Alejandra Pizarnik and The Bloody Countess: an analysis of the symbolic in Santiago Caruso’s gothic illustrations
Autor(a) principal: | |
---|---|
Data de Publicação: | 2015 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Galáxia (São Paulo) |
Texto Completo: | https://revistas.pucsp.br/index.php/galaxia/article/view/23149 |
Resumo: | This paper focuses on the analysis of imagetic depictions made by the illustrator Santiago Caruso based on The Bloody Countess’ gothic symbols, written by Alejandra Pizarnik. It inquires how Caruso has depicted, using techniques that includes graf to, the symbols of death, blood, mirror and redness that interact to give the tale its gothic aspect, by considering important peculiarities of the language involved and how they relate to each other in the meaning construction of the artwork here studied. |
id |
PUC_SP-8_cfeef7678a8930c3563b32078cde9113 |
---|---|
oai_identifier_str |
oai:ojs.pkp.sfu.ca:article/23149 |
network_acronym_str |
PUC_SP-8 |
network_name_str |
Galáxia (São Paulo) |
repository_id_str |
|
spelling |
Alejandra Pizarnik and The Bloody Countess: an analysis of the symbolic in Santiago Caruso’s gothic illustrationsAlejandra Pizarnik e a Condessa Sangrenta: uma análise do simbólico nas ilustrações góticas de Santiago CarusoSantiago CarusoAlejandra Pizarnikgothic symbolsillustration.Santiago CarusoAlejandra Pizarniksímbolos góticosilustração.This paper focuses on the analysis of imagetic depictions made by the illustrator Santiago Caruso based on The Bloody Countess’ gothic symbols, written by Alejandra Pizarnik. It inquires how Caruso has depicted, using techniques that includes graf to, the symbols of death, blood, mirror and redness that interact to give the tale its gothic aspect, by considering important peculiarities of the language involved and how they relate to each other in the meaning construction of the artwork here studied.O presente trabalho se volta para a análise das representações imagéticas que o ilustrador Santiago Caruso faz dos símbolos góticos da obra A Condessa Sangrenta, da escritora Alejandra Pizarnik. Considerando a importância de se analisar as peculiaridades das linguagens envolvidas e como se relacionam na construção dos signi cados da obra em estudo, investigamos como Caruso, utilizando técnicas que incluem o esgrafiado, representou os símbolos da morte, do sangue, do espelho e do vermelho, que interagem no conto para conferir-lhe um caráter gótico.PEPG COS-PUC-SP2015-11-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/23149Galaxia; No. 31 (2016)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 31 (2016)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/23149/19086Ribeiro, Emilio Soaresinfo:eu-repo/semantics/openAccess2024-05-15T14:01:16Zoai:ojs.pkp.sfu.ca:article/23149Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2024-05-15T14:01:16Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.none.fl_str_mv |
Alejandra Pizarnik and The Bloody Countess: an analysis of the symbolic in Santiago Caruso’s gothic illustrations Alejandra Pizarnik e a Condessa Sangrenta: uma análise do simbólico nas ilustrações góticas de Santiago Caruso |
title |
Alejandra Pizarnik and The Bloody Countess: an analysis of the symbolic in Santiago Caruso’s gothic illustrations |
spellingShingle |
Alejandra Pizarnik and The Bloody Countess: an analysis of the symbolic in Santiago Caruso’s gothic illustrations Ribeiro, Emilio Soares Santiago Caruso Alejandra Pizarnik gothic symbols illustration. Santiago Caruso Alejandra Pizarnik símbolos góticos ilustração. |
title_short |
Alejandra Pizarnik and The Bloody Countess: an analysis of the symbolic in Santiago Caruso’s gothic illustrations |
title_full |
Alejandra Pizarnik and The Bloody Countess: an analysis of the symbolic in Santiago Caruso’s gothic illustrations |
title_fullStr |
Alejandra Pizarnik and The Bloody Countess: an analysis of the symbolic in Santiago Caruso’s gothic illustrations |
title_full_unstemmed |
Alejandra Pizarnik and The Bloody Countess: an analysis of the symbolic in Santiago Caruso’s gothic illustrations |
title_sort |
Alejandra Pizarnik and The Bloody Countess: an analysis of the symbolic in Santiago Caruso’s gothic illustrations |
author |
Ribeiro, Emilio Soares |
author_facet |
Ribeiro, Emilio Soares |
author_role |
author |
dc.contributor.author.fl_str_mv |
Ribeiro, Emilio Soares |
dc.subject.por.fl_str_mv |
Santiago Caruso Alejandra Pizarnik gothic symbols illustration. Santiago Caruso Alejandra Pizarnik símbolos góticos ilustração. |
topic |
Santiago Caruso Alejandra Pizarnik gothic symbols illustration. Santiago Caruso Alejandra Pizarnik símbolos góticos ilustração. |
description |
This paper focuses on the analysis of imagetic depictions made by the illustrator Santiago Caruso based on The Bloody Countess’ gothic symbols, written by Alejandra Pizarnik. It inquires how Caruso has depicted, using techniques that includes graf to, the symbols of death, blood, mirror and redness that interact to give the tale its gothic aspect, by considering important peculiarities of the language involved and how they relate to each other in the meaning construction of the artwork here studied. |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015-11-12 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/23149 |
url |
https://revistas.pucsp.br/index.php/galaxia/article/view/23149 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/23149/19086 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
dc.source.none.fl_str_mv |
Galaxia; No. 31 (2016) GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 31 (2016) 1982-2553 reponame:Galáxia (São Paulo) instname:Pontifícia Universidade Católica de São Paulo (PUC-SP) instacron:PUC_SP |
instname_str |
Pontifícia Universidade Católica de São Paulo (PUC-SP) |
instacron_str |
PUC_SP |
institution |
PUC_SP |
reponame_str |
Galáxia (São Paulo) |
collection |
Galáxia (São Paulo) |
repository.name.fl_str_mv |
Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP) |
repository.mail.fl_str_mv |
cos@pucsp.br||aidarprado@gmail.com |
_version_ |
1799129330822938624 |