An Essay about Dialogue: Intertextual Relations between José Saramago, Pieter Bruegel, and Van Gogh

Detalhes bibliográficos
Autor(a) principal: Gomes, Murilo de Assis Macedo
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
eng
Título da fonte: Bakhtiniana
Texto Completo: https://revistas.pucsp.br/index.php/bakhtiniana/article/view/33308
Resumo: The objective of this article is to show, based on Bakhtin’s theory, how the interdiscursive relations between literature and painting are constructed, specifically in a dialogue between the novel Blindness, by José Saramago, and other works of art as the painting The Blind Leading the Blind (1568), by Pieter Bruegel, a European Renaissance artist in the 16th century, and Wheatfield with Crows (1890), by Van Gogh, a Dutch expressionist artist in the late 19th century. We will also analyze how José Saramago’s discourse is constituted in his literary writing by the word of others and how this is characterized as “individual dissonance,” the author’s style, in the midst of heterodiscursivity, which is inherent to the discourse of the novel, as predicted by Bakhtin.
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spelling An Essay about Dialogue: Intertextual Relations between José Saramago, Pieter Bruegel, and Van GoghEnsaio sobre o diálogo: as relações intertextuais entre José Saramago, Pieter Bruegel e Van GoghDialogismHeterodiscursivityJosé SaramagoPaintingLiteratureDialogismoHeterodiscursividadeJosé SaramagoPinturaLiteraturaThe objective of this article is to show, based on Bakhtin’s theory, how the interdiscursive relations between literature and painting are constructed, specifically in a dialogue between the novel Blindness, by José Saramago, and other works of art as the painting The Blind Leading the Blind (1568), by Pieter Bruegel, a European Renaissance artist in the 16th century, and Wheatfield with Crows (1890), by Van Gogh, a Dutch expressionist artist in the late 19th century. We will also analyze how José Saramago’s discourse is constituted in his literary writing by the word of others and how this is characterized as “individual dissonance,” the author’s style, in the midst of heterodiscursivity, which is inherent to the discourse of the novel, as predicted by Bakhtin.O objetivo deste artigo é demonstrar, com base na teoria de Bakhtin, como se constroem as relações interdiscursivas entre literatura e pintura, mais especificamente entre um diálogo contido na obra Ensaio sobre a cegueira, de José Saramago, e outras obras de arte, como a pintura A parábola dos cegos (1568), de Pieter Bruegel, artista do Renascimento europeu do século XVI, e a tela Trigal com corvos (1890), de Van Gogh, artista expressionista holandês do final do século XIX. Analisar-se-á o modo como o discurso de José Saramago na prosa literária se constituiria a partir da palavra de outrem e como isso caracterizaria uma “dissonância individual”, o estilo do autor, em meio à heterodiscursividade inerente ao discurso do romance, como previsto por Bakhtin.Pontifícia Universidade Católica de São Paulo2017-09-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfapplication/mswordhttps://revistas.pucsp.br/index.php/bakhtiniana/article/view/33308Bakhtiniana. Revista de Estudos do Discurso ; Vol. 12 No. 3 (2017); Port. 37-53 / Eng. 43-59Bakhtiniana. Revista de Estudos do Discurso; Vol. 12 Núm. 3 (2017); Port. 37-53 / Eng. 43-59Bakhtiniana. Revista de Estudos do Discurso; Vol. 12 No. 3 (2017); Port. 37-53 / Eng. 43-59Bakhtiniana. Revista de Estudos do Discurso; v. 12 n. 3 (2017); Port. 37-53 / Eng. 43-59Бахтиниана: Журнал дискурсивных исследований; Том 12 № 3 (2017); Port. 37-53 / Eng. 43-592176-4573reponame:Bakhtinianainstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporenghttps://revistas.pucsp.br/index.php/bakhtiniana/article/view/33308/23563https://revistas.pucsp.br/index.php/bakhtiniana/article/view/33308/23564https://revistas.pucsp.br/index.php/bakhtiniana/article/view/33308/36456Copyright (c) 2017 Bakhtiniana. Revista de Estudos do Discurso. ISSN 2176-4573info:eu-repo/semantics/openAccessGomes, Murilo de Assis Macedo2017-09-08T13:03:39Zoai:ojs.pkp.sfu.ca:article/33308Revistahttps://revistas.pucsp.br/index.php/bakhtiniana/indexPRIhttps://old.scielo.br/oai/scielo-oai.php||bakhtinianarevista@gmail.com2176-45732176-4573opendoar:2017-09-08T13:03:39Bakhtiniana - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv An Essay about Dialogue: Intertextual Relations between José Saramago, Pieter Bruegel, and Van Gogh
