Lovecraft’s uncanny presence in Brazilian cinema: expressive appropriations in the 1970s and 2010

Detalhes bibliográficos
Autor(a) principal: Reis Filho, Lucio
Data de Publicação: 2022
Outros Autores: Schvarzman, Sheila
Tipo de documento: Artigo
Idioma: por
Título da fonte: Galáxia (São Paulo)
Texto Completo: https://revistas.pucsp.br/index.php/galaxia/article/view/54508
Resumo: The American horror and science fiction writer H. P. Lovecraft (1890-1937) was first published in Brazil in the 1960s. In the following decade, Brazilian cinema would appropriate his work for the first time, albeit timidly. In the new millennium, particularly in the 2010s, Lovecraft reached the peak of his popularity in the country, with many independent filmmakers appropriating his work. Based on this important cultural phenomenon, in this paper we will address such adaptations and the appropriations in Brazilian culture, as well as the allusions to Lovecraft’s stories in these films.
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spelling Lovecraft’s uncanny presence in Brazilian cinema: expressive appropriations in the 1970s and 2010A insólita presença de Lovecraft no cinema brasileiro: apropriações expressivas nos anos 1970 e 2010H. P. LovecraftCinema lovecraftianoAdaptações da obra de H. P. LovecraftCinema brasileiro de horrorThe American horror and science fiction writer H. P. Lovecraft (1890-1937) was first published in Brazil in the 1960s. In the following decade, Brazilian cinema would appropriate his work for the first time, albeit timidly. In the new millennium, particularly in the 2010s, Lovecraft reached the peak of his popularity in the country, with many independent filmmakers appropriating his work. Based on this important cultural phenomenon, in this paper we will address such adaptations and the appropriations in Brazilian culture, as well as the allusions to Lovecraft’s stories in these films.H. P. Lovecraft (1890-1937), escritor norte-americano de horror e ficção científica, foi publicado pela primeira vez no Brasil nos anos 1960. Na década seguinte, o cinema brasileiro se apropriaria de seu trabalho pela pri- meira vez, de forma tímida. No novo milênio, particularmente nos anos 2010, Lovecraft alcançou o pico de sua popularidade no país, com diversos cineastas independentes se apropriando de sua obra. Considerando esse fenômeno cultural significativo, abordaremos neste artigo adaptações, alusões à sua obra, bem como o diálogo de filmes brasileiros com as narrativas do escritor.PEPG COS-PUC-SP2022-05-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/54508Galaxia; No. 47 (2022): GaláxiaGALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 47 (2022): Galáxia1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/54508/39543Copyright (c) 2022 Lucio Reis Filho, Sheila Schvarzmanhttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessReis Filho, LucioSchvarzman, Sheila2022-06-21T13:55:56Zoai:ojs.pkp.sfu.ca:article/54508Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2022-06-21T13:55:56Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv Lovecraft’s uncanny presence in Brazilian cinema: expressive appropriations in the 1970s and 2010
A insólita presença de Lovecraft no cinema brasileiro: apropriações expressivas nos anos 1970 e 2010
title Lovecraft’s uncanny presence in Brazilian cinema: expressive appropriations in the 1970s and 2010
spellingShingle Lovecraft’s uncanny presence in Brazilian cinema: expressive appropriations in the 1970s and 2010
Reis Filho, Lucio
H. P. Lovecraft
Cinema lovecraftiano
Adaptações da obra de H. P. Lovecraft
Cinema brasileiro de horror
title_short Lovecraft’s uncanny presence in Brazilian cinema: expressive appropriations in the 1970s and 2010
title_full Lovecraft’s uncanny presence in Brazilian cinema: expressive appropriations in the 1970s and 2010
title_fullStr Lovecraft’s uncanny presence in Brazilian cinema: expressive appropriations in the 1970s and 2010
title_full_unstemmed Lovecraft’s uncanny presence in Brazilian cinema: expressive appropriations in the 1970s and 2010
title_sort Lovecraft’s uncanny presence in Brazilian cinema: expressive appropriations in the 1970s and 2010
author Reis Filho, Lucio
author_facet Reis Filho, Lucio
Schvarzman, Sheila
author_role author
author2 Schvarzman, Sheila
author2_role author
dc.contributor.author.fl_str_mv Reis Filho, Lucio
Schvarzman, Sheila
dc.subject.por.fl_str_mv H. P. Lovecraft
Cinema lovecraftiano
Adaptações da obra de H. P. Lovecraft
Cinema brasileiro de horror
topic H. P. Lovecraft
Cinema lovecraftiano
Adaptações da obra de H. P. Lovecraft
Cinema brasileiro de horror
description The American horror and science fiction writer H. P. Lovecraft (1890-1937) was first published in Brazil in the 1960s. In the following decade, Brazilian cinema would appropriate his work for the first time, albeit timidly. In the new millennium, particularly in the 2010s, Lovecraft reached the peak of his popularity in the country, with many independent filmmakers appropriating his work. Based on this important cultural phenomenon, in this paper we will address such adaptations and the appropriations in Brazilian culture, as well as the allusions to Lovecraft’s stories in these films.
publishDate 2022
dc.date.none.fl_str_mv 2022-05-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/54508
url https://revistas.pucsp.br/index.php/galaxia/article/view/54508
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/54508/39543
dc.rights.driver.fl_str_mv Copyright (c) 2022 Lucio Reis Filho, Sheila Schvarzman
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Lucio Reis Filho, Sheila Schvarzman
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv PEPG COS-PUC-SP
publisher.none.fl_str_mv PEPG COS-PUC-SP
dc.source.none.fl_str_mv Galaxia; No. 47 (2022): Galáxia
GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 47 (2022): Galáxia
1982-2553
reponame:Galáxia (São Paulo)
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Galáxia (São Paulo)
collection Galáxia (São Paulo)
repository.name.fl_str_mv Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv cos@pucsp.br||aidarprado@gmail.com
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