Black Masculinities in the Visual Arts: : Contemporary performances and their narratives of discomfort, escape, and fabulation

Detalhes bibliográficos
Autor(a) principal: Meirinho, Daniel
Data de Publicação: 2023
Outros Autores: Carrera, Fernanda
Tipo de documento: Artigo
Idioma: por
Título da fonte: Galáxia (São Paulo)
Texto Completo: https://revistas.pucsp.br/index.php/galaxia/article/view/63140
Resumo: In the debate on black masculinities, it is understood that black men are historically reduced to images of control, based on imaginaries at the service of coloniality. However, there is the emergence of important artistic performance practices in the construction of re-signification strategies, seeking to question the racialized regime of representation and proposing new ways of fabulating the body and subjectivities of the black man. This work analyzes how the performances of contemporary artists Antonio Obá and Tiago Sant’Ana seek counter-narrative strategies to challenge representational symbolic artifacts. His works present the black male body inscribed as a fictional tactic of resistance in race and gender.
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spelling Black Masculinities in the Visual Arts: : Contemporary performances and their narratives of discomfort, escape, and fabulationMasculinidades negras en las artes visuales:: Performances contemporáneas y sus narrativas de incomodidad, escape y fabulaciónMasculinidades negras nas artes visuais: : Performances contemporâneas e suas narrativas de incômodo, fuga e fabulação black masculinitiesperformanceescaperesistancesvisual artsmasculinidades negrasperformancefugaresistênciasmasculinidades negrasperformanceescaperesistenciasIn the debate on black masculinities, it is understood that black men are historically reduced to images of control, based on imaginaries at the service of coloniality. However, there is the emergence of important artistic performance practices in the construction of re-signification strategies, seeking to question the racialized regime of representation and proposing new ways of fabulating the body and subjectivities of the black man. This work analyzes how the performances of contemporary artists Antonio Obá and Tiago Sant’Ana seek counter-narrative strategies to challenge representational symbolic artifacts. His works present the black male body inscribed as a fictional tactic of resistance in race and gender.En el debate sobre las masculinidades negras, se entiende que los hombres negros son históricamente reducidos a imágenes de control, basadas en imaginarios al servicio de la colonialidad. Sin embargo, se evidencia el surgimiento de importantes prácticas artísticas performativas en la construcción de estrategias de resignificación, buscando cuestionar el régimen racializado de representación y proponiendo nuevas formas de fabulación del cuerpo y las subjetividades del hombre negro. Este trabajo analiza cómo las performances de los artistas contemporáneos Antonio Obá y Tiago Sant’Ana buscan estrategias contranarrativas para desafiar los artefactos simbólicos representacionales. Sus obras presentan el cuerpo masculino negro inscrito como una táctica ficcional de resistencia en raza y género.No debate sobre masculinidades negras, entende-se que homens negros historicamente são reduzidos a imagens de controle, fundamentadas por imaginários a serviço da colonialidade e do dispositivo de racialidade. No entanto, há a emergência de práticas performáticas artísticas importantes na construção de estratégias de ressignificação, buscando questionar o regime racializado de representação e propondo novos modos de fabular o corpo e as subjetividades do homem negro. Este trabalho analisa como as performances dos artistas contemporâneos Antonio Obá e Tiago Sant’Ana buscam estratégias contranarrativas de contestação dos artefatos simbólicos representacionais. Suas obras apresentam o corpo negro masculino inscrito enquanto tática fabulatória de resistência em raça e gênero. PEPG COS-PUC-SP2023-11-15info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/63140Galaxia; Vol. 48 No. 1 (2023): GaláxiaGALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; v. 48 n. 1 (2023): Galáxia1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/63140/43526Copyright (c) 2023 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semióticahttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMeirinho, DanielCarrera, Fernanda 2023-08-27T19:53:46Zoai:ojs.pkp.sfu.ca:article/63140Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2023-08-27T19:53:46Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv Black Masculinities in the Visual Arts: : Contemporary performances and their narratives of discomfort, escape, and fabulation
Masculinidades negras en las artes visuales:: Performances contemporáneas y sus narrativas de incomodidad, escape y fabulación
Masculinidades negras nas artes visuais: : Performances contemporâneas e suas narrativas de incômodo, fuga e fabulação
title Black Masculinities in the Visual Arts: : Contemporary performances and their narratives of discomfort, escape, and fabulation
spellingShingle Black Masculinities in the Visual Arts: : Contemporary performances and their narratives of discomfort, escape, and fabulation
Meirinho, Daniel
black masculinities
performance
escape
resistances
visual arts
masculinidades negras
performance
fuga
resistências
masculinidades negras
performance
escape
resistencias
title_short Black Masculinities in the Visual Arts: : Contemporary performances and their narratives of discomfort, escape, and fabulation
title_full Black Masculinities in the Visual Arts: : Contemporary performances and their narratives of discomfort, escape, and fabulation
title_fullStr Black Masculinities in the Visual Arts: : Contemporary performances and their narratives of discomfort, escape, and fabulation
title_full_unstemmed Black Masculinities in the Visual Arts: : Contemporary performances and their narratives of discomfort, escape, and fabulation
title_sort Black Masculinities in the Visual Arts: : Contemporary performances and their narratives of discomfort, escape, and fabulation
author Meirinho, Daniel
author_facet Meirinho, Daniel
Carrera, Fernanda
author_role author
author2 Carrera, Fernanda
author2_role author
dc.contributor.author.fl_str_mv Meirinho, Daniel
Carrera, Fernanda
dc.subject.por.fl_str_mv black masculinities
performance
escape
resistances
visual arts
masculinidades negras
performance
fuga
resistências
masculinidades negras
performance
escape
resistencias
topic black masculinities
performance
escape
resistances
visual arts
masculinidades negras
performance
fuga
resistências
masculinidades negras
performance
escape
resistencias
description In the debate on black masculinities, it is understood that black men are historically reduced to images of control, based on imaginaries at the service of coloniality. However, there is the emergence of important artistic performance practices in the construction of re-signification strategies, seeking to question the racialized regime of representation and proposing new ways of fabulating the body and subjectivities of the black man. This work analyzes how the performances of contemporary artists Antonio Obá and Tiago Sant’Ana seek counter-narrative strategies to challenge representational symbolic artifacts. His works present the black male body inscribed as a fictional tactic of resistance in race and gender.
publishDate 2023
dc.date.none.fl_str_mv 2023-11-15
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/63140
url https://revistas.pucsp.br/index.php/galaxia/article/view/63140
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/63140/43526
dc.rights.driver.fl_str_mv Copyright (c) 2023 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semiótica
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semiótica
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv PEPG COS-PUC-SP
publisher.none.fl_str_mv PEPG COS-PUC-SP
dc.source.none.fl_str_mv Galaxia; Vol. 48 No. 1 (2023): Galáxia
GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; v. 48 n. 1 (2023): Galáxia
1982-2553
reponame:Galáxia (São Paulo)
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Galáxia (São Paulo)
collection Galáxia (São Paulo)
repository.name.fl_str_mv Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv cos@pucsp.br||aidarprado@gmail.com
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