interdiction and invisibility in cinematographic representations: the household geography of the housemaid at Que horas ela volta? and Aquarius
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Galáxia (São Paulo) |
Texto Completo: | https://revistas.pucsp.br/index.php/galaxia/article/view/41050 |
Resumo: | Household employment has been historically configured as a space of colonial practices, crossed by hierarchies of gender, social class and ethnic-racial identities. A direct product of slavery and organized on the margins of labor relations, the profession is marked by social and economic prejudices. The social agent, the maid, was represented by the cinema and TV as secondary and subordinate , occupying a peripheral place and silenced by the relations of power that characterized the space of the bourgeois family. Recently some national films have discussed the place occupied by the maid within the home. From a reflection on spaces, territories and mobilities, we intend to address in this article two films that show the tensions in the relationship between maids and employers in the home / family, Que horas ela volta? and Aquarius. |
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interdiction and invisibility in cinematographic representations: the household geography of the housemaid at Que horas ela volta? and AquariusInterdição e invisibilidade nas representações cinematográficas: a geográfica doméstica das empregadas em Que horas ela volta? e Aquariusempregada domésticacinema brasileiromobilidaderegimes de visibilidade.housemaidsBrazilian cinemamobilityvisibility regimesHousehold employment has been historically configured as a space of colonial practices, crossed by hierarchies of gender, social class and ethnic-racial identities. A direct product of slavery and organized on the margins of labor relations, the profession is marked by social and economic prejudices. The social agent, the maid, was represented by the cinema and TV as secondary and subordinate , occupying a peripheral place and silenced by the relations of power that characterized the space of the bourgeois family. Recently some national films have discussed the place occupied by the maid within the home. From a reflection on spaces, territories and mobilities, we intend to address in this article two films that show the tensions in the relationship between maids and employers in the home / family, Que horas ela volta? and Aquarius.O emprego doméstico se configurou historicamente como um espaço de permanência de práticas coloniais, atravessado por hierarquias da ordem de gênero, classe social e identidades étnico-raciais. Produto direto da escravidão e organizado às margens das relações trabalhistas, a profissão é marcada por preconceitos sociais e econômicos. A agente social, empregada doméstica, foi representada pelo cinema e TV como coadjuvante e subalterna, ocupando um lugar periférico e silenciada pelas relações de poder que caracterizavam o espaço da família burguesa. Recentemente alguns filmes nacionais têm problematizado o local ocupado pela doméstica dentro do lar. A partir de uma reflexão sobre espaços, territórios e mobilidades, pretendemos abordar neste artigo dois filmes que mostram as tensões na relação entre empregadas e patroas na casa/família, Que horas ela volta? e Aquarius.PEPG COS-PUC-SP2019-11-07info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/41050Galaxia; No. 42 (2019)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 42 (2019)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/41050/30401Copyright (c) 2019 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semiótica. ISSN 1982-2553info:eu-repo/semantics/openAccessDa Silva Pinto, Licia MartaSiciliano, Tatiana OliveiraBragança, Maurício de2019-11-07T18:05:06Zoai:ojs.pkp.sfu.ca:article/41050Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2019-11-07T18:05:06Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.none.fl_str_mv |
interdiction and invisibility in cinematographic representations: the household geography of the housemaid at Que horas ela volta? and Aquarius Interdição e invisibilidade nas representações cinematográficas: a geográfica doméstica das empregadas em Que horas ela volta? e Aquarius |
title |
interdiction and invisibility in cinematographic representations: the household geography of the housemaid at Que horas ela volta? and Aquarius |
spellingShingle |
interdiction and invisibility in cinematographic representations: the household geography of the housemaid at Que horas ela volta? and Aquarius Da Silva Pinto, Licia Marta empregada doméstica cinema brasileiro mobilidade regimes de visibilidade. housemaids Brazilian cinema mobility visibility regimes |
title_short |
interdiction and invisibility in cinematographic representations: the household geography of the housemaid at Que horas ela volta? and Aquarius |
title_full |
interdiction and invisibility in cinematographic representations: the household geography of the housemaid at Que horas ela volta? and Aquarius |
title_fullStr |
interdiction and invisibility in cinematographic representations: the household geography of the housemaid at Que horas ela volta? and Aquarius |
title_full_unstemmed |
interdiction and invisibility in cinematographic representations: the household geography of the housemaid at Que horas ela volta? and Aquarius |
title_sort |
interdiction and invisibility in cinematographic representations: the household geography of the housemaid at Que horas ela volta? and Aquarius |
author |
Da Silva Pinto, Licia Marta |
author_facet |
Da Silva Pinto, Licia Marta Siciliano, Tatiana Oliveira Bragança, Maurício de |
author_role |
author |
author2 |
Siciliano, Tatiana Oliveira Bragança, Maurício de |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Da Silva Pinto, Licia Marta Siciliano, Tatiana Oliveira Bragança, Maurício de |
dc.subject.por.fl_str_mv |
empregada doméstica cinema brasileiro mobilidade regimes de visibilidade. housemaids Brazilian cinema mobility visibility regimes |
topic |
empregada doméstica cinema brasileiro mobilidade regimes de visibilidade. housemaids Brazilian cinema mobility visibility regimes |
description |
Household employment has been historically configured as a space of colonial practices, crossed by hierarchies of gender, social class and ethnic-racial identities. A direct product of slavery and organized on the margins of labor relations, the profession is marked by social and economic prejudices. The social agent, the maid, was represented by the cinema and TV as secondary and subordinate , occupying a peripheral place and silenced by the relations of power that characterized the space of the bourgeois family. Recently some national films have discussed the place occupied by the maid within the home. From a reflection on spaces, territories and mobilities, we intend to address in this article two films that show the tensions in the relationship between maids and employers in the home / family, Que horas ela volta? and Aquarius. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-11-07 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/41050 |
url |
https://revistas.pucsp.br/index.php/galaxia/article/view/41050 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/41050/30401 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
dc.source.none.fl_str_mv |
Galaxia; No. 42 (2019) GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 42 (2019) 1982-2553 reponame:Galáxia (São Paulo) instname:Pontifícia Universidade Católica de São Paulo (PUC-SP) instacron:PUC_SP |
instname_str |
Pontifícia Universidade Católica de São Paulo (PUC-SP) |
instacron_str |
PUC_SP |
institution |
PUC_SP |
reponame_str |
Galáxia (São Paulo) |
collection |
Galáxia (São Paulo) |
repository.name.fl_str_mv |
Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP) |
repository.mail.fl_str_mv |
cos@pucsp.br||aidarprado@gmail.com |
_version_ |
1799129331708985344 |