The staging in the photography – assembling scenes and telling stories

Detalhes bibliográficos
Autor(a) principal: dos Reis Filho, Osmar Gonçalves
Data de Publicação: 2019
Outros Autores: Freire de Morais, Isabelle
Tipo de documento: Artigo
Idioma: por
Título da fonte: Galáxia (São Paulo)
Texto Completo: https://revistas.pucsp.br/index.php/galaxia/article/view/36601
Resumo: This paper aims to understand historically what would be and how it has been constructed the staging in the photographic language. Based on the thoughts of Fontcuberta, Soulages and Rouillé, we reflect on categories such as performance, manipulation, fiction and truth. This is to show that, in spite of what common sense advocates and certain ontological theories of photography defend (especially Barthes, but also Kracauer, Krauss, among others), staging has always been part of the photographic process and today, at a time in which it is practiced more openly and consciously, a new field of experimentation opens to photography, new ways of seeing and show permeated by a desire to fable, a willingness to invent worlds and tell stories. 
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spelling The staging in the photography – assembling scenes and telling storiesA encenação na fotografia – montando cenas e contando históriasfotografiaencenaçãomanipulaçãoficçãoverdade.photographystagingmanipulationfictiontruth.This paper aims to understand historically what would be and how it has been constructed the staging in the photographic language. Based on the thoughts of Fontcuberta, Soulages and Rouillé, we reflect on categories such as performance, manipulation, fiction and truth. This is to show that, in spite of what common sense advocates and certain ontological theories of photography defend (especially Barthes, but also Kracauer, Krauss, among others), staging has always been part of the photographic process and today, at a time in which it is practiced more openly and consciously, a new field of experimentation opens to photography, new ways of seeing and show permeated by a desire to fable, a willingness to invent worlds and tell stories. Neste trabalho buscamos compreender, historicamente, o que seria e como tem sido construída a encenação na linguagem fotográfica. Partindo das reflexões de Fontcuberta, Soulages e Rouillé, refletiremos sobre categorias como performance, manipulação, ficção e verdade. Trata-se de mostrar que, apesar do que advoga o senso comum e defendem certas teorias ontológicas da fotografia (em especial Barthes, mas também Kracauer, Krauss, entre outros), a encenação sempre fez parte do processo fotográfico e hoje, num momento em que ela é praticada de forma mais aberta e consciente, um novo campo de experimentações se abre à fotografia, novas formas de ver e mostrar permeadas por um desejo de fabulação, uma vontade de inventar mundos e contar histórias. PEPG COS-PUC-SP2019-02-23info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/36601Galaxia; No. 40 (2019)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 40 (2019)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/36601/27922Copyright (c) 2019 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semiótica. ISSN 1982-2553info:eu-repo/semantics/openAccessdos Reis Filho, Osmar GonçalvesFreire de Morais, Isabelle2019-02-23T19:05:34Zoai:ojs.pkp.sfu.ca:article/36601Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2019-02-23T19:05:34Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv The staging in the photography – assembling scenes and telling stories
A encenação na fotografia – montando cenas e contando histórias
title The staging in the photography – assembling scenes and telling stories
spellingShingle The staging in the photography – assembling scenes and telling stories
dos Reis Filho, Osmar Gonçalves
fotografia
encenação
manipulação
ficção
verdade.
photography
staging
manipulation
fiction
truth.
title_short The staging in the photography – assembling scenes and telling stories
title_full The staging in the photography – assembling scenes and telling stories
title_fullStr The staging in the photography – assembling scenes and telling stories
title_full_unstemmed The staging in the photography – assembling scenes and telling stories
title_sort The staging in the photography – assembling scenes and telling stories
author dos Reis Filho, Osmar Gonçalves
author_facet dos Reis Filho, Osmar Gonçalves
Freire de Morais, Isabelle
author_role author
author2 Freire de Morais, Isabelle
author2_role author
dc.contributor.author.fl_str_mv dos Reis Filho, Osmar Gonçalves
Freire de Morais, Isabelle
dc.subject.por.fl_str_mv fotografia
encenação
manipulação
ficção
verdade.
photography
staging
manipulation
fiction
truth.
topic fotografia
encenação
manipulação
ficção
verdade.
photography
staging
manipulation
fiction
truth.
description This paper aims to understand historically what would be and how it has been constructed the staging in the photographic language. Based on the thoughts of Fontcuberta, Soulages and Rouillé, we reflect on categories such as performance, manipulation, fiction and truth. This is to show that, in spite of what common sense advocates and certain ontological theories of photography defend (especially Barthes, but also Kracauer, Krauss, among others), staging has always been part of the photographic process and today, at a time in which it is practiced more openly and consciously, a new field of experimentation opens to photography, new ways of seeing and show permeated by a desire to fable, a willingness to invent worlds and tell stories. 
publishDate 2019
dc.date.none.fl_str_mv 2019-02-23
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/36601
url https://revistas.pucsp.br/index.php/galaxia/article/view/36601
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/36601/27922
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv PEPG COS-PUC-SP
publisher.none.fl_str_mv PEPG COS-PUC-SP
dc.source.none.fl_str_mv Galaxia; No. 40 (2019)
GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 40 (2019)
1982-2553
reponame:Galáxia (São Paulo)
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Galáxia (São Paulo)
collection Galáxia (São Paulo)
repository.name.fl_str_mv Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv cos@pucsp.br||aidarprado@gmail.com
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