O Infiltrado: media narratives and an anthropophagic poetics

Detalhes bibliográficos
Autor(a) principal: Carlos Silva, Míriam Cristina
Data de Publicação: 2015
Tipo de documento: Artigo
Idioma: por
Título da fonte: Galáxia (São Paulo)
Texto Completo: https://revistas.pucsp.br/index.php/galaxia/article/view/20670
Resumo: This paper aims to discuss some construction aspects of the Brazilian TV series “O Infiltrado” from the communicative and cultural viewpoint, focusing mostly on the image of the narrator Fred Melo Paiva, as an anthropophagic process of language construction characterized by the cultural interchange and by the rupture of genre canons in media. We took as a basis the Oswald de Andrade’s concept of anthropophagy, here understood as a poetics, i.e., as a way of operating the language. The discursive articulation comes from the gaze of specialists on narrative, such as Walter Benjamin and Umberto Eco. From the empirical point of view, the analysis of some aspects of the series, as a complex text according to Yuri Lotman, highlights the poetics of anthropophagy as a reconfiguration possibility for cultural and media products, as an exercise of otherness.
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spelling O Infiltrado: media narratives and an anthropophagic poeticsO Infiltrado: narrativas midiáticas e uma poética antropofágicacommunication and cultureanthropophagyO Infiltradomedia narratives.Comunicação e culturaAntropofagiaO Infiltradonarrativas midiáticasThis paper aims to discuss some construction aspects of the Brazilian TV series “O Infiltrado” from the communicative and cultural viewpoint, focusing mostly on the image of the narrator Fred Melo Paiva, as an anthropophagic process of language construction characterized by the cultural interchange and by the rupture of genre canons in media. We took as a basis the Oswald de Andrade’s concept of anthropophagy, here understood as a poetics, i.e., as a way of operating the language. The discursive articulation comes from the gaze of specialists on narrative, such as Walter Benjamin and Umberto Eco. From the empirical point of view, the analysis of some aspects of the series, as a complex text according to Yuri Lotman, highlights the poetics of anthropophagy as a reconfiguration possibility for cultural and media products, as an exercise of otherness. Com este trabalho objetiva-se discutir, a partir da comunicação e da cultura, aspectos da construção da série brasileira “O Infiltrado”, especialmente no que se refere à imagem do narrador, Fred Melo Paiva, como um processo antropofágico de construção de linguagem, caracterizado pela troca cultural e pela ruptura dos cânones do gênero nas mídias. Utiliza-se como base o conceito de antropofagia, de Oswald de Andrade, entendido aqui como poética, ou seja, um modo de operação da linguagem. A discussão se articula, ainda, sob o olhar de pesquisadores das narrativas, entre os quais estão Walter Benjamin e Umberto Eco. Do ponto de vista empírico, a análise de alguns aspectos da série, vista como texto complexo, na concepção de Iuri Lotman, destaca a poética da antropofagia como possibilidade de reconfiguração dos produtos culturais e midiáticos, como um exercício de alteridade.PEPG COS-PUC-SP2015-12-15info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/20670Galaxia; No. 30 (2015)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 30 (2015)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/20670/18258Carlos Silva, Míriam Cristinainfo:eu-repo/semantics/openAccess2024-05-15T14:01:14Zoai:ojs.pkp.sfu.ca:article/20670Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2024-05-15T14:01:14Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv O Infiltrado: media narratives and an anthropophagic poetics
O Infiltrado: narrativas midiáticas e uma poética antropofágica
title O Infiltrado: media narratives and an anthropophagic poetics
spellingShingle O Infiltrado: media narratives and an anthropophagic poetics
Carlos Silva, Míriam Cristina
communication and culture
anthropophagy
O Infiltrado
media narratives.
Comunicação e cultura
Antropofagia
O Infiltrado
narrativas midiáticas
title_short O Infiltrado: media narratives and an anthropophagic poetics
title_full O Infiltrado: media narratives and an anthropophagic poetics
title_fullStr O Infiltrado: media narratives and an anthropophagic poetics
title_full_unstemmed O Infiltrado: media narratives and an anthropophagic poetics
title_sort O Infiltrado: media narratives and an anthropophagic poetics
author Carlos Silva, Míriam Cristina
author_facet Carlos Silva, Míriam Cristina
author_role author
dc.contributor.author.fl_str_mv Carlos Silva, Míriam Cristina
dc.subject.por.fl_str_mv communication and culture
anthropophagy
O Infiltrado
media narratives.
Comunicação e cultura
Antropofagia
O Infiltrado
narrativas midiáticas
topic communication and culture
anthropophagy
O Infiltrado
media narratives.
Comunicação e cultura
Antropofagia
O Infiltrado
narrativas midiáticas
description This paper aims to discuss some construction aspects of the Brazilian TV series “O Infiltrado” from the communicative and cultural viewpoint, focusing mostly on the image of the narrator Fred Melo Paiva, as an anthropophagic process of language construction characterized by the cultural interchange and by the rupture of genre canons in media. We took as a basis the Oswald de Andrade’s concept of anthropophagy, here understood as a poetics, i.e., as a way of operating the language. The discursive articulation comes from the gaze of specialists on narrative, such as Walter Benjamin and Umberto Eco. From the empirical point of view, the analysis of some aspects of the series, as a complex text according to Yuri Lotman, highlights the poetics of anthropophagy as a reconfiguration possibility for cultural and media products, as an exercise of otherness.
publishDate 2015
dc.date.none.fl_str_mv 2015-12-15
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/20670
url https://revistas.pucsp.br/index.php/galaxia/article/view/20670
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/20670/18258
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv PEPG COS-PUC-SP
publisher.none.fl_str_mv PEPG COS-PUC-SP
dc.source.none.fl_str_mv Galaxia; No. 30 (2015)
GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 30 (2015)
1982-2553
reponame:Galáxia (São Paulo)
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Galáxia (São Paulo)
collection Galáxia (São Paulo)
repository.name.fl_str_mv Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv cos@pucsp.br||aidarprado@gmail.com
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