História em quadrinhos Neon Genesis Evangelion: tautologia e guia de resiliência pop da modernidade líquida
Autor(a) principal: | |
---|---|
Data de Publicação: | 2020 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da PUC_RS |
Texto Completo: | http://tede2.pucrs.br/tede2/handle/tede/9242 |
Resumo: | This research, which has as its corpus the popular Japanese comic book Neon Genesis Evangelion (at first sight, a common science fiction), created by Yoshiyuki Sadamoto in the first half of the 1990s, has as main objective to investigate possible references to the process of liquefaction of modernity, extensively studied by Zygmunt Bauman and other contemporary theorists. In order to do so, it was necessary to revise themes such as modernity, Pop art, comic books and, finally, to analyze of the work itself. The main theorists brought to support the study were Zygmunt Bauman, David McCarthy and Will Eisner. Following this logic, we observe the fact that modernity has as its intrinsic characteristic the tendency of fragmentation, having tried, without effective results, to build solid resistance to dissolution. In addition, the study of modernity and its dilution points to some essential topics for human life, affected by the change in the condition of modernity: politics, economics, culture, affections, etc. In turn, Pop art (the result of the Pop movement during the post-war period) seems to have brought such dissolution to the realm of language by aestheticizing disposability and valuing the apparently childish fragments of mass culture, in enhanced experiments, sophisticatedly inherited of the extinct vanguards. The study of comic books, on the other hand, demonstrated the powerful capacity of this “literary” genre (essentially modern, fragmentary and hybrid) to massively reach large audiences, due to the speed of their production and the modernized, schematic language. However, this comic book language is also affected by the contingencies of the freedom of handling the text by the reader, and it can be deliberately atomized, cut out, as did many artists from the Pop movement. In parallel, the analysis of the work can be divided into two main parts. The first, focused on the formal sphere (in which an open plot was found narrated on a fragmentary support, virtuous spherical, fragile and unstable characters, with emphasis on technologies and hybridism) and the second focused on interpretation, in which many elements or topics similar to those discussed by modernization liquefaction theorist is present. Then, in Eva, the collapse of our rational world is transformed into a work of art. This study concluded that Neon Genesis Evangelion repeats tautologically (emulating in form, in content, as well as in its “interaction” with the public) the liquid modernity that inspires and embraces it, building, for the reader, a Pop guide of resilience in the face of this new fluid, fragmented era of life and the world. |
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Barberena, Ricardo Araújohttp://lattes.cnpq.br/4713324061573064http://lattes.cnpq.br/7844032040320041Monteiro, Ênio Chaves2020-08-28T13:14:56Z2020-06-04http://tede2.pucrs.br/tede2/handle/tede/9242This research, which has as its corpus the popular Japanese comic book Neon Genesis Evangelion (at first sight, a common science fiction), created by Yoshiyuki Sadamoto in the first half of the 1990s, has as main objective to investigate possible references to the process of liquefaction of modernity, extensively studied by Zygmunt Bauman and other contemporary theorists. In order to do so, it was necessary to revise themes such as modernity, Pop art, comic books and, finally, to analyze of the work itself. The main theorists brought to support the study were Zygmunt Bauman, David McCarthy and Will Eisner. Following this logic, we observe the fact that modernity has as its intrinsic characteristic the tendency of fragmentation, having tried, without effective results, to build solid resistance to dissolution. In addition, the study of modernity and its dilution points to some essential topics for human life, affected by the change in the condition of modernity: politics, economics, culture, affections, etc. In turn, Pop art (the result of the Pop movement during the post-war period) seems to have brought such dissolution to the realm of language by aestheticizing disposability and valuing the apparently childish fragments of mass culture, in enhanced experiments, sophisticatedly inherited of the extinct vanguards. The study of comic books, on the other hand, demonstrated the powerful capacity of this “literary” genre (essentially modern, fragmentary and hybrid) to massively reach large audiences, due to the speed of their production and the modernized, schematic language. However, this comic book language is also affected by the contingencies of the freedom of handling the text by the reader, and it can be deliberately atomized, cut out, as did many artists from the Pop movement. In parallel, the analysis of the work can be divided into two main parts. The first, focused on the formal sphere (in which an open plot was found narrated on a fragmentary support, virtuous spherical, fragile and unstable characters, with emphasis on technologies and hybridism) and the second focused on interpretation, in which many elements or topics similar to those discussed by modernization liquefaction theorist is