Geopolitical assemblages in a pop music concert in Cuba

Detalhes bibliográficos
Autor(a) principal: Soares, Thiago
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: por
Título da fonte: Galáxia (São Paulo)
Texto Completo: https://revistas.pucsp.br/index.php/galaxia/article/view/27466
Resumo: Facing a historical context of political and economic tension between Cuba and the United States, we investigate a pop music concert held in March 2016 in Anti-Imperialist Tribune, Havana, played by electronic music group Major Lazer, as a performance around the cultural memory in America, as postulated by Diana Taylor (2013). The staging of performance arrangements of musicians and the audience refers to rituals that reveal contradictions around the presence of American products traces in Cuban territory. We debate the erasures of restrictive communication policies by the Cuban government and the display of icons linked to United States by the Cuban youth as an inner question about a national project built in the Caribbean island. 
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spelling Geopolitical assemblages in a pop music concert in CubaAcionamentos geopolíticos num show de música pop em Cubaperformancemúsica popgêneros musicaisgeopolíticaCuba.performancepop musicmusic genresgeopoliticsCuba.Facing a historical context of political and economic tension between Cuba and the United States, we investigate a pop music concert held in March 2016 in Anti-Imperialist Tribune, Havana, played by electronic music group Major Lazer, as a performance around the cultural memory in America, as postulated by Diana Taylor (2013). The staging of performance arrangements of musicians and the audience refers to rituals that reveal contradictions around the presence of American products traces in Cuban territory. We debate the erasures of restrictive communication policies by the Cuban government and the display of icons linked to United States by the Cuban youth as an inner question about a national project built in the Caribbean island. Diante de um contexto histórico de tensionamento político e econômico entre Cuba e Estados Unidos, toma-se um espetáculo de música pop ocorrido em março de 2016 na Tribuna Anti-imperialista em Havana e protagonizado pelo grupo de música eletrônica Major Lazer como uma performance em torno da memória cultural nas Américas, conforme postula Diana Taylor (2013). A encenação de disposições performáticas dos músicos e do público remete a rituais que evidenciam contradições em torno da presença de vestígios de produtos da cultura norte-americana em território cubano. Debate-se as rasuras das políticas comunicacionais restritivas do governo cubano e a ostentação de ícones ligados aos Estados Unidos por parte da juventude de Cuba como questionamentos em torno de um projeto de nação. PEPG COS-PUC-SP2016-12-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfimage/jpegimage/jpegimage/jpeghttps://revistas.pucsp.br/index.php/galaxia/article/view/27466Galaxia; No. 33 (2016)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 33 (2016)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/27466/21230https://revistas.pucsp.br/index.php/galaxia/article/view/27466/36218https://revistas.pucsp.br/index.php/galaxia/article/view/27466/36254https://revistas.pucsp.br/index.php/galaxia/article/view/27466/36255Copyright (c) 2016 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semiótica. ISSN 1982-2553info:eu-repo/semantics/openAccessSoares, Thiago2016-12-04T14:14:10Zoai:ojs.pkp.sfu.ca:article/27466Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2016-12-04T14:14:10Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv Geopolitical assemblages in a pop music concert in Cuba
Acionamentos geopolíticos num show de música pop em Cuba
title Geopolitical assemblages in a pop music concert in Cuba
spellingShingle Geopolitical assemblages in a pop music concert in Cuba
Soares, Thiago
performance
música pop
gêneros musicais
geopolítica
Cuba.
performance
pop music
music genres
geopolitics
Cuba.
title_short Geopolitical assemblages in a pop music concert in Cuba
title_full Geopolitical assemblages in a pop music concert in Cuba
title_fullStr Geopolitical assemblages in a pop music concert in Cuba
title_full_unstemmed Geopolitical assemblages in a pop music concert in Cuba
title_sort Geopolitical assemblages in a pop music concert in Cuba
author Soares, Thiago
author_facet Soares, Thiago
author_role author
dc.contributor.author.fl_str_mv Soares, Thiago
dc.subject.por.fl_str_mv performance
música pop
gêneros musicais
geopolítica
Cuba.
performance
pop music
music genres
geopolitics
Cuba.
topic performance
música pop
gêneros musicais
geopolítica
Cuba.
performance
pop music
music genres
geopolitics
Cuba.
description Facing a historical context of political and economic tension between Cuba and the United States, we investigate a pop music concert held in March 2016 in Anti-Imperialist Tribune, Havana, played by electronic music group Major Lazer, as a performance around the cultural memory in America, as postulated by Diana Taylor (2013). The staging of performance arrangements of musicians and the audience refers to rituals that reveal contradictions around the presence of American products traces in Cuban territory. We debate the erasures of restrictive communication policies by the Cuban government and the display of icons linked to United States by the Cuban youth as an inner question about a national project built in the Caribbean island. 
publishDate 2016
dc.date.none.fl_str_mv 2016-12-04
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/27466
url https://revistas.pucsp.br/index.php/galaxia/article/view/27466
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/27466/21230
https://revistas.pucsp.br/index.php/galaxia/article/view/27466/36218
https://revistas.pucsp.br/index.php/galaxia/article/view/27466/36254
https://revistas.pucsp.br/index.php/galaxia/article/view/27466/36255
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
image/jpeg
image/jpeg
image/jpeg
dc.publisher.none.fl_str_mv PEPG COS-PUC-SP
publisher.none.fl_str_mv PEPG COS-PUC-SP
dc.source.none.fl_str_mv Galaxia; No. 33 (2016)
GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 33 (2016)
1982-2553
reponame:Galáxia (São Paulo)
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Galáxia (São Paulo)
collection Galáxia (São Paulo)
repository.name.fl_str_mv Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv cos@pucsp.br||aidarprado@gmail.com
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