The method of the scene in Jacques Rancière: dissensus, non- hierarchical dispositions and disruption
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Galáxia (São Paulo) |
Texto Completo: | https://revistas.pucsp.br/index.php/galaxia/article/view/53828 |
Resumo: | The concept of scene is funda- mental to Jacques Rancière’s elaboration of his method of equality. Rancière uses a fictional rationality to produce montages that bring together images, gestures, texts, speeches and prosaic events in a fable-like composition of mul- tiple temporalities that arise from a series of intervals which deviate from the consensual explanation of the world. This text intendeds to reflect on three specific and intertwined dimensions of the setting up of the scene as a method: dissensus, de-hierarchy and disruption. Such dimensions are interconnected in three operations to be highlighted in this paper: a) the scene as a method that requires a kind of writing based on the construction of montages and intervals; b) the scene as a gesture of apparition of the political subject, of his corporeality and vulnerabilities in search of emancipation; c) the scene as a juxtaposition of times and spaces, configuring an aesthetic-political fabulation capable of rearranging the various elements that give a singular moment its cognitive value, which is also a value of rupture with the endless chain of con- ditions that define the possibilities of an experience. This operation sets in motion a type of emancipation in which Rancière associates the daydreaming with the deviation and destabilization of relations of domination. |
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The method of the scene in Jacques Rancière: dissensus, non- hierarchical dispositions and disruptionO método da cena em Jacques Rancière: dissenso, desierarquização e desarranjométodo da cenadissensotempofabulaçãoRancièreThe concept of scene is funda- mental to Jacques Rancière’s elaboration of his method of equality. Rancière uses a fictional rationality to produce montages that bring together images, gestures, texts, speeches and prosaic events in a fable-like composition of mul- tiple temporalities that arise from a series of intervals which deviate from the consensual explanation of the world. This text intendeds to reflect on three specific and intertwined dimensions of the setting up of the scene as a method: dissensus, de-hierarchy and disruption. Such dimensions are interconnected in three operations to be highlighted in this paper: a) the scene as a method that requires a kind of writing based on the construction of montages and intervals; b) the scene as a gesture of apparition of the political subject, of his corporeality and vulnerabilities in search of emancipation; c) the scene as a juxtaposition of times and spaces, configuring an aesthetic-political fabulation capable of rearranging the various elements that give a singular moment its cognitive value, which is also a value of rupture with the endless chain of con- ditions that define the possibilities of an experience. This operation sets in motion a type of emancipation in which Rancière associates the daydreaming with the deviation and destabilization of relations of domination.O conceito de cena é fundamental para a elaboração feita por Jacques Rancière de seu método da igualdade. A partir de montagens que reúnem ima- gens, gestos, textos, discursos e acontecimentos prosaicos, Rancière aposta em uma racionalidade ficcional, capaz de produzir uma composição fabuladora na qual múltiplas temporalidades surgem de uma série de intervalos, que se desviam da explicação consensual do mundo. Este texto destina-se a refletir acerca de três dimensões específicas e entrelaçadas na montagem da cena como método: o dissenso, a desierarquização e o desarranjo. Argumento que tais dimensões estão interligadas em três operações a serem evidenciadas neste artigo: a) a cena como método que requer uma escrita baseada na cons- trução de montagens e intervalos; b) a cena como gesto de aparição do sujeito político, de sua corporeidade e vulnerabilidades, buscando sua emancipação; c) a cena como justaposição de tempos e espaços, configurando uma fabulação estético-política capaz de recolocar os vários elementos, que conferem a um momento singular um valor de ruptura com a cadeia interminável de condi- ções, definindo as possibilidades de uma experiência. Essa operação coloca em marcha um tipo de emancipação em que Rancière associa o devaneio ao desvio e à desestabilização das relações de dominação.PEPG COS-PUC-SP2022-06-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/53828Galaxia; No. 47 (2022): GaláxiaGALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 47 (2022): Galáxia1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/53828/39917Copyright (c) 2022 Angela Cristina Salgueiro Marqueshttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSalgueiro Marques, Angela Cristina2022-06-21T13:55:56Zoai:ojs.pkp.sfu.ca:article/53828Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2022-06-21T13:55:56Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.none.fl_str_mv |
The method of the scene in Jacques Rancière: dissensus, non- hierarchical dispositions and disruption O método da cena em Jacques Rancière: dissenso, desierarquização e desarranjo |
title |
The method of the scene in Jacques Rancière: dissensus, non- hierarchical dispositions and disruption |
spellingShingle |
The method of the scene in Jacques Rancière: dissensus, non- hierarchical dispositions and disruption Salgueiro Marques, Angela Cristina método da cena dissenso tempo fabulação Rancière |
title_short |
The method of the scene in Jacques Rancière: dissensus, non- hierarchical dispositions and disruption |
title_full |
The method of the scene in Jacques Rancière: dissensus, non- hierarchical dispositions and disruption |
title_fullStr |
The method of the scene in Jacques Rancière: dissensus, non- hierarchical dispositions and disruption |
title_full_unstemmed |
The method of the scene in Jacques Rancière: dissensus, non- hierarchical dispositions and disruption |
title_sort |
The method of the scene in Jacques Rancière: dissensus, non- hierarchical dispositions and disruption |
author |
Salgueiro Marques, Angela Cristina |
author_facet |
Salgueiro Marques, Angela Cristina |
author_role |
author |
dc.contributor.author.fl_str_mv |
Salgueiro Marques, Angela Cristina |
dc.subject.por.fl_str_mv |
método da cena dissenso tempo fabulação Rancière |
topic |
método da cena dissenso tempo fabulação Rancière |
description |
The concept of scene is funda- mental to Jacques Rancière’s elaboration of his method of equality. Rancière uses a fictional rationality to produce montages that bring together images, gestures, texts, speeches and prosaic events in a fable-like composition of mul- tiple temporalities that arise from a series of intervals which deviate from the consensual explanation of the world. This text intendeds to reflect on three specific and intertwined dimensions of the setting up of the scene as a method: dissensus, de-hierarchy and disruption. Such dimensions are interconnected in three operations to be highlighted in this paper: a) the scene as a method that requires a kind of writing based on the construction of montages and intervals; b) the scene as a gesture of apparition of the political subject, of his corporeality and vulnerabilities in search of emancipation; c) the scene as a juxtaposition of times and spaces, configuring an aesthetic-political fabulation capable of rearranging the various elements that give a singular moment its cognitive value, which is also a value of rupture with the endless chain of con- ditions that define the possibilities of an experience. This operation sets in motion a type of emancipation in which Rancière associates the daydreaming with the deviation and destabilization of relations of domination. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-06-22 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/53828 |
url |
https://revistas.pucsp.br/index.php/galaxia/article/view/53828 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/53828/39917 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Angela Cristina Salgueiro Marques https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Angela Cristina Salgueiro Marques https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
dc.source.none.fl_str_mv |
Galaxia; No. 47 (2022): Galáxia GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 47 (2022): Galáxia 1982-2553 reponame:Galáxia (São Paulo) instname:Pontifícia Universidade Católica de São Paulo (PUC-SP) instacron:PUC_SP |
instname_str |
Pontifícia Universidade Católica de São Paulo (PUC-SP) |
instacron_str |
PUC_SP |
institution |
PUC_SP |
reponame_str |
Galáxia (São Paulo) |
collection |
Galáxia (São Paulo) |
repository.name.fl_str_mv |
Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP) |
repository.mail.fl_str_mv |
cos@pucsp.br||aidarprado@gmail.com |
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1799129332254244864 |