Murmurs of globalized culture: thoughts on the film Historias Mínimas

Detalhes bibliográficos
Autor(a) principal: Brandão, Ludmila Lima
Data de Publicação: 2010
Tipo de documento: Artigo
Idioma: por
Título da fonte: Galáxia (São Paulo)
Texto Completo: https://revistas.pucsp.br/index.php/galaxia/article/view/2305
Resumo: Carlos Sorín’s film Historias Mínimas is set in Argentina’s Patagonia region and tells three somewhat interlocking stories about inhabitants of the mall village of Fitz Roy travelling to the city of San Julián. In this article, the author examines the film genre known as the road movie on the one hand, and on the other the phenomenon of interculturality that it seems to promote. Despite the fact that Historias Mínimas does not stand up to both analyses – from the point of view of the scale of characters’ travels, it cannot be seen as a “classic” road movie, and from the point of view of its intercultural situations, it can not be entirely classified as an intercultural road movie either – the film is compatible with the genre to the extent that it presents the same compositional matrix and makes possible an analysis of interculturality in this modern form, brought about by globalizing forces and their worldwide flow of images, ideas and technologies, in addition to the classic flows of money, merchandise and people. Key-words : road movie, interculturality, globalization
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spelling Murmurs of globalized culture: thoughts on the film Historias MínimasRumores de uma cultura mundializada: Reflexões sobre o filme Histórias MínimasCarlos Sorín’s film Historias Mínimas is set in Argentina’s Patagonia region and tells three somewhat interlocking stories about inhabitants of the mall village of Fitz Roy travelling to the city of San Julián. In this article, the author examines the film genre known as the road movie on the one hand, and on the other the phenomenon of interculturality that it seems to promote. Despite the fact that Historias Mínimas does not stand up to both analyses – from the point of view of the scale of characters’ travels, it cannot be seen as a “classic” road movie, and from the point of view of its intercultural situations, it can not be entirely classified as an intercultural road movie either – the film is compatible with the genre to the extent that it presents the same compositional matrix and makes possible an analysis of interculturality in this modern form, brought about by globalizing forces and their worldwide flow of images, ideas and technologies, in addition to the classic flows of money, merchandise and people. Key-words : road movie, interculturality, globalizationHistórias Mínimas, do cineasta Carlos Sorín, que tem como cenário a Patagônia argentina, narra três histórias ligeiramente cruzadas entre habitantes da região em deslocamento entre a pequena vila de Fitz Roy e a cidade de San Julián. Este estudo, através do filme escolhido, tem por objetivo analisar, de um lado, o gênero cinematográfico conhecido como road movie e, de outro, o fenômeno da interculturalidade que o gênero parece favorecer. Apesar da atipicidade de Histórias Mínimas para as duas análises – do ponto de vista da escala dos deslocamentos o filme não pode ser considerado um road movie “clássico” e do ponto de vista das situações de interculturalidade ele também não pode ser rapidamente classificado como road movie intercultural −, o filme se revela compatível com o gênero, na medida em que apresenta a mesma matriz composicional e permite, ainda, a análise do fenômeno intercultural em sua forma moderna provocada pelos processos globalizadores e seus fluxos mundiais de imagens, idéias e tecnologias, além dos clássicos fluxos de dinheiro, mercadorias e pessoas. Palavras-chave: road movie, interculturalidade, mundializaçãoPEPG COS-PUC-SP2010-07-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/2305Galaxia; No. 19 (2010)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 19 (2010)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/2305/2200Brandão, Ludmila Limainfo:eu-repo/semantics/openAccess2024-05-15T14:01:06Zoai:ojs.pkp.sfu.ca:article/2305Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2024-05-15T14:01:06Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv Murmurs of globalized culture: thoughts on the film Historias Mínimas
Rumores de uma cultura mundializada: Reflexões sobre o filme Histórias Mínimas
title Murmurs of globalized culture: thoughts on the film Historias Mínimas
spellingShingle Murmurs of globalized culture: thoughts on the film Historias Mínimas
Brandão, Ludmila Lima
title_short Murmurs of globalized culture: thoughts on the film Historias Mínimas
title_full Murmurs of globalized culture: thoughts on the film Historias Mínimas
title_fullStr Murmurs of globalized culture: thoughts on the film Historias Mínimas
title_full_unstemmed Murmurs of globalized culture: thoughts on the film Historias Mínimas
title_sort Murmurs of globalized culture: thoughts on the film Historias Mínimas
author Brandão, Ludmila Lima
author_facet Brandão, Ludmila Lima
author_role author
dc.contributor.author.fl_str_mv Brandão, Ludmila Lima
description Carlos Sorín’s film Historias Mínimas is set in Argentina’s Patagonia region and tells three somewhat interlocking stories about inhabitants of the mall village of Fitz Roy travelling to the city of San Julián. In this article, the author examines the film genre known as the road movie on the one hand, and on the other the phenomenon of interculturality that it seems to promote. Despite the fact that Historias Mínimas does not stand up to both analyses – from the point of view of the scale of characters’ travels, it cannot be seen as a “classic” road movie, and from the point of view of its intercultural situations, it can not be entirely classified as an intercultural road movie either – the film is compatible with the genre to the extent that it presents the same compositional matrix and makes possible an analysis of interculturality in this modern form, brought about by globalizing forces and their worldwide flow of images, ideas and technologies, in addition to the classic flows of money, merchandise and people. Key-words : road movie, interculturality, globalization
publishDate 2010
dc.date.none.fl_str_mv 2010-07-24
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/2305
url https://revistas.pucsp.br/index.php/galaxia/article/view/2305
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/2305/2200
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv PEPG COS-PUC-SP
publisher.none.fl_str_mv PEPG COS-PUC-SP
dc.source.none.fl_str_mv Galaxia; No. 19 (2010)
GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 19 (2010)
1982-2553
reponame:Galáxia (São Paulo)
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Galáxia (São Paulo)
collection Galáxia (São Paulo)
repository.name.fl_str_mv Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv cos@pucsp.br||aidarprado@gmail.com
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