Me, My Father Ate Me,” sung by a bird born from the tree where the son’s bones are buried. The tale’s interpolations of prose and verse become central to its depictions of Romantic moral development. The song functions as a cris de Paris to create a marketplace that advances dialogue. The performance further illuminates the grotesque and guides the narrative until justice is restored.
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spelling Forms of the Grotesque in The Juniper TreeFormas do grotesco em A amoreiraCarnavalGrotescoVersoConto de fadaGrimmCarnivalGrotesqueVerseFairy TaleGrimmThis essay argues for the multifold relevance of the Bakhtinian grotesque to the Brothers Grimm tale The Juniper Tree. The woman’s pregnancy, described in relation to nature’s life-death cycle, represents both the grotesque on the individual body and its its larger role in the rebirth that it advances. The mother dies after giving birth. The father remarries an abusive woman who decapitates and cooks his son in a stew, which the father unknowingly eats. The tale highlights the carnivalesque song, “My Mother Slew Me, My Father Ate Me,” sung by a bird born from the tree where the son’s bones are buried. The tale’s interpolations of prose and verse become central to its depictions of Romantic moral development. The song functions as a cris de Paris to create a marketplace that advances dialogue. The performance further illuminates the grotesque and guides the narrative until justice is restored.Este artigo defende a relevância multifacetada da noção bakhtiniana do grotesco para o conto A amoreira, dos Irmãos Grimm. A gravidez da mulher, descrita em relação ao ciclo natural de vida-e-morte, representa tanto o grotesco no corpo individual quanto no seu papel mais amplo de renascimento que ele antecipa. A mãe morre após dar a luz. O pai casa-se novamente com uma mulher agressiva que decapita e cozinha seu enteado num forno, e o pai o come sem saber. O conto destaca a canção carnavalesca “Minha mãe me matou, Meu pai me comeu”, cantada por um pássaro nascido na árvore onde os ossos do filho são enterrados. As interpolações de prosa e verso no conto tornam-se centrais para sua descrição do desenvolvimento moral romântico. A canção funciona como um pregão de Paris, para criar um mercado público que faz o diálogo avançar. A performance ainda ilumina o grotesco e conduz a narrativa até que a justiça seja restaurada.Pontifícia Universidade Católica de São Paulo2017-05-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://revistas.pucsp.br/index.php/bakhtiniana/article/view/26108Bakhtiniana. Revista de Estudos do Discurso ; Vol. 12 No. 1 (2017); Port. 21-41 / Eng. 22-40Bakhtiniana. Revista de Estudos do Discurso; Vol. 12 Núm. 1 (2017); Port. 21-41 / Eng. 22-40Bakhtiniana. Revista de Estudos do Discurso; Vol. 12 No. 1 (2017); Port. 21-41 / Eng. 22-40Bakhtiniana. Revista de Estudos do Discurso; v. 12 n. 1 (2017); Port. 21-41 / Eng. 22-40Бахтиниана: Журнал дискурсивных исследований; Том 12 № 1 (2017); Port. 21-41 / Eng. 22-402176-4573reponame:Bakhtinianainstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporenghttps://revistas.pucsp.br/index.php/bakhtiniana/article/view/26108/20943https://revistas.pucsp.br/index.php/bakhtiniana/article/view/26108/20944Bricker, Maryinfo:eu-repo/semantics/openAccess2017-05-11T20:07:37Zoai:ojs.pkp.sfu.ca:article/26108Revistahttps://revistas.pucsp.br/index.php/bakhtiniana/indexPRIhttps://old.scielo.br/oai/scielo-oai.php||bakhtinianarevista@gmail.com2176-45732176-4573opendoar:2017-05-11T20:07:37Bakhtiniana - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv Forms of the Grotesque in The Juniper Tree
Formas do grotesco em A amoreira
title Forms of the Grotesque in The Juniper Tree
spellingShingle Forms of the Grotesque in The Juniper Tree
Bricker, Mary
Carnaval
Grotesco
Verso
Conto de fada
Grimm
Carnival
Grotesque
Verse
Fairy Tale
Grimm
title_short Forms of the Grotesque in The Juniper Tree
title_full Forms of the Grotesque in The Juniper Tree
title_fullStr Forms of the Grotesque in The Juniper Tree
title_full_unstemmed Forms of the Grotesque in The Juniper Tree
title_sort Forms of the Grotesque in The Juniper Tree
author Bricker, Mary
author_facet Bricker, Mary
author_role author
dc.contributor.author.fl_str_mv Bricker, Mary
dc.subject.por.fl_str_mv Carnaval
Grotesco
Verso
Conto de fada
Grimm
Carnival
Grotesque
Verse
Fairy Tale
Grimm
topic Carnaval
Grotesco
Verso
Conto de fada
Grimm
Carnival
Grotesque
Verse
Fairy Tale
Grimm
description This essay argues for the multifold relevance of the Bakhtinian grotesque to the Brothers Grimm tale The Juniper Tree. The woman’s pregnancy, described in relation to nature’s life-death cycle, represents both the grotesque on the individual body and its its larger role in the rebirth that it advances. The mother dies after giving birth. The father remarries an abusive woman who decapitates and cooks his son in a stew, which the father unknowingly eats. The tale highlights the carnivalesque song, “My Mother Slew Me, My Father Ate Me,” sung by a bird born from the tree where the son’s bones are buried. The tale’s interpolations of prose and verse become central to its depictions of Romantic moral development. The song functions as a cris de Paris to create a marketplace that advances dialogue. The performance further illuminates the grotesque and guides the narrative until justice is restored.
publishDate 2017
dc.date.none.fl_str_mv 2017-05-11
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/bakhtiniana/article/view/26108
url https://revistas.pucsp.br/index.php/bakhtiniana/article/view/26108
dc.language.iso.fl_str_mv por
eng
language por
eng
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/bakhtiniana/article/view/26108/20943
https://revistas.pucsp.br/index.php/bakhtiniana/article/view/26108/20944
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
dc.source.none.fl_str_mv Bakhtiniana. Revista de Estudos do Discurso ; Vol. 12 No. 1 (2017); Port. 21-41 / Eng. 22-40
Bakhtiniana. Revista de Estudos do Discurso; Vol. 12 Núm. 1 (2017); Port. 21-41 / Eng. 22-40
Bakhtiniana. Revista de Estudos do Discurso; Vol. 12 No. 1 (2017); Port. 21-41 / Eng. 22-40
Bakhtiniana. Revista de Estudos do Discurso; v. 12 n. 1 (2017); Port. 21-41 / Eng. 22-40
Бахтиниана: Журнал дискурсивных исследований; Том 12 № 1 (2017); Port. 21-41 / Eng. 22-40
2176-4573
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instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
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reponame_str Bakhtiniana
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repository.name.fl_str_mv Bakhtiniana - Pontifícia Universidade Católica de São Paulo (PUC-SP)
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