Ensaio sobre o diálogo: as relações intertextuais entre José Saramago, Pieter Bruegel e Van Gogh
title An Essay about Dialogue: Intertextual Relations between José Saramago, Pieter Bruegel, and Van Gogh
spellingShingle An Essay about Dialogue: Intertextual Relations between José Saramago, Pieter Bruegel, and Van Gogh
Gomes, Murilo de Assis Macedo
Dialogism
Heterodiscursivity
José Saramago
Painting
Literature
Dialogismo
Heterodiscursividade
José Saramago
Pintura
Literatura
title_short An Essay about Dialogue: Intertextual Relations between José Saramago, Pieter Bruegel, and Van Gogh
title_full An Essay about Dialogue: Intertextual Relations between José Saramago, Pieter Bruegel, and Van Gogh
title_fullStr An Essay about Dialogue: Intertextual Relations between José Saramago, Pieter Bruegel, and Van Gogh
title_full_unstemmed An Essay about Dialogue: Intertextual Relations between José Saramago, Pieter Bruegel, and Van Gogh
title_sort An Essay about Dialogue: Intertextual Relations between José Saramago, Pieter Bruegel, and Van Gogh
author Gomes, Murilo de Assis Macedo
author_facet Gomes, Murilo de Assis Macedo
author_role author
dc.contributor.author.fl_str_mv Gomes, Murilo de Assis Macedo
dc.subject.por.fl_str_mv Dialogism
Heterodiscursivity
José Saramago
Painting
Literature
Dialogismo
Heterodiscursividade
José Saramago
Pintura
Literatura
topic Dialogism
Heterodiscursivity
José Saramago
Painting
Literature
Dialogismo
Heterodiscursividade
José Saramago
Pintura
Literatura
description The objective of this article is to show, based on Bakhtin’s theory, how the interdiscursive relations between literature and painting are constructed, specifically in a dialogue between the novel Blindness, by José Saramago, and other works of art as the painting The Blind Leading the Blind (1568), by Pieter Bruegel, a European Renaissance artist in the 16th century, and Wheatfield with Crows (1890), by Van Gogh, a Dutch expressionist artist in the late 19th century. We will also analyze how José Saramago’s discourse is constituted in his literary writing by the word of others and how this is characterized as “individual dissonance,” the author’s style, in the midst of heterodiscursivity, which is inherent to the discourse of the novel, as predicted by Bakhtin.
publishDate 2017
dc.date.none.fl_str_mv 2017-09-05
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/bakhtiniana/article/view/33308
url https://revistas.pucsp.br/index.php/bakhtiniana/article/view/33308
dc.language.iso.fl_str_mv por
eng
language por
eng
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/bakhtiniana/article/view/33308/23563
https://revistas.pucsp.br/index.php/bakhtiniana/article/view/33308/23564
https://revistas.pucsp.br/index.php/bakhtiniana/article/view/33308/36456
dc.rights.driver.fl_str_mv Copyright (c) 2017 Bakhtiniana. Revista de Estudos do Discurso. ISSN 2176-4573
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Bakhtiniana. Revista de Estudos do Discurso. ISSN 2176-4573
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
application/msword
dc.publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
dc.source.none.fl_str_mv Bakhtiniana. Revista de Estudos do Discurso ; Vol. 12 No. 3 (2017); Port. 37-53 / Eng. 43-59
Bakhtiniana. Revista de Estudos do Discurso; Vol. 12 Núm. 3 (2017); Port. 37-53 / Eng. 43-59
Bakhtiniana. Revista de Estudos do Discurso; Vol. 12 No. 3 (2017); Port. 37-53 / Eng. 43-59
Bakhtiniana. Revista de Estudos do Discurso; v. 12 n. 3 (2017); Port. 37-53 / Eng. 43-59
Бахтиниана: Журнал дискурсивных исследований; Том 12 № 3 (2017); Port. 37-53 / Eng. 43-59
2176-4573
reponame:Bakhtiniana
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instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Bakhtiniana
collection Bakhtiniana
repository.name.fl_str_mv Bakhtiniana - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv ||bakhtinianarevista@gmail.com
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