Media genre, performance and bodies in transit: an analysis of talk TV dissent on YouTube
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Galáxia (São Paulo) |
Texto Completo: | https://revistas.pucsp.br/index.php/galaxia/article/view/41752 |
Resumo: | This analytical paper proposes reflection on transformations of the television conversation operated on YouTube, with special interest in bodies that position themselves as dissidents. It takes as its empirical object three channels - Põe na Roda [Talk to All], Canal das Bee [Bee Channel] and Drag-se [Drag yourself] - that stress mediatic conventions of masculinities and femininities in relation to matrices of talk show and debate programs. The study points to places of reinforcement of the binary convention that marks the television bodies, despite the interest in identifying YouTube traffic places. It presents a historicized approach to the phenomenon, investing in the notion of television genre as a figure of historicities, in association with the sense of performance and self-reports. |
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Media genre, performance and bodies in transit: an analysis of talk TV dissent on YouTubeGênero midiático, performance e corpos em trânsito: uma análise sobre dissidências da conversação televisiva em canais no YouTubegênero televisivoperformanceYouTube.television genreperformanceYouTube.This analytical paper proposes reflection on transformations of the television conversation operated on YouTube, with special interest in bodies that position themselves as dissidents. It takes as its empirical object three channels - Põe na Roda [Talk to All], Canal das Bee [Bee Channel] and Drag-se [Drag yourself] - that stress mediatic conventions of masculinities and femininities in relation to matrices of talk show and debate programs. The study points to places of reinforcement of the binary convention that marks the television bodies, despite the interest in identifying YouTube traffic places. It presents a historicized approach to the phenomenon, investing in the notion of television genre as a figure of historicities, in association with the sense of performance and self-reports.O artigo de cunho analítico propõe reflexão sobre transformações da conversação televisiva operadas no YouTube, com especial interesse em corpos que se posicionam como dissidentes. Toma como objeto empírico três canais – Põe na Roda, Canal das Bee e Drag- se – que tensionam convenções midiáticas de masculinidades e feminilidades na relação com matrizes do talk show e de programas de debate. O estudo aponta lugares de reforço da convenção binária que marca os corpos televisivos, apesar do interesse em identificar lugares de trânsito do YouTube. Apresenta abordagem historicizada do fenômeno, investindo na noção de gênero televisivo como figura de historicidades, em associação ao sentido de performance e relatos de si. PEPG COS-PUC-SP2019-08-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/41752Galaxia; Especial 1 Dossiê HistoricidadesGALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; Especial 1 Dossiê Historicidades1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/41752/29551Copyright (c) 2019 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semiótica. ISSN 1982-2553info:eu-repo/semantics/openAccessGutmann, Juliana FreireJunior, Edinaldo Motada Silva, Fernanda Mauricio2019-08-21T15:09:08Zoai:ojs.pkp.sfu.ca:article/41752Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2019-08-21T15:09:08Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.none.fl_str_mv |
Media genre, performance and bodies in transit: an analysis of talk TV dissent on YouTube Gênero midiático, performance e corpos em trânsito: uma análise sobre dissidências da conversação televisiva em canais no YouTube |
title |
Media genre, performance and bodies in transit: an analysis of talk TV dissent on YouTube |
spellingShingle |
Media genre, performance and bodies in transit: an analysis of talk TV dissent on YouTube Gutmann, Juliana Freire gênero televisivo performance YouTube. television genre performance YouTube. |
title_short |
Media genre, performance and bodies in transit: an analysis of talk TV dissent on YouTube |
title_full |
Media genre, performance and bodies in transit: an analysis of talk TV dissent on YouTube |
title_fullStr |
Media genre, performance and bodies in transit: an analysis of talk TV dissent on YouTube |
title_full_unstemmed |
Media genre, performance and bodies in transit: an analysis of talk TV dissent on YouTube |
title_sort |
Media genre, performance and bodies in transit: an analysis of talk TV dissent on YouTube |
author |
Gutmann, Juliana Freire |
author_facet |
Gutmann, Juliana Freire Junior, Edinaldo Mota da Silva, Fernanda Mauricio |
author_role |
author |
author2 |
Junior, Edinaldo Mota da Silva, Fernanda Mauricio |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Gutmann, Juliana Freire Junior, Edinaldo Mota da Silva, Fernanda Mauricio |
dc.subject.por.fl_str_mv |
gênero televisivo performance YouTube. television genre performance YouTube. |
topic |
gênero televisivo performance YouTube. television genre performance YouTube. |
description |
This analytical paper proposes reflection on transformations of the television conversation operated on YouTube, with special interest in bodies that position themselves as dissidents. It takes as its empirical object three channels - Põe na Roda [Talk to All], Canal das Bee [Bee Channel] and Drag-se [Drag yourself] - that stress mediatic conventions of masculinities and femininities in relation to matrices of talk show and debate programs. The study points to places of reinforcement of the binary convention that marks the television bodies, despite the interest in identifying YouTube traffic places. It presents a historicized approach to the phenomenon, investing in the notion of television genre as a figure of historicities, in association with the sense of performance and self-reports. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-08-18 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/41752 |
url |
https://revistas.pucsp.br/index.php/galaxia/article/view/41752 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/41752/29551 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
dc.source.none.fl_str_mv |
Galaxia; Especial 1 Dossiê Historicidades GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; Especial 1 Dossiê Historicidades 1982-2553 reponame:Galáxia (São Paulo) instname:Pontifícia Universidade Católica de São Paulo (PUC-SP) instacron:PUC_SP |
instname_str |
Pontifícia Universidade Católica de São Paulo (PUC-SP) |
instacron_str |
PUC_SP |
institution |
PUC_SP |
reponame_str |
Galáxia (São Paulo) |
collection |
Galáxia (São Paulo) |
repository.name.fl_str_mv |
Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP) |
repository.mail.fl_str_mv |
cos@pucsp.br||aidarprado@gmail.com |
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