present. Then, in Eva, the collapse of our rational world is transformed into a work of art. This study concluded that Neon Genesis Evangelion repeats tautologically (emulating in form, in content, as well as in its “interaction” with the public) the liquid modernity that inspires and embraces it, building, for the reader, a Pop guide of resilience in the face of this new fluid, fragmented era of life and the world.Esta pesquisa, tendo como corpus a popular história em quadrinhos japonesa Neon Genesis Evangelion (à primeira vista, uma ficção científica comum), criada por Yoshiyuki Sadamoto na primeira metade da década de 1990, tem como objetivo principal averiguar possíveis referências ao processo de liquefação da modernidade, bastante estudado por Zygmunt Bauman e outros teóricos contemporâneos. Para isso, foi necessária a revisão de temas como a modernidade, a arte Pop, as histórias em quadrinhos e, por fim, análise da obra em si, tomando como principais teóricos Zygmunt Bauman, David McCarthy e Will Eisner. Seguindo essa lógica, observamos o fato de a modernidade ter como característica intrínseca a tendência de fragmentação, tendo tentado, sem resultados efetivos, a construção de sólidos resistentes à dissolução. Também, o estudo da modernidade e de sua diluição nos aponta alguns tópicos essenciais à vida humana, afetados pela mudança de condição da modernidade: política, economia, cultura, afetos, etc. Por sua vez, a arte Pop (fruto do movimento Pop, durante o pós-guerra) parece ter trazido para o âmbito da linguagem tal dissolução ao estetizar a descartabilidade e valorizar os aparentemente pueris fragmentos da cultura de massa, em experimentos aprimorados, sofisticadamente herdados das extintas vanguardas. Já o estudo das histórias em quadrinhos demonstrou a poderosa capacidade desse gênero “literário” (essencialmente moderno, fragmentário e híbrido) em atingir de forma massificada grandes públicos, devido à velocidade de sua produção e à linguagem modernamente organizada, esquematizada. Entretanto, tal linguagem quadrinística igualmente se mostra afetável pelas contingências das liberdades de manuseio do texto pelo leitor, podendo ser deliberadamente atomizada, recortada, assim como fizeram muitos artistas do movimento Pop. Em paralelo, a análise da obra pode ser dividida em duas partes principais: uma voltada para o âmbito formal (na qual se constatou uma trama aberta narrada sobre um suporte fragmentário, virtuosos personagens esféricos, frágeis e instáveis, ênfase em tecnologias e hibridismos) e outra voltada para a interpretação (em que se constatou a presença de muitos elementos ou tópicos semelhantes aos discutidos pelos teóricos da liquefação da modernidade). Então, em Eva, o colapso de nosso mundo racional é transformado em obra de arte. Assim, ao final, ficou constatado que Neon Genesis Evangelion repete tautologicamente (emulando na forma, no conteúdo, bem como em sua “interação” com o público) a modernidade líquida que a inspira e a abarca, construindo, para o leitor, um guia Pop de resiliência perante essa nova era fluida, fragmentada, da vida e do mundo.Submitted by PPG Letras (letraspg@pucrs.br) on 2020-07-08T12:31:29Z No. of bitstreams: 1 Tese - Ênio Chaves Monteiro.pdf: 8965367 bytes, checksum: fc8df06a380e51181cc2ff5550b40924 (MD5)Approved for entry into archive by Lucas Martins Kern (lucas.kern@pucrs.br) on 2020-08-28T13:11:15Z (GMT) No. of bitstreams: 1 Tese - Ênio Chaves Monteiro.pdf: 8965367 bytes, checksum: fc8df06a380e51181cc2ff5550b40924 (MD5)Made available in DSpace on 2020-08-28T13:14:56Z (GMT). No. of bitstreams: 1 Tese - Ênio Chaves Monteiro.pdf: 8965367 bytes, checksum: fc8df06a380e51181cc2ff5550b40924 (MD5) Previous issue date: 2020-06-04Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfhttp://tede2.pucrs.br:80/tede2/retrieve/178704/Tese%20-%20%c3%8anio%20Chaves%20Monteiro.pdf.jpgporPontifícia Universidade Católica do Rio Grande do SulPrograma de Pós-Graduação em LetrasPUCRSBrasilEscola de HumanidadesNeon Genesis EvangelionModernidade líquidaTautologiaQuadrinhosNeon Genesis EvangelionLiquid modernityTautologyComicsLINGUISTICA, LETRAS E ARTES::LETRASHistória em quadrinhos Neon Genesis Evangelion: tautologia e guia de resiliência pop da modernidade líquidainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisTrabalho não apresenta restrição para publicação407477848473845987500500500600-6557531471218110192-54094192628864980883590462550136975366info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_RSinstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSTHUMBNAILTese - Ênio Chaves Monteiro.pdf.jpgTese - Ênio Chaves Monteiro.pdf.jpgimage/jpeg5956http://tede2.pucrs.br/tede2/bitstream/tede/9242/4/Tese+-+%C3%8Anio+Chaves+Monteiro.pdf.jpg77fb295e0f478634cadd7b8abb104c11MD54TEXTTese - Ênio Chaves Monteiro.pdf.txtTese - Ênio Chaves Monteiro.pdf.txttext/plain808038http://tede2.pucrs.br/tede2/bitstream/tede/9242/3/Tese+-+%C3%8Anio+Chaves+Monteiro.pdf.txt131977bf2a72484de31f4bc922d0633fMD53ORIGINALTese - Ênio Chaves Monteiro.pdfTese - Ênio Chaves Monteiro.pdfapplication/pdf8965367http://tede2.pucrs.br/tede2/bitstream/tede/9242/2/Tese+-+%C3%8Anio+Chaves+Monteiro.pdffc8df06a380e51181cc2ff5550b40924MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-8590http://tede2.pucrs.br/tede2/bitstream/tede/9242/1/license.txt220e11f2d3ba5354f917c7035aadef24MD51tede/92422020-08-28 12:00:10.165oai:tede2.pucrs.br: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Biblioteca Digital de Teses e Dissertaçõeshttp://tede2.pucrs.br/tede2/PRIhttps://tede2.pucrs.br/oai/requestbiblioteca.central@pucrs.br||opendoar:2020-08-28T15:00:10Biblioteca Digital de Teses e Dissertações da PUC_RS - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false |
