Youth, Rebellion and Resignation: The Relations Between Film and Politics in China (1976 - 2010)
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.58050/comunicando.v12i2.327 |
Resumo: | This work focuses on an analysis of the representation of Chinese youth in the films Unknown Pleasures, (dir. Jia Zhangke) and Winter Vacation, (dir. Li Hongqi). We intend to expose the relationship of dialogue that seems to emerge from these films and that helps in understanding how the transformations that occurred in China from the Deng Xiaoping government affected the imaginary of the Chinese population. Based on the concept of episteme (Foucault, 2008), we propose a historical context of Chinese cinema, taking into account the political, biological and social aspects of the country. From this, we intend to have an idea of the Chinese social imaginary (Baczko, 1985), which will be crucial for our filmic analysis, which will use these concepts as a theoretical basis. Thereby, it will be possible to see how both films express a feeling of resigned rebellion towards a youth that seems to cry out for change, but which at the same time demonstrates apathy in the face of a frustrating reality. |
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Youth, Rebellion and Resignation: The Relations Between Film and Politics in China (1976 - 2010)Juventud, Rebelión y Resignación: Las Relaciones Entre Cine y Política en China (1976-2010)Juventude, Rebeldia e Resignação: As Relações Entre Cinema e Política na China (1976 - 2010)Chinese CinemaJia ZhangkeLi HongqiIdeologyImaginaryCinema ChinêsJia ZhangkeLi HongqiIdeologiaImaginárioCine ChinoJia ZhangkeLi HongqiIdeologíaImaginarioThis work focuses on an analysis of the representation of Chinese youth in the films Unknown Pleasures, (dir. Jia Zhangke) and Winter Vacation, (dir. Li Hongqi). We intend to expose the relationship of dialogue that seems to emerge from these films and that helps in understanding how the transformations that occurred in China from the Deng Xiaoping government affected the imaginary of the Chinese population. Based on the concept of episteme (Foucault, 2008), we propose a historical context of Chinese cinema, taking into account the political, biological and social aspects of the country. From this, we intend to have an idea of the Chinese social imaginary (Baczko, 1985), which will be crucial for our filmic analysis, which will use these concepts as a theoretical basis. Thereby, it will be possible to see how both films express a feeling of resigned rebellion towards a youth that seems to cry out for change, but which at the same time demonstrates apathy in the face of a frustrating reality.Este trabajo se centra en un análisis de la representación de la juventud china en las películas Unknown Pleasures, (dir. Jia Zhangke) y Winter Vacation, (dir. Li Hongqi). Pretendemos exponer la relación de diálogo que parece surgir de estas películas y que ayuda a comprender cómo las transformaciones ocurridas en China a partir del gobierno de Deng Xiaoping afectaron el imaginario y el comportamiento de la población china. Partimos de una contextualización histórica del cine chino, presentando las relaciones entre la industria cinematográfica y el contexto sociopolítico del país, pasando por un estudio sobre el concepto de imaginario, y finalmente llegando al análisis fílmico, que utiliza estos conceptos como base principal. bases teóricas.Este trabalho centra-se em uma análise da representação da juventude chinesa nos filmes Unknown Pleasures (2002), dirigido por Jia Zhangke, e Winter Vacation (2010), dirigido por Li Hongqi. Pretende-se expor a relação de diálogo que parece surgir a partir desses filmes e que auxilia na compreensão do modo como as transformações ocorridas na China a partir do governo de Deng Xiaoping afetaram o imaginário da população chinesa. Tendo como base o conceito de episteme (Foucault, 2008), propomos uma contextualização histórica do cinema chinês, levando em conta os aspectos políticos, econômicos e sociais do país. A partir disso, pretende-se ter uma ideia do imaginário social chinês, que será crucial para a análise fílmica, que utilizará estes conceitos como base teórica. Dessa forma, será possível perceber como ambos os filmes revelam um sentimento de rebeldia resignada em relação a uma juventude que parece clamar por mudanças, mas que ao mesmo tempo demonstra apatia face à uma realidade frustrante.Sopcom2023-07-03info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.58050/comunicando.v12i2.327https://doi.org/10.58050/comunicando.v12i2.327Revista Comunicando; Vol. 12 No. 2 (2023): July — December (continuous edition) ; e023013Revista Comunicando; Vol. 12 Núm. 2 (2023): Julio — Diciembre (edición continua) ; e023013Revista Comunicando; Vol. 12 N.