The Black Sensible: escape routes for performances

Detalhes bibliográficos
Autor(a) principal: Gadelha, José Juliano
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/96079
Resumo: The article forges the principle of escape to think of the poetics of the body disappearance that encounter, in what the author calls fugitive performance, a way of making alive the modes of existence, which would be destined, by the reproductive futurism of the esthetical norm, to disappear and, consequently, to die. In a dialogue with Black Studies, anti-colonial criticism and my own thought on the sensitive field, the article traces the threads that expose the programs of re-theorization, representation, abstraction and performance underlying the traffic of the becoming-black in the arts.
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spelling The Black Sensible: escape routes for performancesArtEscapePerformanceBlackSensiblePerformanceThe article forges the principle of escape to think of the poetics of the body disappearance that encounter, in what the author calls fugitive performance, a way of making alive the modes of existence, which would be destined, by the reproductive futurism of the esthetical norm, to disappear and, consequently, to die. In a dialogue with Black Studies, anti-colonial criticism and my own thought on the sensitive field, the article traces the threads that expose the programs of re-theorization, representation, abstraction and performance underlying the traffic of the becoming-black in the arts.Universidade Federal do Rio Grande do Sul2022-09-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/96079Brazilian Journal on Presence Studies; Vol. 9 No. 4 (2019): Out./Dez. 2019; 01-24Révue Brésilienne d'Études de la Présence; Vol. 9 No. 4 (2019): Out./Dez. 2019; 01-24Révue Brésilienne d'Études de la Présence; Vol. 9 No 4 (2019): Out./Dez. 2019; 01-24Revista Brasileira de Estudos da Presença; v. 9 n. 4 (2019): Out./Dez. 2019; 01-242237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/96079/54683Copyright (c) 2019 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessGadelha, José Juliano2022-09-27T03:29:40Zoai:seer.ufrgs.br:article/96079Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-09-27T03:29:40Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv The Black Sensible: escape routes for performances
title The Black Sensible: escape routes for performances
spellingShingle The Black Sensible: escape routes for performances
Gadelha, José Juliano
Art
Escape
Performance
Black
Sensible
Performance
title_short The Black Sensible: escape routes for performances
title_full The Black Sensible: escape routes for performances
title_fullStr The Black Sensible: escape routes for performances
title_full_unstemmed The Black Sensible: escape routes for performances
title_sort The Black Sensible: escape routes for performances
author Gadelha, José Juliano
author_facet Gadelha, José Juliano
author_role author
dc.contributor.author.fl_str_mv Gadelha, José Juliano
dc.subject.por.fl_str_mv Art
Escape
Performance
Black
Sensible
Performance
topic Art
Escape
Performance
Black
Sensible
Performance
description The article forges the principle of escape to think of the poetics of the body disappearance that encounter, in what the author calls fugitive performance, a way of making alive the modes of existence, which would be destined, by the reproductive futurism of the esthetical norm, to disappear and, consequently, to die. In a dialogue with Black Studies, anti-colonial criticism and my own thought on the sensitive field, the article traces the threads that expose the programs of re-theorization, representation, abstraction and performance underlying the traffic of the becoming-black in the arts.
publishDate 2022
dc.date.none.fl_str_mv 2022-09-27
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/96079
url https://seer.ufrgs.br/index.php/presenca/article/view/96079
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/96079/54683
dc.rights.driver.fl_str_mv Copyright (c) 2019 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 9 No. 4 (2019): Out./Dez. 2019; 01-24
Révue Brésilienne d'Études de la Présence; Vol. 9 No. 4 (2019): Out./Dez. 2019; 01-24
Révue Brésilienne d'Études de la Présence; Vol. 9 No 4 (2019): Out./Dez. 2019; 01-24
Revista Brasileira de Estudos da Presença; v. 9 n. 4 (2019): Out./Dez. 2019; 01-24
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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