Semiotics in music streaming environments: mind, learning and continuity
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Data de Publicação: | 2014 |
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Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Galáxia (São Paulo) |
Texto Completo: | https://revistas.pucsp.br/index.php/galaxia/article/view/16190 |
Resumo: | Based on the notions of agency (Deleuze and Guattari) and semiosis (Peirce), this paper discusses a study of the hybrid forms of interaction between interfaces and human agents in the music streaming environments LastFM, Grooveshark, and Deezer. The Peircean model of semiosis is taken as the conceptual framework to explain how the hybrid forms of agency interact at the interface between humans and machines. This paper proposes the notion of “semiotic agency” as a conceptual tool in the study of the learning processes whereby machines acquire knowledge about human preferences and decisions and are able to transform them into recommendations. The relationship of continuity between human minds and interface agents is discussed from the Peircean perspective of synechism and semiosis as a continuous process. |
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Semiotics in music streaming environments: mind, learning and continuityAgenciamentos semióticos em ambientes de streaming de músicas online: mente, aprendizado e continuidadesemioseagenciamentostreaming de músicas onlinesemiosisagencymusic streaming.Based on the notions of agency (Deleuze and Guattari) and semiosis (Peirce), this paper discusses a study of the hybrid forms of interaction between interfaces and human agents in the music streaming environments LastFM, Grooveshark, and Deezer. The Peircean model of semiosis is taken as the conceptual framework to explain how the hybrid forms of agency interact at the interface between humans and machines. This paper proposes the notion of “semiotic agency” as a conceptual tool in the study of the learning processes whereby machines acquire knowledge about human preferences and decisions and are able to transform them into recommendations. The relationship of continuity between human minds and interface agents is discussed from the Peircean perspective of synechism and semiosis as a continuous process.Este artigo investiga os agenciamentos híbridos entre agentes de interface e agentes humanos nos ambientes sociocomunicacionais de streaming de músicas LastFM, Grooveshark e Deezer, com base nas noções de agenciamento (Deleuze e Guattari) e semiose (Peirce). O modelo peirceano da semiose é tomado como parâmetro conceitual para explicar o funcionamento do agenciamento híbrido entre homem e máquina nesses ambientes. Propõe-se a noção de agenciamento semiótico para compreender o aprendizado contínuo e aprimorado da máquina a partir das ações humanas nos ambientes pesquisados, assim como as articulações das ações humanas baseadas nos mecanismos de recomendação. As relações de continuidade entre as mentes dos agentes humanos e as dos agentes de interface são abordadas na perspectiva da Teoria do Sinequismo de Peirce, relacionada à sua noção de semiose.PEPG COS-PUC-SP2014-12-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/16190Galaxia; No. 28 (2014)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 28 (2014)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/16190/15748Cortez, Natalia MouraAlzamora, Geane Carvalhoinfo:eu-repo/semantics/openAccess2024-05-15T14:01:13Zoai:ojs.pkp.sfu.ca:article/16190Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2024-05-15T14:01:13Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.none.fl_str_mv |
Semiotics in music streaming environments: mind, learning and continuity Agenciamentos semióticos em ambientes de streaming de músicas online: mente, aprendizado e continuidade |
title |
Semiotics in music streaming environments: mind, learning and continuity |
spellingShingle |
Semiotics in music streaming environments: mind, learning and continuity Cortez, Natalia Moura semiose agenciamento streaming de músicas online semiosis agency music streaming. |
title_short |
Semiotics in music streaming environments: mind, learning and continuity |
title_full |
Semiotics in music streaming environments: mind, learning and continuity |
title_fullStr |
Semiotics in music streaming environments: mind, learning and continuity |
title_full_unstemmed |
Semiotics in music streaming environments: mind, learning and continuity |
title_sort |
Semiotics in music streaming environments: mind, learning and continuity |
author |
Cortez, Natalia Moura |
author_facet |
Cortez, Natalia Moura Alzamora, Geane Carvalho |
author_role |
author |
author2 |
Alzamora, Geane Carvalho |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Cortez, Natalia Moura Alzamora, Geane Carvalho |
dc.subject.por.fl_str_mv |
semiose agenciamento streaming de músicas online semiosis agency music streaming. |
topic |
semiose agenciamento streaming de músicas online semiosis agency music streaming. |
description |
Based on the notions of agency (Deleuze and Guattari) and semiosis (Peirce), this paper discusses a study of the hybrid forms of interaction between interfaces and human agents in the music streaming environments LastFM, Grooveshark, and Deezer. The Peircean model of semiosis is taken as the conceptual framework to explain how the hybrid forms of agency interact at the interface between humans and machines. This paper proposes the notion of “semiotic agency” as a conceptual tool in the study of the learning processes whereby machines acquire knowledge about human preferences and decisions and are able to transform them into recommendations. The relationship of continuity between human minds and interface agents is discussed from the Peircean perspective of synechism and semiosis as a continuous process. |
publishDate |
2014 |
dc.date.none.fl_str_mv |
2014-12-17 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/16190 |
url |
https://revistas.pucsp.br/index.php/galaxia/article/view/16190 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/16190/15748 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
dc.source.none.fl_str_mv |
Galaxia; No. 28 (2014) GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 28 (2014) 1982-2553 reponame:Galáxia (São Paulo) instname:Pontifícia Universidade Católica de São Paulo (PUC-SP) instacron:PUC_SP |
instname_str |
Pontifícia Universidade Católica de São Paulo (PUC-SP) |
instacron_str |
PUC_SP |
institution |
PUC_SP |
reponame_str |
Galáxia (São Paulo) |
collection |
Galáxia (São Paulo) |
repository.name.fl_str_mv |
Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP) |
repository.mail.fl_str_mv |
cos@pucsp.br||aidarprado@gmail.com |
_version_ |
1799129330355273728 |