Solidarity policies in pop music concerts’ fan camping sites

Detalhes bibliográficos
Autor(a) principal: Soares, Thiago
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: Galáxia (São Paulo)
Texto Completo: https://revistas.pucsp.br/index.php/galaxia/article/view/43609
Resumo: There is a debate on how fan camps of foreign pop music concerts that occur in Brazil are emblematic to perceive residues of the coloniality (QUIJANO, 2010) relations and the embodied performance of gestures around the fascination by the foreigner in Brazilian youth culture. It is postulated, from Performance theories and from Latin-American Cultural Studies, that these camps stage disputes, but also solidarity upon vulnerability and alliance relations (BUTLER, 2018) among fans of pop culture. From three fan camps between the years of 2013 and 2017, we postulate that the “naturalized” Brazilian affection points to tension zones of the performance of being a fan: the sacrifice and the waiting as notes for the merit of being near the artist; the fabulations about the foreigner and about the dimensions of global culture in everyday life as well as the
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spelling Solidarity policies in pop music concerts’ fan camping sitesPolíticas de solidariedade em acampamentos de fãs em shows de música popcultura popperformanceacampamento de fãssolidariedadegêneropop cultureperformancefan campsolidaritygenderThere is a debate on how fan camps of foreign pop music concerts that occur in Brazil are emblematic to perceive residues of the coloniality (QUIJANO, 2010) relations and the embodied performance of gestures around the fascination by the foreigner in Brazilian youth culture. It is postulated, from Performance theories and from Latin-American Cultural Studies, that these camps stage disputes, but also solidarity upon vulnerability and alliance relations (BUTLER, 2018) among fans of pop culture. From three fan camps between the years of 2013 and 2017, we postulate that the “naturalized” Brazilian affection points to tension zones of the performance of being a fan: the sacrifice and the waiting as notes for the merit of being near the artist; the fabulations about the foreigner and about the dimensions of global culture in everyday life as well as theDebate-se como os acampamentos de fãs em espetáculos de música pop internacionais que passam pelo Brasil são emblemáticos para se perceber a colonialidade (QUIJANO, 2010) e a reiteração performática de gestos em torno do fascínio pelo estrangeiro na cultura juvenil brasileira. Postula-se, a partir do debate sobre as Teorias da Performance e dos Estudos Culturais Latino-americanos, que os acampamentos encenam disputas, mas também solidariedade nas relações de vulnerabilidade e aliança (BUTLER, 2018) entre fãs de cultura pop no Brasil. A partir de três acampamentos de fãs ocorridos entre os anos de 2013 e 2017, debate-se que o “naturalizado” afeto brasileiro aponta para zonas tensivas da performance de ser fã: o sacrifício e a espera como apontamentos para o merecimento de estar perto da artista; as fabulações sobre o estrangeiro e as dimensões da cultura global no cotidiano e o fascínio pela imagem de poder atrelado a construções de cidadanias parciais de gênero e raça no campo da cultura.PEPG COS-PUC-SP2020-07-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/43609Galaxia; No. 44 (2020)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 44 (2020)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/43609/32376Copyright (c) 2020 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semiótica. ISSN 1982-2553info:eu-repo/semantics/openAccessSoares, Thiago2020-07-06T17:47:44Zoai:ojs.pkp.sfu.ca:article/43609Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2020-07-06T17:47:44Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv Solidarity policies in pop music concerts’ fan camping sites
Políticas de solidariedade em acampamentos de fãs em shows de música pop
title Solidarity policies in pop music concerts’ fan camping sites
spellingShingle Solidarity policies in pop music concerts’ fan camping sites
Soares, Thiago
cultura pop
performance
acampamento de fãs
solidariedade
gênero
pop culture
performance
fan camp
solidarity
gender
title_short Solidarity policies in pop music concerts’ fan camping sites
title_full Solidarity policies in pop music concerts’ fan camping sites
title_fullStr Solidarity policies in pop music concerts’ fan camping sites
title_full_unstemmed Solidarity policies in pop music concerts’ fan camping sites
title_sort Solidarity policies in pop music concerts’ fan camping sites
author Soares, Thiago
author_facet Soares, Thiago
author_role author
dc.contributor.author.fl_str_mv Soares, Thiago
dc.subject.por.fl_str_mv cultura pop
performance
acampamento de fãs
solidariedade
gênero
pop culture
performance
fan camp
solidarity
gender
topic cultura pop
performance
acampamento de fãs
solidariedade
gênero
pop culture
performance
fan camp
solidarity
gender
description There is a debate on how fan camps of foreign pop music concerts that occur in Brazil are emblematic to perceive residues of the coloniality (QUIJANO, 2010) relations and the embodied performance of gestures around the fascination by the foreigner in Brazilian youth culture. It is postulated, from Performance theories and from Latin-American Cultural Studies, that these camps stage disputes, but also solidarity upon vulnerability and alliance relations (BUTLER, 2018) among fans of pop culture. From three fan camps between the years of 2013 and 2017, we postulate that the “naturalized” Brazilian affection points to tension zones of the performance of being a fan: the sacrifice and the waiting as notes for the merit of being near the artist; the fabulations about the foreigner and about the dimensions of global culture in everyday life as well as the
publishDate 2020
dc.date.none.fl_str_mv 2020-07-06
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/43609
url https://revistas.pucsp.br/index.php/galaxia/article/view/43609
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/43609/32376
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv PEPG COS-PUC-SP
publisher.none.fl_str_mv PEPG COS-PUC-SP
dc.source.none.fl_str_mv Galaxia; No. 44 (2020)
GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 44 (2020)
1982-2553
reponame:Galáxia (São Paulo)
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Galáxia (São Paulo)
collection Galáxia (São Paulo)
repository.name.fl_str_mv Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv cos@pucsp.br||aidarprado@gmail.com
_version_ 1799129331753025536

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