An interstitial political gesture and a palimpsestic record: writing per se in D’est and Là-bas

Detalhes bibliográficos
Autor(a) principal: Veiga, Roberta Oliveira
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: por
Título da fonte: Galáxia (São Paulo)
Texto Completo: https://revistas.pucsp.br/index.php/galaxia/article/view/39355
Resumo: Where are history and politics when a filmmaker refuses procedures of documental recollection such as archives, off-screen narration, and playacting, and instead contemplates spaces of conflict in Eastern Europe 1993 and in Israel 2006 without getting involved in them? In order to answer this question, we argue that, by means of a self-writing style (an autobiography built in the memory gaps of the Holocaust), Chantal Akerman’s films D’est and Là-bas reach the political through a crannied route (of affects and cracks) that constructs a palimpsestic picture of history in which past and present are not sequential.
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spelling An interstitial political gesture and a palimpsestic record: writing per se in D’est and Là-basUm gesto político intersticial e um histórico palimpséstico: a escrita de si em D’est e Là-bas de Chantal AkermanChantal AkermancinemapolíticamemóriaHolocaustoafetos.Chantal AkermancinemapoliticsmemoryHolocaustaffections.Where are history and politics when a filmmaker refuses procedures of documental recollection such as archives, off-screen narration, and playacting, and instead contemplates spaces of conflict in Eastern Europe 1993 and in Israel 2006 without getting involved in them? In order to answer this question, we argue that, by means of a self-writing style (an autobiography built in the memory gaps of the Holocaust), Chantal Akerman’s films D’est and Là-bas reach the political through a crannied route (of affects and cracks) that constructs a palimpsestic picture of history in which past and present are not sequential. Onde está o histórico e o político quando uma cineasta recusa os procedimentos de rememoração documentais como o arquivo, o testemunho e a encenação, para apenas contemplar espaços de conflito no Leste Europeu de 1993 e em Israel de 2006, sem a eles se imiscuir? Buscando responder tal questão, este artigo produz o argumento de que através da escrita de si – de uma autobiografia instituída nas lacunas da memória sobre o Holocausto – os filmes D’est e Là-bas, de Chantal Akerman, alcançam o político por uma via intersticial – aquela dos afetos e das brechas - e formula uma figura palimpséstica para a história, que não encadeia passado e presente. PEPG COS-PUC-SP2019-06-15info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/39355Galaxia; No. 41 (2019)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 41 (2019)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/39355/28674Copyright (c) 2019 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semiótica. ISSN 1982-2553info:eu-repo/semantics/openAccessVeiga, Roberta Oliveira2019-06-15T13:50:47Zoai:ojs.pkp.sfu.ca:article/39355Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2019-06-15T13:50:47Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv An interstitial political gesture and a palimpsestic record: writing per se in D’est and Là-bas
Um gesto político intersticial e um histórico palimpséstico: a escrita de si em D’est e Là-bas de Chantal Akerman
title An interstitial political gesture and a palimpsestic record: writing per se in D’est and Là-bas
spellingShingle An interstitial political gesture and a palimpsestic record: writing per se in D’est and Là-bas
Veiga, Roberta Oliveira
Chantal Akerman
cinema
política
memória
Holocausto
afetos.
Chantal Akerman
cinema
politics
memory
Holocaust
affections.
title_short An interstitial political gesture and a palimpsestic record: writing per se in D’est and Là-bas
title_full An interstitial political gesture and a palimpsestic record: writing per se in D’est and Là-bas
title_fullStr An interstitial political gesture and a palimpsestic record: writing per se in D’est and Là-bas
title_full_unstemmed An interstitial political gesture and a palimpsestic record: writing per se in D’est and Là-bas
title_sort An interstitial political gesture and a palimpsestic record: writing per se in D’est and Là-bas
author Veiga, Roberta Oliveira
author_facet Veiga, Roberta Oliveira
author_role author
dc.contributor.author.fl_str_mv Veiga, Roberta Oliveira
dc.subject.por.fl_str_mv Chantal Akerman
cinema
política
memória
Holocausto
afetos.
Chantal Akerman
cinema
politics
memory
Holocaust
affections.
topic Chantal Akerman
cinema
política
memória
Holocausto
afetos.
Chantal Akerman
cinema
politics
memory
Holocaust
affections.
description Where are history and politics when a filmmaker refuses procedures of documental recollection such as archives, off-screen narration, and playacting, and instead contemplates spaces of conflict in Eastern Europe 1993 and in Israel 2006 without getting involved in them? In order to answer this question, we argue that, by means of a self-writing style (an autobiography built in the memory gaps of the Holocaust), Chantal Akerman’s films D’est and Là-bas reach the political through a crannied route (of affects and cracks) that constructs a palimpsestic picture of history in which past and present are not sequential.
publishDate 2019
dc.date.none.fl_str_mv 2019-06-15
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/39355
url https://revistas.pucsp.br/index.php/galaxia/article/view/39355
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/39355/28674
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv PEPG COS-PUC-SP
publisher.none.fl_str_mv PEPG COS-PUC-SP
dc.source.none.fl_str_mv Galaxia; No. 41 (2019)
GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 41 (2019)
1982-2553
reponame:Galáxia (São Paulo)
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Galáxia (São Paulo)
collection Galáxia (São Paulo)
repository.name.fl_str_mv Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv cos@pucsp.br||aidarprado@gmail.com
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