An Essay about Dialogue: Intertextual Relations between José Saramago, Pieter Bruegel, and Van Gogh
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | por eng |
Título da fonte: | Bakhtiniana |
Texto Completo: | https://revistas.pucsp.br/index.php/bakhtiniana/article/view/33308 |
Resumo: | The objective of this article is to show, based on Bakhtin’s theory, how the interdiscursive relations between literature and painting are constructed, specifically in a dialogue between the novel Blindness, by José Saramago, and other works of art as the painting The Blind Leading the Blind (1568), by Pieter Bruegel, a European Renaissance artist in the 16th century, and Wheatfield with Crows (1890), by Van Gogh, a Dutch expressionist artist in the late 19th century. We will also analyze how José Saramago’s discourse is constituted in his literary writing by the word of others and how this is characterized as “individual dissonance,” the author’s style, in the midst of heterodiscursivity, which is inherent to the discourse of the novel, as predicted by Bakhtin. |
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An Essay about Dialogue: Intertextual Relations between José Saramago, Pieter Bruegel, and Van GoghEnsaio sobre o diálogo: as relações intertextuais entre José Saramago, Pieter Bruegel e Van GoghDialogismHeterodiscursivityJosé SaramagoPaintingLiteratureDialogismoHeterodiscursividadeJosé SaramagoPinturaLiteraturaThe objective of this article is to show, based on Bakhtin’s theory, how the interdiscursive relations between literature and painting are constructed, specifically in a dialogue between the novel Blindness, by José Saramago, and other works of art as the painting The Blind Leading the Blind (1568), by Pieter Bruegel, a European Renaissance artist in the 16th century, and Wheatfield with Crows (1890), by Van Gogh, a Dutch expressionist artist in the late 19th century. We will also analyze how José Saramago’s discourse is constituted in his literary writing by the word of others and how this is characterized as “individual dissonance,” the author’s style, in the midst of heterodiscursivity, which is inherent to the discourse of the novel, as predicted by Bakhtin.O objetivo deste artigo é demonstrar, com base na teoria de Bakhtin, como se constroem as relações interdiscursivas entre literatura e pintura, mais especificamente entre um diálogo contido na obra Ensaio sobre a cegueira, de José Saramago, e outras obras de arte, como a pintura A parábola dos cegos (1568), de Pieter Bruegel, artista do Renascimento europeu do século XVI, e a tela Trigal com corvos (1890), de Van Gogh, artista expressionista holandês do final do século XIX. Analisar-se-á o modo como o discurso de José Saramago na prosa literária se constituiria a partir da palavra de outrem e como isso caracterizaria uma “dissonância individual”, o estilo do autor, em meio à heterodiscursividade inerente ao discurso do romance, como previsto por Bakhtin.Pontifícia Universidade Católica de São Paulo2017-09-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfapplication/mswordhttps://revistas.pucsp.br/index.php/bakhtiniana/article/view/33308Bakhtiniana. Revista de Estudos do Discurso ; Vol. 12 No. 3 (2017); Port. 37-53 / Eng. 43-59Bakhtiniana. Revista de Estudos do Discurso; Vol. 12 Núm. 3 (2017); Port. 37-53 / Eng. 43-59Bakhtiniana. Revista de Estudos do Discurso; Vol. 12 No. 3 (2017); Port. 37-53 / Eng. 43-59Bakhtiniana. Revista de Estudos do Discurso; v. 12 n. 3 (2017); Port. 37-53 / Eng. 43-59Бахтиниана: Журнал дискурсивных исследований; Том 12 № 3 (2017); Port. 37-53 / Eng. 43-592176-4573reponame:Bakhtinianainstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporenghttps://revistas.pucsp.br/index.php/bakhtiniana/article/view/33308/23563https://revistas.pucsp.br/index.php/bakhtiniana/article/view/33308/23564https://revistas.pucsp.br/index.php/bakhtiniana/article/view/33308/36456Copyright (c) 2017 Bakhtiniana. Revista de Estudos do Discurso. ISSN 2176-4573info:eu-repo/semantics/openAccessGomes, Murilo de Assis Macedo2017-09-08T13:03:39Zoai:ojs.pkp.sfu.ca:article/33308Revistahttps://revistas.pucsp.br/index.php/bakhtiniana/indexPRIhttps://old.scielo.br/oai/scielo-oai.php||bakhtinianarevista@gmail.com2176-45732176-4573opendoar:2017-09-08T13:03:39Bakhtiniana - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.none.fl_str_mv |
