Photography, record without document
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Galáxia (São Paulo) |
Texto Completo: | https://revistas.pucsp.br/index.php/galaxia/article/view/42527 |
Resumo: | This paper proposes to think of another possible story told by photographs about the Revolt of 1924, understanding them as different narratives about the event in question. In this sense, it studies the transgression of the traditional concept of photography as a document of reality. It is observed that photography promotes another type of narrative that goes beyond the record as historical documentation. For this, the paper is based on concepts and reflections brought by various authors, such as Carlo Ginzburg on the concept of trail, François Dosse e Mauricio Lazzarato, about the concept of event, Joan Fontcuberta, Vilém Flusser and Walter Benjamin, who permeate the discussions aboutphotography, Lucrécia D´Alessio Ferrara, on the issues related to communication, in addition to the bibliography on the Revolt of 1924. |
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Photography, record without documentFotografia, registro sem documentofotografiarastrosgenealogiaacontecimentoRevolta de 1924photography trailgenealogyeventRevolt of 1924.This paper proposes to think of another possible story told by photographs about the Revolt of 1924, understanding them as different narratives about the event in question. In this sense, it studies the transgression of the traditional concept of photography as a document of reality. It is observed that photography promotes another type of narrative that goes beyond the record as historical documentation. For this, the paper is based on concepts and reflections brought by various authors, such as Carlo Ginzburg on the concept of trail, François Dosse e Mauricio Lazzarato, about the concept of event, Joan Fontcuberta, Vilém Flusser and Walter Benjamin, who permeate the discussions aboutphotography, Lucrécia D´Alessio Ferrara, on the issues related to communication, in addition to the bibliography on the Revolt of 1924.Este artigo propõe pensar outra possível história que as fotografias contam sobre a Revolta de 1924, entendendo-as como diferentes narrativas sobre o evento em questão. Nesse sentido, investiga a transgressão do conceito tradicional da fotografia como documentoda realidade, observando que a fotografia promove outro tipo de narrativa que vai além do registro como documentação histórica. Para tanto, o artigo fundamenta-se em conceitos e reflexões trazidos por vários autores, como Carlo Ginzburg sobre o conceito de rastro, François Dosse e Mauricio Lazzarato nas respectivas interpretações do conceito de acontecimento e Joan Fontcuberta, Vilém Flusser, Walter Benjamin e Lucrécia Ferrara que apontam outras relações entre a fotografia e a comunicação, além da bibliografia sobre a Revolta de 1924.PEPG COS-PUC-SP2020-07-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/42527Galaxia; No. 44 (2020)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 44 (2020)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/42527/32373Copyright (c) 2020 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semiótica. ISSN 1982-2553info:eu-repo/semantics/openAccessCarboni, Maria Cecilia Conte2020-07-06T17:47:44Zoai:ojs.pkp.sfu.ca:article/42527Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2020-07-06T17:47:44Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.none.fl_str_mv |
Photography, record without document Fotografia, registro sem documento |
title |
Photography, record without document |
spellingShingle |
Photography, record without document Carboni, Maria Cecilia Conte fotografia rastros genealogia acontecimento Revolta de 1924 photography trail genealogy event Revolt of 1924. |
title_short |
Photography, record without document |
title_full |
Photography, record without document |
title_fullStr |
Photography, record without document |
title_full_unstemmed |
Photography, record without document |
title_sort |
Photography, record without document |
author |
Carboni, Maria Cecilia Conte |
author_facet |
Carboni, Maria Cecilia Conte |
author_role |
author |
dc.contributor.author.fl_str_mv |
Carboni, Maria Cecilia Conte |
dc.subject.por.fl_str_mv |
fotografia rastros genealogia acontecimento Revolta de 1924 photography trail genealogy event Revolt of 1924. |
topic |
fotografia rastros genealogia acontecimento Revolta de 1924 photography trail genealogy event Revolt of 1924. |
description |
This paper proposes to think of another possible story told by photographs about the Revolt of 1924, understanding them as different narratives about the event in question. In this sense, it studies the transgression of the traditional concept of photography as a document of reality. It is observed that photography promotes another type of narrative that goes beyond the record as historical documentation. For this, the paper is based on concepts and reflections brought by various authors, such as Carlo Ginzburg on the concept of trail, François Dosse e Mauricio Lazzarato, about the concept of event, Joan Fontcuberta, Vilém Flusser and Walter Benjamin, who permeate the discussions aboutphotography, Lucrécia D´Alessio Ferrara, on the issues related to communication, in addition to the bibliography on the Revolt of 1924. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-07-06 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/42527 |
url |
https://revistas.pucsp.br/index.php/galaxia/article/view/42527 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/42527/32373 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
dc.source.none.fl_str_mv |
Galaxia; No. 44 (2020) GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 44 (2020) 1982-2553 reponame:Galáxia (São Paulo) instname:Pontifícia Universidade Católica de São Paulo (PUC-SP) instacron:PUC_SP |
instname_str |
Pontifícia Universidade Católica de São Paulo (PUC-SP) |
instacron_str |
PUC_SP |
institution |
PUC_SP |
reponame_str |
Galáxia (São Paulo) |
collection |
Galáxia (São Paulo) |
repository.name.fl_str_mv |
Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP) |
repository.mail.fl_str_mv |
cos@pucsp.br||aidarprado@gmail.com |
_version_ |
1799129331745685504 |