Creative process in the audiovisual industry: from script to the imaginary
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Galáxia (São Paulo) |
Texto Completo: | https://revistas.pucsp.br/index.php/galaxia/article/view/32931 |
Resumo: | The creative process in the audiovisual industry is based on coordination among several agents (screenwriters, directors, producers, executives, casts , etc.), technologies and corporate decisions. Studying this process requires an understanding of how those elements, that blend art and business, impact the development of the imaginary that movies and TV series share with audiences . This paper seeks to contribute toward an understanding of this process, which is developed collectively and under market logic, based on a heuristic perspective of the imaginary (Eliade, Durand, Barros), the archetypological concept (Jung, Durand), and the mythocritical method. The results are the mapping of the creative process and the draft of a method for investigation of the process in the audiovisual industry. |
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Creative process in the audiovisual industry: from script to the imaginaryProcesso criativo na indústria do audiovisual: do roteiro ao imagináriocreative processimaginaryaudiovisual industrymythocriticism.processo criativoimaginárioindústria do audiovisualmitocríticaThe creative process in the audiovisual industry is based on coordination among several agents (screenwriters, directors, producers, executives, casts , etc.), technologies and corporate decisions. Studying this process requires an understanding of how those elements, that blend art and business, impact the development of the imaginary that movies and TV series share with audiences . This paper seeks to contribute toward an understanding of this process, which is developed collectively and under market logic, based on a heuristic perspective of the imaginary (Eliade, Durand, Barros), the archetypological concept (Jung, Durand), and the mythocritical method. The results are the mapping of the creative process and the draft of a method for investigation of the process in the audiovisual industry. O processo de criação na indústria do audiovisual desenvolve-se por meio da articulação de vários agentes (roteiristas, diretores, produtores, executivos, elencos etc.), tecnologias e decisões corporativas. Estudar o processo criativo nessa indústria requer compreender como esses elementos, que imiscuem arte e negócios, impactam na construção dos imaginários que lmes e séries compartilham com a audiência. Este artigo busca contribuir para a compreensão desse processo, que se desenvolve de forma coletiva e sob a lógica do mercado, tendo como base a perspectiva heurística do imaginário (Eliade, Durand, Barros), o conceito de arquétipo (Jung) e o método mitocrítico. Os resultados são o mapeamento do processo de criação e o esboço de um método para o estudo do processo criativo na indústria do audiovisual. PEPG COS-PUC-SP2018-08-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/32931Galaxia; No. 38 (2018)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 38 (2018)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/32931/25720Copyright (c) 2018 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semiótica. ISSN 1982-2553info:eu-repo/semantics/openAccessAnaz, Sílvio Antonio Luiz2018-08-01T19:09:04Zoai:ojs.pkp.sfu.ca:article/32931Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2018-08-01T19:09:04Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.none.fl_str_mv |
Creative process in the audiovisual industry: from script to the imaginary Processo criativo na indústria do audiovisual: do roteiro ao imaginário |
title |
Creative process in the audiovisual industry: from script to the imaginary |
spellingShingle |
Creative process in the audiovisual industry: from script to the imaginary Anaz, Sílvio Antonio Luiz creative process imaginary audiovisual industry mythocriticism. processo criativo imaginário indústria do audiovisual mitocrítica |
title_short |
Creative process in the audiovisual industry: from script to the imaginary |
title_full |
Creative process in the audiovisual industry: from script to the imaginary |
title_fullStr |
Creative process in the audiovisual industry: from script to the imaginary |
title_full_unstemmed |
Creative process in the audiovisual industry: from script to the imaginary |
title_sort |
Creative process in the audiovisual industry: from script to the imaginary |
author |
Anaz, Sílvio Antonio Luiz |
author_facet |
Anaz, Sílvio Antonio Luiz |
author_role |
author |
dc.contributor.author.fl_str_mv |
Anaz, Sílvio Antonio Luiz |
dc.subject.por.fl_str_mv |
creative process imaginary audiovisual industry mythocriticism. processo criativo imaginário indústria do audiovisual mitocrítica |
topic |
creative process imaginary audiovisual industry mythocriticism. processo criativo imaginário indústria do audiovisual mitocrítica |
description |
The creative process in the audiovisual industry is based on coordination among several agents (screenwriters, directors, producers, executives, casts , etc.), technologies and corporate decisions. Studying this process requires an understanding of how those elements, that blend art and business, impact the development of the imaginary that movies and TV series share with audiences . This paper seeks to contribute toward an understanding of this process, which is developed collectively and under market logic, based on a heuristic perspective of the imaginary (Eliade, Durand, Barros), the archetypological concept (Jung, Durand), and the mythocritical method. The results are the mapping of the creative process and the draft of a method for investigation of the process in the audiovisual industry. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-08-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/32931 |
url |
https://revistas.pucsp.br/index.php/galaxia/article/view/32931 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/32931/25720 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
dc.source.none.fl_str_mv |
Galaxia; No. 38 (2018) GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 38 (2018) 1982-2553 reponame:Galáxia (São Paulo) instname:Pontifícia Universidade Católica de São Paulo (PUC-SP) instacron:PUC_SP |
instname_str |
Pontifícia Universidade Católica de São Paulo (PUC-SP) |
instacron_str |
PUC_SP |
institution |
PUC_SP |
reponame_str |
Galáxia (São Paulo) |
collection |
Galáxia (São Paulo) |
repository.name.fl_str_mv |
Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP) |
repository.mail.fl_str_mv |
cos@pucsp.br||aidarprado@gmail.com |
_version_ |
1799129331280117760 |