Santiago: loneliness under the perspective of the essay film.

Detalhes bibliográficos
Autor(a) principal: de Almeida, Rafael
Data de Publicação: 2018
Outros Autores: de Oliveira, Paulo Passos
Tipo de documento: Artigo
Idioma: por
Título da fonte: Galáxia (São Paulo)
Texto Completo: https://revistas.pucsp.br/index.php/galaxia/article/view/36075
Resumo: The present article proposes a reflection on the relation between the essay lm and loneliness, in the light of Santiago (João Moreira Salles, 2007). The objective is to investigate how the essayistic nature of the work interferes with the way in which the loneliness of the protagonist Santiago is presented to us. We start from the hypothesis that the film assumes a certain reflexive ambiguity about this aspect, presenting a dual possibility: sometimes Santiago seems to be alone, as a willful desire of the character; sometimes appears lonely , as a result of a process of social exclusion explained by the relationship that he maintains with the director of the film. We intend to analyze Santiago focusing on such a problem , to propose that the ambiguity experienced by the protagonist, between being alone and being lonely , is also an essential condition for the audiovisual essayist to maintain the re exive distance necessary to develop his narrative. 
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spelling Santiago: loneliness under the perspective of the essay film.Santiago: a solidão sob o prisma do filme-ensaioessay filmlonelinessSantiago (film).filme-ensaiosolidãoSantiago (filme).The present article proposes a reflection on the relation between the essay lm and loneliness, in the light of Santiago (João Moreira Salles, 2007). The objective is to investigate how the essayistic nature of the work interferes with the way in which the loneliness of the protagonist Santiago is presented to us. We start from the hypothesis that the film assumes a certain reflexive ambiguity about this aspect, presenting a dual possibility: sometimes Santiago seems to be alone, as a willful desire of the character; sometimes appears lonely , as a result of a process of social exclusion explained by the relationship that he maintains with the director of the film. We intend to analyze Santiago focusing on such a problem , to propose that the ambiguity experienced by the protagonist, between being alone and being lonely , is also an essential condition for the audiovisual essayist to maintain the re exive distance necessary to develop his narrative. O presente artigo propõe uma reflexão em torno da relação entre o lme-ensaio e a solidão, à luz de Santiago (João Moreira Salles, 2007). Objetiva-se investigar de que forma o caráter ensaístico da obra interfere na maneira em que a solidão do protagonista Santiago nos é apresentada. Partimos da hipótese de que o filme assume uma certa ambiguidade reflexiva sobre tal aspecto, apresentando assim uma dupla possibilidade: ora Santiago parece estar só, como um desejo voluntário do personagem; ora assemelha ser solitário, consequência de um processo de exclusão social explicitada pela relação que mantém com o diretor do fllme. Pretendemos analisar Santiago com foco na problemática exposta, para propor que tal ambiguidade vivenciada pelo protagonista, entre estar só e ser solitário, é também condição essencial para que o ensaísta audiovisual assuma a distância re exiva necessária para desenvolver sua narrativa. PEPG COS-PUC-SP2018-08-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/36075Galaxia; No. 38 (2018)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 38 (2018)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/36075/26255Copyright (c) 2018 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semiótica. ISSN 1982-2553info:eu-repo/semantics/openAccessde Almeida, Rafaelde Oliveira, Paulo Passos2018-08-01T19:09:04Zoai:ojs.pkp.sfu.ca:article/36075Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2018-08-01T19:09:04Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv Santiago: loneliness under the perspective of the essay film.
Santiago: a solidão sob o prisma do filme-ensaio
title Santiago: loneliness under the perspective of the essay film.
spellingShingle Santiago: loneliness under the perspective of the essay film.
de Almeida, Rafael
essay film
loneliness
Santiago (film).
filme-ensaio
solidão
Santiago (filme).
title_short Santiago: loneliness under the perspective of the essay film.
title_full Santiago: loneliness under the perspective of the essay film.
title_fullStr Santiago: loneliness under the perspective of the essay film.
title_full_unstemmed Santiago: loneliness under the perspective of the essay film.
title_sort Santiago: loneliness under the perspective of the essay film.
author de Almeida, Rafael
author_facet de Almeida, Rafael
de Oliveira, Paulo Passos
author_role author
author2 de Oliveira, Paulo Passos
author2_role author
dc.contributor.author.fl_str_mv de Almeida, Rafael
de Oliveira, Paulo Passos
dc.subject.por.fl_str_mv essay film
loneliness
Santiago (film).
filme-ensaio
solidão
Santiago (filme).
topic essay film
loneliness
Santiago (film).
filme-ensaio
solidão
Santiago (filme).
description The present article proposes a reflection on the relation between the essay lm and loneliness, in the light of Santiago (João Moreira Salles, 2007). The objective is to investigate how the essayistic nature of the work interferes with the way in which the loneliness of the protagonist Santiago is presented to us. We start from the hypothesis that the film assumes a certain reflexive ambiguity about this aspect, presenting a dual possibility: sometimes Santiago seems to be alone, as a willful desire of the character; sometimes appears lonely , as a result of a process of social exclusion explained by the relationship that he maintains with the director of the film. We intend to analyze Santiago focusing on such a problem , to propose that the ambiguity experienced by the protagonist, between being alone and being lonely , is also an essential condition for the audiovisual essayist to maintain the re exive distance necessary to develop his narrative. 
publishDate 2018
dc.date.none.fl_str_mv 2018-08-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/36075
url https://revistas.pucsp.br/index.php/galaxia/article/view/36075
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/36075/26255
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv PEPG COS-PUC-SP
publisher.none.fl_str_mv PEPG COS-PUC-SP
dc.source.none.fl_str_mv Galaxia; No. 38 (2018)
GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 38 (2018)
1982-2553
reponame:Galáxia (São Paulo)
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Galáxia (São Paulo)
collection Galáxia (São Paulo)
repository.name.fl_str_mv Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv cos@pucsp.br||aidarprado@gmail.com
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