An Essay about Dialogue: Intertextual Relations between José Saramago, Pieter Bruegel, and Van Gogh Ensaio sobre o diálogo: as relações intertextuais entre José Saramago, Pieter Bruegel e Van Gogh |
title |
An Essay about Dialogue: Intertextual Relations between José Saramago, Pieter Bruegel, and Van Gogh |
spellingShingle |
An Essay about Dialogue: Intertextual Relations between José Saramago, Pieter Bruegel, and Van Gogh Gomes, Murilo de Assis Macedo Dialogism Heterodiscursivity José Saramago Painting Literature Dialogismo Heterodiscursividade José Saramago Pintura Literatura |
title_short |
An Essay about Dialogue: Intertextual Relations between José Saramago, Pieter Bruegel, and Van Gogh |
title_full |
An Essay about Dialogue: Intertextual Relations between José Saramago, Pieter Bruegel, and Van Gogh |
title_fullStr |
An Essay about Dialogue: Intertextual Relations between José Saramago, Pieter Bruegel, and Van Gogh |
title_full_unstemmed |
An Essay about Dialogue: Intertextual Relations between José Saramago, Pieter Bruegel, and Van Gogh |
title_sort |
An Essay about Dialogue: Intertextual Relations between José Saramago, Pieter Bruegel, and Van Gogh |
author |
Gomes, Murilo de Assis Macedo |
author_facet |
Gomes, Murilo de Assis Macedo |
author_role |
author |
dc.contributor.author.fl_str_mv |
Gomes, Murilo de Assis Macedo |
dc.subject.por.fl_str_mv |
Dialogism Heterodiscursivity José Saramago Painting Literature Dialogismo Heterodiscursividade José Saramago Pintura Literatura |
topic |
Dialogism Heterodiscursivity José Saramago Painting Literature Dialogismo Heterodiscursividade José Saramago Pintura Literatura |
description |
The objective of this article is to show, based on Bakhtin’s theory, how the interdiscursive relations between literature and painting are constructed, specifically in a dialogue between the novel Blindness, by José Saramago, and other works of art as the painting The Blind Leading the Blind (1568), by Pieter Bruegel, a European Renaissance artist in the 16th century, and Wheatfield with Crows (1890), by Van Gogh, a Dutch expressionist artist in the late 19th century. We will also analyze how José Saramago’s discourse is constituted in his literary writing by the word of others and how this is characterized as “individual dissonance,” the author’s style, in the midst of heterodiscursivity, which is inherent to the discourse of the novel, as predicted by Bakhtin. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-09-05 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.pucsp.br/index.php/bakhtiniana/article/view/33308 |
url |
https://revistas.pucsp.br/index.php/bakhtiniana/article/view/33308 |
dc.language.iso.fl_str_mv |
por eng |
language |
por eng |
dc.relation.none.fl_str_mv |
https://revistas.pucsp.br/index.php/bakhtiniana/article/view/33308/23563 https://revistas.pucsp.br/index.php/bakhtiniana/article/view/33308/23564 https://revistas.pucsp.br/index.php/bakhtiniana/article/view/33308/36456 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2017 Bakhtiniana. Revista de Estudos do Discurso. ISSN 2176-4573 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2017 Bakhtiniana. Revista de Estudos do Discurso. ISSN 2176-4573 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/pdf application/msword |
dc.publisher.none.fl_str_mv |
Pontifícia Universidade Católica de São Paulo |
publisher.none.fl_str_mv |
Pontifícia Universidade Católica de São Paulo |
dc.source.none.fl_str_mv |
Bakhtiniana. Revista de Estudos do Discurso ; Vol. 12 No. 3 (2017); Port. 37-53 / Eng. 43-59 Bakhtiniana. Revista de Estudos do Discurso; Vol. 12 Núm. 3 (2017); Port. 37-53 / Eng. 43-59 Bakhtiniana. Revista de Estudos do Discurso; Vol. 12 No. 3 (2017); Port. 37-53 / Eng. 43-59 Bakhtiniana. Revista de Estudos do Discurso; v. 12 n. 3 (2017); Port. 37-53 / Eng. 43-59 Бахтиниана: Журнал дискурсивных исследований; Том 12 № 3 (2017); Port. 37-53 / Eng. 43-59 2176-4573 reponame:Bakhtiniana instname:Pontifícia Universidade Católica de São Paulo (PUC-SP) instacron:PUC_SP |
instname_str |
Pontifícia Universidade Católica de São Paulo (PUC-SP) |
instacron_str |
PUC_SP |
institution |
PUC_SP |
reponame_str |
Bakhtiniana |
collection |
Bakhtiniana |
repository.name.fl_str_mv |
Bakhtiniana - Pontifícia Universidade Católica de São Paulo (PUC-SP) |
repository.mail.fl_str_mv |
||bakhtinianarevista@gmail.com |
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1799138682895073280 |