º 2 (2023): Julho — Dezembro (edição contínua); e0230132182-4037reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://www.revistacomunicando.sopcom.pt/index.php/comunicando/article/view/327https://www.revistacomunicando.sopcom.pt/index.php/comunicando/article/view/327/272https://www.revistacomunicando.sopcom.pt/index.php/comunicando/article/view/327/273https://www.revistacomunicando.sopcom.pt/index.php/comunicando/article/view/327/274Direitos de Autor (c) 2023 Rafael de Camposinfo:eu-repo/semantics/openAccessde Campos, Rafael2024-03-16T08:29:14Zoai:revistacomunicando.sopcom.pt:article/327Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T04:01:37.428390Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Youth, Rebellion and Resignation: The Relations Between Film and Politics in China (1976 - 2010) Juventud, Rebelión y Resignación: Las Relaciones Entre Cine y Política en China (1976-2010) Juventude, Rebeldia e Resignação: As Relações Entre Cinema e Política na China (1976 - 2010) |
title |
Youth, Rebellion and Resignation: The Relations Between Film and Politics in China (1976 - 2010) |
spellingShingle |
Youth, Rebellion and Resignation: The Relations Between Film and Politics in China (1976 - 2010) de Campos, Rafael Chinese Cinema Jia Zhangke Li Hongqi Ideology Imaginary Cinema Chinês Jia Zhangke Li Hongqi Ideologia Imaginário Cine Chino Jia Zhangke Li Hongqi Ideología Imaginario |
title_short |
Youth, Rebellion and Resignation: The Relations Between Film and Politics in China (1976 - 2010) |
title_full |
Youth, Rebellion and Resignation: The Relations Between Film and Politics in China (1976 - 2010) |
title_fullStr |
Youth, Rebellion and Resignation: The Relations Between Film and Politics in China (1976 - 2010) |
title_full_unstemmed |
Youth, Rebellion and Resignation: The Relations Between Film and Politics in China (1976 - 2010) |
title_sort |
Youth, Rebellion and Resignation: The Relations Between Film and Politics in China (1976 - 2010) |
author |
de Campos, Rafael |
author_facet |
de Campos, Rafael |
author_role |
author |
dc.contributor.author.fl_str_mv |
de Campos, Rafael |
dc.subject.por.fl_str_mv |
Chinese Cinema Jia Zhangke Li Hongqi Ideology Imaginary Cinema Chinês Jia Zhangke Li Hongqi Ideologia Imaginário Cine Chino Jia Zhangke Li Hongqi Ideología Imaginario |
topic |
Chinese Cinema Jia Zhangke Li Hongqi Ideology Imaginary Cinema Chinês Jia Zhangke Li Hongqi Ideologia Imaginário Cine Chino Jia Zhangke Li Hongqi Ideología Imaginario |
description |
This work focuses on an analysis of the representation of Chinese youth in the films Unknown Pleasures, (dir. Jia Zhangke) and Winter Vacation, (dir. Li Hongqi). We intend to expose the relationship of dialogue that seems to emerge from these films and that helps in understanding how the transformations that occurred in China from the Deng Xiaoping government affected the imaginary of the Chinese population. Based on the concept of episteme (Foucault, 2008), we propose a historical context of Chinese cinema, taking into account the political, biological and social aspects of the country. From this, we intend to have an idea of the Chinese social imaginary (Baczko, 1985), which will be crucial for our filmic analysis, which will use these concepts as a theoretical basis. Thereby, it will be possible to see how both films express a feeling of resigned rebellion towards a youth that seems to cry out for change, but which at the same time demonstrates apathy in the face of a frustrating reality. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-07-03 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.58050/comunicando.v12i2.327 https://doi.org/10.58050/comunicando.v12i2.327 |
url |
https://doi.org/10.58050/comunicando.v12i2.327 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistacomunicando.sopcom.pt/index.php/comunicando/article/view/327 https://www.revistacomunicando.sopcom.pt/index.php/comunicando/article/view/327/272 https://www.revistacomunicando.sopcom.pt/index.php/comunicando/article/view/327/273 https://www.revistacomunicando.sopcom.pt/index.php/comunicando/article/view/327/274 |
dc.rights.driver.fl_str_mv |
Direitos de Autor (c) 2023 Rafael de Campos info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Direitos de Autor (c) 2023 Rafael de Campos |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Sopcom |
publisher.none.fl_str_mv |
Sopcom |
dc.source.none.fl_str_mv |
Revista Comunicando; Vol. 12 No. 2 (2023): July — December (continuous edition) ; e023013 Revista Comunicando; Vol. 12 Núm. 2 (2023): Julio — Diciembre (edición continua) ; e023013 Revista Comunicando; Vol. 12 N.º 2 (2023): Julho — Dezembro (edição contínua); e023013 2182-4037 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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