From foundational narratives to dissolution narratives. The question of national identity in contemporary cinema

Detalhes bibliográficos
Autor(a) principal: Ramos Monteiro, Lúcia
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: por
Título da fonte: Galáxia (São Paulo)
Texto Completo: https://revistas.pucsp.br/index.php/galaxia/article/view/34792
Resumo: Notwithstanding the extensive discussion questioning concepts like “nation” and “nationalism” within historiography, and the debate about the actuality and functionality of “national cinema” as a category in the lm studies eld (BERRY, 2006), those notions continue to be used by lm scholars, festivals, competitions etc. Contrary to the so-called “foundational narratives” (SOMMER, 2004), in which domestic happiness and national ideal were interwoven, some contemporary lms maintain a strong relation between “individual” and “national” spheres, but in a negative way. This leads us to propose the “dissolution narratives” concept, anchored in Jia Zhangke’s lm analysis, particularly Mountains May Depart (2015). 
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spelling From foundational narratives to dissolution narratives. The question of national identity in contemporary cinemaDas narrativas de fundação às narrativas de dissolução. A questão da identidade nacional no cinema contemporâneocinemas nacionaisnarrativas de dissoluçãocinema contemporâneoJia Zhang-kenational cinemasdissolution narrativescontemporary cinemaJia ZhangkeChina.Notwithstanding the extensive discussion questioning concepts like “nation” and “nationalism” within historiography, and the debate about the actuality and functionality of “national cinema” as a category in the lm studies eld (BERRY, 2006), those notions continue to be used by lm scholars, festivals, competitions etc. Contrary to the so-called “foundational narratives” (SOMMER, 2004), in which domestic happiness and national ideal were interwoven, some contemporary lms maintain a strong relation between “individual” and “national” spheres, but in a negative way. This leads us to propose the “dissolution narratives” concept, anchored in Jia Zhangke’s lm analysis, particularly Mountains May Depart (2015). Apesar das inúmeras problematizações dos conceitos de “nação” e “nacionalismo” no âmbito da historiografia, e das discussões sobre a atualidade e a utilidade da categoria “cinema nacional” no campo dos estudos cinematográficos (BERRY, 2006), essas noções continuam sendo usadas tanto pelos estudos cinematográficos quanto por festivais e premiações. Em contraponto às chamadas “narrativas fundacionais” (SOMMER, 2004), que entrelaçavam felicidade doméstica e ideal nacional, em alguns filmes contemporâneos as esferas “individual” e “nacional” continuam ligadas, mas em chave negativa. Isso nos leva a propor o conceito de “narrativas de dissolução”, com base na análise de filmes do realizador chinês Jia Zhang-ke, e mais especificamente As montanhas se separam (2015).PEPG COS-PUC-SP2018-08-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/34792Galaxia; No. 38 (2018)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 38 (2018)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/34792/25725Copyright (c) 2018 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semiótica. ISSN 1982-2553info:eu-repo/semantics/openAccessRamos Monteiro, Lúcia2018-08-01T19:09:04Zoai:ojs.pkp.sfu.ca:article/34792Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2018-08-01T19:09:04Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv From foundational narratives to dissolution narratives. The question of national identity in contemporary cinema
Das narrativas de fundação às narrativas de dissolução. A questão da identidade nacional no cinema contemporâneo
title From foundational narratives to dissolution narratives. The question of national identity in contemporary cinema
spellingShingle From foundational narratives to dissolution narratives. The question of national identity in contemporary cinema
Ramos Monteiro, Lúcia
cinemas nacionais
narrativas de dissolução
cinema contemporâneo
Jia Zhang-ke
national cinemas
dissolution narratives
contemporary cinema
Jia Zhangke
China.
title_short From foundational narratives to dissolution narratives. The question of national identity in contemporary cinema
title_full From foundational narratives to dissolution narratives. The question of national identity in contemporary cinema
title_fullStr From foundational narratives to dissolution narratives. The question of national identity in contemporary cinema
title_full_unstemmed From foundational narratives to dissolution narratives. The question of national identity in contemporary cinema
title_sort From foundational narratives to dissolution narratives. The question of national identity in contemporary cinema
author Ramos Monteiro, Lúcia
author_facet Ramos Monteiro, Lúcia
author_role author
dc.contributor.author.fl_str_mv Ramos Monteiro, Lúcia
dc.subject.por.fl_str_mv cinemas nacionais
narrativas de dissolução
cinema contemporâneo
Jia Zhang-ke
national cinemas
dissolution narratives
contemporary cinema
Jia Zhangke
China.
topic cinemas nacionais
narrativas de dissolução
cinema contemporâneo
Jia Zhang-ke
national cinemas
dissolution narratives
contemporary cinema
Jia Zhangke
China.
description Notwithstanding the extensive discussion questioning concepts like “nation” and “nationalism” within historiography, and the debate about the actuality and functionality of “national cinema” as a category in the lm studies eld (BERRY, 2006), those notions continue to be used by lm scholars, festivals, competitions etc. Contrary to the so-called “foundational narratives” (SOMMER, 2004), in which domestic happiness and national ideal were interwoven, some contemporary lms maintain a strong relation between “individual” and “national” spheres, but in a negative way. This leads us to propose the “dissolution narratives” concept, anchored in Jia Zhangke’s lm analysis, particularly Mountains May Depart (2015). 
publishDate 2018
dc.date.none.fl_str_mv 2018-08-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/34792
url https://revistas.pucsp.br/index.php/galaxia/article/view/34792
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/34792/25725
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv PEPG COS-PUC-SP
publisher.none.fl_str_mv PEPG COS-PUC-SP
dc.source.none.fl_str_mv Galaxia; No. 38 (2018)
GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 38 (2018)
1982-2553
reponame:Galáxia (São Paulo)
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Galáxia (São Paulo)
collection Galáxia (São Paulo)
repository.name.fl_str_mv Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv cos@pucsp.br||aidarprado@gmail.com
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