dc.title.por.fl_str_mv |
História em quadrinhos Neon Genesis Evangelion: tautologia e guia de resiliência pop da modernidade líquida |
title |
História em quadrinhos Neon Genesis Evangelion: tautologia e guia de resiliência pop da modernidade líquida |
spellingShingle |
História em quadrinhos Neon Genesis Evangelion: tautologia e guia de resiliência pop da modernidade líquida Monteiro, Ênio Chaves Neon Genesis Evangelion Modernidade líquida Tautologia Quadrinhos Neon Genesis Evangelion Liquid modernity Tautology Comics LINGUISTICA, LETRAS E ARTES::LETRAS |
title_short |
História em quadrinhos Neon Genesis Evangelion: tautologia e guia de resiliência pop da modernidade líquida |
title_full |
História em quadrinhos Neon Genesis Evangelion: tautologia e guia de resiliência pop da modernidade líquida |
title_fullStr |
História em quadrinhos Neon Genesis Evangelion: tautologia e guia de resiliência pop da modernidade líquida |
title_full_unstemmed |
História em quadrinhos Neon Genesis Evangelion: tautologia e guia de resiliência pop da modernidade líquida |
title_sort |
História em quadrinhos Neon Genesis Evangelion: tautologia e guia de resiliência pop da modernidade líquida |
author |
Monteiro, Ênio Chaves |
author_facet |
Monteiro, Ênio Chaves |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Barberena, Ricardo Araújo |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/4713324061573064 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/7844032040320041 |
dc.contributor.author.fl_str_mv |
Monteiro, Ênio Chaves |
contributor_str_mv |
Barberena, Ricardo Araújo |
dc.subject.por.fl_str_mv |
Neon Genesis Evangelion Modernidade líquida Tautologia Quadrinhos |
topic |
Neon Genesis Evangelion Modernidade líquida Tautologia Quadrinhos Neon Genesis Evangelion Liquid modernity Tautology Comics LINGUISTICA, LETRAS E ARTES::LETRAS |
dc.subject.eng.fl_str_mv |
Neon Genesis Evangelion Liquid modernity Tautology Comics |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::LETRAS |
description |
This research, which has as its corpus the popular Japanese comic book Neon Genesis Evangelion (at first sight, a common science fiction), created by Yoshiyuki Sadamoto in the first half of the 1990s, has as main objective to investigate possible references to the process of liquefaction of modernity, extensively studied by Zygmunt Bauman and other contemporary theorists. In order to do so, it was necessary to revise themes such as modernity, Pop art, comic books and, finally, to analyze of the work itself. The main theorists brought to support the study were Zygmunt Bauman, David McCarthy and Will Eisner. Following this logic, we observe the fact that modernity has as its intrinsic characteristic the tendency of fragmentation, having tried, without effective results, to build solid resistance to dissolution. In addition, the study of modernity and its dilution points to some essential topics for human life, affected by the change in the condition of modernity: politics, economics, culture, affections, etc. In turn, Pop art (the result of the Pop movement during the post-war period) seems to have brought such dissolution to the realm of language by aestheticizing disposability and valuing the apparently childish fragments of mass culture, in enhanced experiments, sophisticatedly inherited of the extinct vanguards. The study of comic books, on the other hand, demonstrated the powerful capacity of this “literary” genre (essentially modern, fragmentary and hybrid) to massively reach large audiences, due to the speed of their production and the modernized, schematic language. However, this comic book language is also affected by the contingencies of the freedom of handling the text by the reader, and it can be deliberately atomized, cut out, as did many artists from the Pop movement. In parallel, the analysis of the work can be divided into two main parts. The first, focused on the formal sphere (in which an open plot was found narrated on a fragmentary support, virtuous spherical, fragile and unstable characters, with emphasis on technologies and hybridism) and the second focused on interpretation, in which many elements or topics similar to those discussed by modernization liquefaction theorist is present. Then, in Eva, the collapse of our rational world is transformed into a work of art. This study concluded that Neon Genesis Evangelion repeats tautologically (emulating in form, in content, as well as in its “interaction” with the public) the liquid modernity that inspires and embraces it, building, for the reader, a Pop guide of resilience in the face of this new fluid, fragmented era of life and the world. |
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2020 |
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2020-08-28T13:14:56Z |
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2020-06-04 |
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por |
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407477848473845987 |
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500 500 500 600 |
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